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Showing posts from March, 2013

Abbott and Costello Meet Frankenstein (1948)

Depending on who you talk to,  Abbott and Costello Meet Frankenstein is either one of the best horror comedy films ever made, or the absolute the nadir in Universal's monster series of the 40s. To many horror aficionados it is a depressing sight to see three great horror icons (Dracula, The Wolf Man, The Frankenstein Monster) playing second fiddle to the comedy stylings of Abbott and Costello. In their mind, it's on par with shouting "HAIL SATAN!" in the middle of a Sunday church service, ABSOLUTE BLASPHEMY! I am part of the former camp that claim it at as one of the best, if not the best, horror comedy ever made.  Of course, I'm absolutely biased as I first saw it when I was nine and watched it obsessively throughout the course of my youth. Abbott and Costello Meet Frankenstein was also my first exposure to both Dracula and the Frankenstein Monster (I saw The Wolf Man  before hand). I own it in two different formats (VHS and DVD). I remember seeing the VHS o

The Hobbit: The Unexpected Journey, Or, The Bad Assification of J.R.R. Tolkien

In the past few months we have bombarded with cinematic re-imaginings of children's stories: Hansel and Gretel: Witch Hunters, Jack the Giant Slayer, Oz: The Great and Powerful, and The Hobbit: An Unexpected Journey. The thing these films have in common (other than being adaptations of children's stories) is that they focus more on action and spectacle (to the 3D format) than telling an actual story. Hence, the bad ass factor is ratcheted up several notches, while characters and narrative get lost in the mix. It is only a matter of time before we are treated to a re-imagining of  The Tortoise and the Hare  (in 3D), which will end in a huge slug fest between the two characters and the tortoise coming out triumphant after he beheads the evil hare.  Everything in today’s commercial cinema must be cool and bad ass otherwise, in the mind of Hollywood execs, the audience might have no interest in seeing it. So, not only do modern fight scenes defy the laws of physics, but the