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Showing posts from 2017

Babes in Toyland (March of the Wooden Soldiers) (1934)

In the last few years, with the rise of Netflix and other streaming services, the local TV stations have essentially dropped movies from their schedules to focus more on television series.   As a result, many Christmas classics that were in heavy rotation during the 1980s and 1990s have been dropped to the wayside to make room for more contemporary programming.   This is the fate that has, unfortunately, befallen the Laurel and Hardy classic Babes in Toyland ( March of the Wooden Soldiers). I first saw Babes in Toyland in third grade; our principal owned a 16 mm print and screened it for the entire school. This came shortly after I had discovered Laurel and Hardy, so naturally I was elated when I saw their names in the opening credits. The rest of the students were indifferent first, but eventually got into the movie. Imagine my joys a few years later when, while browsing through the (then) brand new Wal-Mart, I found it to buy on VHS (in color) for the low prices of 12.99.

American Horror House (2012)

After watching American Horror House, I initially thought that it was made by young filmmakers who, after having watched one too many horror movies, decided to make their own horror movie as a calling card to the movie industry.   From its over reliance of dutch angles and point of view shots to constantly referencing better horror movies, American Horror House has film student written all over it. Therefore, it was a bit of shock when I found out that both its director (Darin Scott) and screenwriter (Anthony C. Ferrante) have been in the business for quite sometime and have been churning out this kind of schlock their entire careers. I’m fairly lenient towards young, inexperienced filmmakers struggling to make a scary movie, but these men seem fairly content in cranking out lazy, by the numbers horror movies (Ferrante is probably best known for directing the Sharknado movies).  American Horror House has the exact same structure as the original Friday the 13 th : a pre-c

Strangers Things 2 (2017) [SPOILERS]

When it was announced that Netflix was renewing Stranger Things for a second season, fans breathed a sigh of relief, and then started asking questions? Would Eleven be coming back? What was the deal with Will? How in the hell could Nancy choose Steve Harrington over Jonathan?   However, the most important question was: Would it be any good? It goes without saying that expectations for season two were exceedingly high and I’m happy to say that it doesn’t disappoint.   Stranger Things 2 is, thankfully, not merely a rehash of the first season and does a nice job of expanding the characters and story line. It isn’t without its flaws, but I’ll get to that later. When I posted on Stranger Things least year, my review focused entirely on the relationship between Mike and Eleven, largely because I felt that these two characters were the “heart and soul” of the   season one (plus I was amazed by   Finn Wolfhard’s and Millie Bobby Brown’s onscreen chemistry).   In season two, however