1985 was a pivotal year in the teen comedy cycle; it took the teen comedy to whole levels that ranged from the supernatural ( Teen Wolf, The Heavenly Kid, Once Bitten) to commentary about gender relations ( Just One of the Guys), and commentary about the high school social structure ( The Breakfast Club) . And there was Better Off Dead, which almost belongs in a category of its own. Better Off Dead ’s basic storyline isn’t anything original, in fact, it is pretty formulaic to the teen comedies of that time; all the tropes are there: Lane – The average male protagonists, who lacks confidence and obsesses over a pretty blonde (in this case his ex-girlfriend). He spends the majority of the film either obsessing on how to get Beth back, or attempting suicide and failing every time. Beth - Lane’s pretty ex-girlfriend, who (as the genre dictates) is a flaky blonde that left Lane for the more popular Roy Stalin. Roy Stalin – Beth’s current boyfriend and Lane’s main antagonist
This is a blog that is devoted entirely to film analysis. I tend to analyze movies in a historical context. What were the cultural trends at the time? Why was the rationale behind the movie? I also tend to write about lesser-known movies, as there really isn't much more that can be said about most mainstream movies. I hope you enjoy!!!