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Thursday, August 21, 2025

My Girlfriend is a Gumiho (2010)/ The Accidental Couple (2009)



The idea of the unlikely romance is nothing new to storytelling, it predates the written word. They are a staple of K-drama romances, but the results can be mixed at times. The success of these types of dramas depends greatly on the chemistry between the two romantic leads – if the pairing of the actors fails to ignite sparks, then the entire series falls flat. It doesn’t matter how good the writing, direction, and supporting cast is, it is entirely up to the two romantic leads to carry the series. My Girlfriend is a Gumiho and The Accidental Couple are the unlikely romance done correctly and offer interesting variations on the formula. 

In Korean folklore, the Gumiho is a shape shifting nine tailed fox that, in order to become human, drains energy from humans. Depending on the media, the Gumiho can either be a total monster (who eats human livers) or a more benevolent that finds a willing partner to take the energy from. They drain off the energy by inserting an orb (via kiss) into their victim’s body and when it has sucked the person dry, they take it out. In My Girlfriend is a Gumiho, Mi-ho is a more benevolent creature (or least tries to be, sometimes her killer urges kick in).  She has spent 500 years trapped inside a painting and it is accidentally let out by Cha Dae-woong, a college student and aspiring action star. He is, initially, afraid of Mi-ho and tries to flee from her, but seriously injuries himself in the process. While he is unconscious, Mi-ho, to keep him alive, places her orb into him and he wakes up none the wiser. The orb also enhances his abilities, so that when he auditions for an action movie, he blows away the director, Ban Doo-hong. The two of them come to an understanding – if Dae-woong helps Mi-ho become human, she will help with his movie career. 



In order for Mi-ho to become human, Dae-woong must keep the orb inside of him for 100 days and she must drink the blood of a half human/half supernatural being, Park Dong-jo, which takes away her supernatural powers – as the series progresses, she begins to lose her tails. What Dong-jo keeps secret from Mi-ho is that once she extracts the orb from Dae-woong, he will die. It is not specified what kind of supernatural being Dong-jo, all that is shown is that he has lived for a long time. The reason he takes an interest in Mi-ho is that he reminds of her of goblin, Gil-dai, who he slayed after she begged him to do so. Dong-jo has traveled all the country and held many jobs (he is currently a veterinarian). He doesn’t allow himself to get too close to humans, because of the pain that comes when they pass away.  He has become weary at his old age, while Mi-ho, after having spent 500 years in painting, is excited by the world around her – she is a fish out of water.



The main reason that I chose to write about My Girlfriend is a Gumiho is talk about the lead actress, Shin Min-ah, who is slowly becoming one of my favorite actresses of all time. In the last couple of months, I have watched multiple dramas starring Shin Min-ah (My Girlfriend is a Gumhio, Oh My Venus, and Tale of Arang) and she always impresses me. If you want to see an example of an actor carrying a film, then check out the 2005 romantic comedy, The Beast and the Beauty, where she plays a woman who has regained her eyesight, after receiving eye surgery, and is looking for the man who was by her side when she was blind. The movie isn’t very good, and the lead male is irritating, but it’s worth watching for Shin Min-ah’s sweet natured performance. It’s also one of those romantic comedies where you feel that the heroine is given a raw deal – the movie’s secondary male lead is more likable than the male lead. Flash forward to 2024, she is cast as a cynical businesswoman, who views everything in gains and losses, in No Gain, No Love and doesn’t miss a beat.

Her performance is My Girlfriend is a Gumiho is one of her most impressive, because of the depth she brings to the role – in one scene she is flirty with the male lead, doing her best aeygo, and then in the next she is crying up a storm (literally) because she believes she has been abandoned. She can be sweet in one episode and intimidating in the next – there a couple of times throughout the series where Mi-ho reverts to a more feral state and Dae-woong can only satiate her thirst for blood by feeding her raw meat. The premise to the series is ridiculous and there are two approaches Shin Min-ah could have taken with the material:  the first approach would be to play it with her a wink – she could occasional break the fourth wall and let the audience know she is in on the joke (this is basically what acting in most Hollywood franchises has been reduced to) or she could go with the second route and play it in a sincere manner. She opts for the latter approach, and the show is all the better for it. Despite the ridiculous premise, it is easy to root for Mi-ho.




There is an innocence about Mi-ho – she has been around for centuries, but because she has spent the last five hundred years trapped in a painting, she is naïve to the ways of the world. This innocence also means that she has no filter, which means that she will openly say things that offend the cultural norms – there is one moment where she is in heat and tells Cha Dae-woong that she wants to mate with him. He can’t believe how frank she is and throws a huge hissy fit – one of the most irritating aspects of K-dramas is how puritanical the male leads can be at times. In real life, if an attractive female told a male she wanted to mate with him, he would either take her up on the offer, or he might find it odd but would still be flattered. In K-dramas, the dude freaks out and runs out of the room, or pushes the female lead out of his house and locks the door. Hell, often there is a scene where the lead female will confess her feelings to the lead male, and he acts like she is selling him life insurance. “I don’t knooooooow! I need to think about it!”  Do women find such indecisiveness sexy? I genuinely want to know – being an angry senior citizen who is suspicious of everyone, I rarely know what motivates people, especially women.

My Girlfriend is a Gumiho has one of the more entertaining B-stories – the budding romance between the extreme action director, Ban Do-hong, and Cha Min-sook (Dae-woong’s aunt). The two of them first meet on the elevator of a shopping mall – Cha Min-sook farts in the elevator but Do-hong covers for her by apologizing to the other occupants. Do-hong runs an action school and Dae-woong is one of his top students, so he constantly runs into Min-sook. Do-hong is a huge fan of Chow Yun-fat’s performance in A Better Tomorrow and dresses up like the lead character – he also emulates Yun-fat’s performance and often quotes the movie when he is trying to court Min-sook.  When he is not dressed up like Chow Yun-fat, he wears the outfit that Bruce Lee wore in Enter the Dragon. 



Ban Do-hong is played by Sung Dong-il, who played the lead female’s father in the Reply trilogy. Just like in the Reply trilogy, the daughter of his character, Ban Sun-nyeo, is played by a K-pop – Hyo-min from T-ara (who goes for the “cute nerdy girl” look by wearing glasses).  Sun-nyeo has a crush on Dae-woong, but he is, initially, too infatuated with fellow actress, Eun Hye-in, to notice. It isn’t much of a role, it just requires Hyo-min to look cute, and she manages to excel at that. 



In the first few episodes, Dae-woong is hopelessly in love with Hye-in, but she just shrugs him off. It’s only after Mi-ho has entered the picture that Hye-in starts to notice him – she can’t stand the fact he is no longer paying attention to her and let’s her jealously get the better of her. She starts to spy on Mi-ho, hoping to dig up dirt she can use to discredit Mi-ho. She simply can’t understand why Dae-woong choose Mi-ho over her and is convinced that something wicked is afoot. Both Dae-woong and Hye-in have been cast as the second leads in Do-hong’s action epic, but Hye-in is not satisfied with being the second banana and tries to persuade the Do-hong into casting her in the lead role. Do-hong is obsessed with capturing “real action” film and when she catches Mi-ho powers on full display (he sees her jumping over trees), he wants to cast her as the female lead in his movie. The problem is that he can’t find her – whenever Mi-ho sees him walking in her direction, she runs away. When Hye-in discovers Mi-ho’s secret she uses it to her advantage; she blackmails Mi-ho into being her stunt double on the movie. She gives this ultimatum to Do-hong: the only way Mi-ho will work on the movie is as a Hye-in’s stunt double and if Do-hong casts Hye-in in the lead female role. Do-hong reluctantly accepts the terms – because he knows that Hye-in isn’t leading lady material. Even though Hye-in is given the lead role, she still can’t stand to see Dae-woong lavishing Mi-ho with attention.



Hye-in isn’t the only one who is trying to separate Mi-ho and Dae-woong; Dong-jo falls in love with Mi-ho and keeps trying to convince the two of them to break up. Dong-jo initially was going to kill Mi-ho but he has become so infatuated with her that he wants her for himself. He opts for the more subtle approach; he tells Mi-ho and Dae-woong separately that they would be better off without one another. He uses the old logic, “If you truly love this person, then you will let them go.” Dong-jo’s pitch to Dae-woong is that he is the only one who can truly take care of Dong-jo and Dae-woong would just be a hindrance to her. He also tells Mi-ho that he can prevent her from dying – as Mi-ho loses her tails she becomes progressively weaker. Dong-jo promises Mi-ho that if she stays with him, she will regain her strength. Dae-woong makes the noble sacrifice, returns Mi-ho’s orb to her, and walks away. Of course, we all know this temporary. There is no way the writers would end a romantic comedy on a downbeat note. Mi-ho has quite the character arc – she makes friends, makes enemies, falls in love, gets her heart broken, falls back in love, and even works a few part-time jobs – is there anything more human than that?

My Girlfriend is a Gumiho is an entertaining show with interesting twist and turns. It is the kind of premise that should fall flat on its face, but it succeeds thanks to the imaginative direction, clever writing, and sincere performance. I should also point out that over a decade later there was a TV show called My Roommate is a Gumiho that starred Lee Hye-ri as a female college student who falls in love with a male Gumiho (played by Jang Ki-yong). It is also an entertaining TV show that has the same plot beats as My Girlfriend is a Gumiho but also manages to add its own twist and turns – like incorporating the Red Thread of Fate into the storyline. I still prefer My Girlfriend is a Gumiho, mainly because of Shin Min-ah’s performance.



The interesting thing about Accidental Couple is that it has the exact same plot as the Buster Keaton silent, Spite Marriage. In both stories, a rube is talked into entering a sham marriage with a famous actress. In Spite Marriage, Elmer (Keaton), the owner of a dry-cleaning business, marries famous stage actress, Trilby Drew, who uses him to get back at her leading man/lover, Lionel Benmore, who has become flirtatious with a female admirer. This happens on a whim – she has too much to drink and asks Elmer if he would like to marry her.  Elmer has been an admirer of hers for awhile (he has seen every performance of her current play) and naturally says yes.  The next morning, she wakes up sober and leaves it up to her manager and Lionel to clean up her mess – they persuade Elmer to go away, so Trilby can divorce of him on the grounds of abandonment. Through a series of contrivances, Elmer and Trilby end up meeting again on a yacht, and she falls in love with him after he saves her from gangsters who have commandeered the boat.



In Accidental Couple, Gu Dong-baek (Hwang Jung-min) is talked into entering a sham marriage with the famous TV/movie star, Han Ji-soo (Kim Ah-joong) to help cover up her relationship with Kim Kang-mo (Joo Sang-wook), who is the son of mayoral candidate, Kim Jung-wook.
To help cement his win in the election, Jung-wook has arranged for his son to be engaged to Choi Soo-yeon, whose father owns a prominent news organization (that Kang-mo works at).  Kang-mo assures Ji-soo that this is only temporary – once his father has won the election, he will break off his engagement and come back to Ji-soo. However, a tabloid journalist, Reporter Baek, suspects that two of them are secretly seeing each other and hopes to catch them in the act. When Kang-mo and Ji-soo get into a car accident (while fleeing from Reporter Baek) he believes he will finally snap the incriminating photo. However, Dong-baek just happens to be at the accident scene (he was walking home from an awards show) and is persuaded by the frightened couple to take Kang-mo’s place in the driver’s seat while Kang-mo slips away.  Like Elmer in
Spite Marriage, Dong-baek is so enamored with Ji-soo that he agrees to their request. Baek shows up at the scene but is disappointed to find Dong-baek in the driver seat.

They initially believe they have successfully pulled the wool over the reporter’s eyes, but while looking at a photo of the accident scene, Baek sees a figure standing in the background and, correctly, assumes that it is Kang-mo and is determined to expose the truth. Sang-mo and Ji-soo realize they are not out of the woods yet and ask Dong-baek to carry one with the deception. Dong-baek biggest strength is also his biggest weakness – he is good natured to the point of being a pushover. Despite his initial reservations, he agrees to go along with the deception. The next thing he knows, his name is trending all over social media and his face is plastered on all of the newspapers. To further complicate things, Kang-mo’s father leaks it to the press that Dong-baek and Ji-soo are going to get married. Ji-soo is so determined to go through with the deception that she agrees to a sham marriage with Dong-baek. 



The one question that never enters Ji-soo’s mind – Is Kang-mo worth it? What kind of man would not only ask the woman he loves keep their relationship a secret, but idly stand by and allow her to enter a phony marriage to appease his father? He even agrees to take their wedding pictures. Part of the reason Ji-soo agrees to tall of this is that she owes a great of her career to Kang-mo – the two of them met at college and it was Kang-mo who used his connections to help Ji-soo get acting gigs. While Kang-mo did provide her with the break she desperately needed, it was her genuine talent that catapulted her to superstardom. Her loyalty to Kang-mo is understandable, but she gets nothing out of this current arrangement – she can only watch from the sidelines while the man she loves publicly touts that he is going to marry another woman. As a result, Ji-soo is constantly depressed.



While Trilby was won over by Elmer’s heroic deed, Ji-soo is ultimately won over by Dong-baek’s good-hearted nature. The main difference between the two female protagonists is that there much more depth to Han Ji-soo while Trilby Drew is one dimensional (the heroines in Keaton’s movies were usually props to drive the story than they were actual characters).  The most surprising aspect about The Accidental Couple is the terrific chemistry between Hwang Jung-min and Kim Ah-joong. Hwang Jung-min will never make “the most handsome” list and is a decade older than Kim Ah-joong, but there is nice give and take between these two talented actors.



Their relationship goes through a believable progression from complete strangers to eventual lovers. At first, Dong-baek is in complete awe of Ji-soo and this leads to awkward exchanges, because he is near speechless in her presence. What baffles Ji-soo and Kang-mo the most is the fact that Dong-baek isn’t asking anything in return for continuing the deception; Ji-soo even admits she would feel more comfortable if Dong-baek asked for money, because she at least would understand his motivation. His “nice guy” seems to good to be true. The second stage of their relationship is Ji-soo giving Dong-baek the cold treatment – she basically views him as “a prop” and doesn’t want to get too close to him, because eventually she will return to Kang-mo and he will go back to the life of a postman. In private, she ignores Dong-baek while publicly puts on a show of affection. This also does wonders for her image; the public is transfixed by the story of a famous actress dating an ordinary man. She also snaps at Dong-baek multiple times – Reporter Baek overhears a conversation between Dong-baek and Ji-soo’s manager, Cha Yun-kyung and it seems to confirm his suspicions that their relationship is a scam. 



When Dong-baek tells Ji-soo about this, she loses her temper and hurls insults at him. It never occurs to Ji-soo how this deception is affecting Dong-baek’s life. It was during this scene where I wanted Dong-baek to grow a spine and tell Ji-soo off, especially when she demands he take part in the sham marriage. Bitch, he doesn’t owe you shit! Most men would have told Ji-soo to piss off and then spilled the beans to Reporter Baek (who was offering a decent sum of money to hear Dong-baek’s story).  Dong-baek excuses her appalling behavior and agrees to the sham marriage – Dong-baek is the type of person who always looks for the best in people (even when they don’t deserve it).

There is also another incident that threatens to derail the whole act – Ji-soo invites Dong-baek to hang out with a few of her actor friends. When she leaves the table to use restroom, one of the male actors makes lewd remarks about Ji-soo. Dong-baek is offended by the man’s crude language and confronts him in the restroom – he gives the man ten seconds to apologize and, when the guy fails to do, Dong-baek head butts him in the nose. This upsets Ji-soo, because she is worried the actor might press charges and that the story will be plastered all over the media. Ji-soo’s team does buy the man’s silence, but this incident further divides Dong-baek and Ji-soo.

It is also a matter of time that Dong-baek’s co-workers begin to notice inconsistencies in his story – he claims that Ji-soo and him had been dating for months, but it was only recently that he showed interest in his co-worker, Park Kyung-ae. In fact, he even asked her to attend the award show with him, but she declined his offer. It is also only after Dong-baek starts “dating” Ji-soo that Kyung-ae begins to show interest him. This leads to a rumor that Dong-baek was two-timing Ji-soo and the result is a huge backlash from the public. They are appalled that an average “Joe” like Dong-baek would cheat on a goddess like Ji-soo. The post office initially exploits Dong-baek’s relationship with Ji-soo by making him the face of the post office – they put up posters and cardboard standees of Dong-baek all over the building. When the scandal breaks out, they take down the posters and standees and try to distance themselves from Dong-baek.

However, it is around this time that Dong-baek and Ji-soo’s relationship takes that next step – from work acquaintance to friend.  Ji-soo can’t help but to charmed by Dong-baek’s simplicity, and the fact that he is an inviting individual. While Kang-mo is too ashamed to introduce Ji-soo to his father, Dong-baek proudly introduces Ji-soo to his younger sister, Gu Min-ji, and to all of his co-workers. When she hears about the two-timing rumors, she actually laughs – she knows that Dong-baek is not that type of guy. This is also the first time she begins to realize how this deception has derailed Dong-baek’s private life. He has two potential love interests, Kyung-ae and Min-ji’s best friend, Jo Seung-eun, but he cannot pursue either because he is committed to helping out Ji-soo.  Even before Dong-baek met Ji-soo, Seung-eun was already considering going out with him.  To be honest, Seung-eun is probably a better match for Dong-baek because of their similar backgrounds and worldviews – neither of them are looking to make a splash, they just want to live ordinary lives.  It is also not surprising that Seung-eun dislikes Ji-soo.



Dong-baek also ingratiates himself to Ji-soo by befriending her estrange younger brother, Han Sang-chul. One of the things Dong-baek has in common with Ji-soo is that they lost their parents at a young age and were forced to raise their younger siblings. Min-ji lives with Dong-baek and they have a close relationship. After Ji-soo became famous, she sends her young brother to attend college in Australia. The two of them haven’t spoken in years – Sang-chul always interpreted his sister sending him to Australia as her obeying Kang-mo’s orders. Sang-chul has a strong dislike of Kang-mo and blames him for the distant relationship he has with Ji-soo. However, despite his disagreeable demeanor, it is apparent that Sang-chul still cares about his older sister. He just really wants to see Ji-soo be happy. When he first meets Dong-baek, he is naturally skeptical.  Dong-baeks let him in on the secret that his relationship with Ji-soo is a sham.  Sang-chul is initially tempted to expose their deception to Reporter Baek but changes his mind when he notices how happy Ji-soo is whenever she is around Dong-baek. She is always miserable when she is with Kang-mo, but Dong-baek has the ability to make her smile regardless of the circumstances. Sang-chul becomes determined to turn their sham marriage into a real marriage. Dong-baek also has the ability to diffuse a potentially ugly situation; there is a scene where the Gu siblings persuade the Han siblings into going on a picnic. Ji-soo and Sang-chul get into a heated argument that is about to turn ugly when Dong-baek and Min-ji challenge the Han siblings to a game of soccer.  At first, Sang-chul rolls his eyes at the idea, but as the game progresses, he becomes more involved and even celebrates with his sister when they score a goal. 



To further keep up the ruse, Dong-baek moves into Ji-soo’s house. He sleeps in the upstairs guest room while Ji-soo sleeps in her room downstairs. This further strengthens their bond – they often pass the time by playing board games and Dong-baek even teaches Ji-soo how to cook. This is also when Kang-mo begins to feel uncomfortable about their relationship, which makes Sang-chul happy. This often results in Kang-mo pulling Dong-baek aside and issuing all sorts of threats. Ji-soo also doesn’t know how to feel; she enjoys Dong-baek’s company, and even has grown close to Min-ji, but she can’t get over her feelings for Kang-mo. To Sang-chul, and the viewers, it is a no brainer – Dong-baek is the perfect guy for her, but it is also easy to understand her feelings. She wants things to remain as they are, but she is inevitably going to have to make that tough choice. If she marries Kang-mo, there is no way he would allow her to stay in touch with Dong-baek. If she picks Dong-baek that essentially ends her relationship with Kang-mo. It is only after Dong-baek moves out of her house that she realizes how much she misses and loves him.  To quote the classic Cinderella song, “Don’t know what you got ‘til it’s gone.”



The premise of The Accidental Couple is formulaic (which is why I brought up Spite Marriage) but that is not necessarily a bad thing. In fact, the fact that it is so unapologetic about adhering to the formula is one of its charms. There is something satisfying about seeing an average Joe win the heart of a famous movie star – it is the ultimate wish fulfillment. I also must admit that it took me longer than usual to write this review, and I have watched a few K-dramas since then, so there are many details of the two shows I reviewed that I have become iffy. However, it speaks volumes about My Girlfriend is a Gumiho and The Accidental Couple that performances by the lead actors in both shows (Shin Min-ah and Hwang Jung-min) have stuck with me weeks after watching them. They are both master classes in acting.

 

Credits

My Girlfriend is a Gumiho
Cast:  Shin Min-a (Gu Mi-ho/Park Seon-ju/Gil-dai), Lee Seung-gi (Cha Dae-woong), No Min-woo (Park Dong-joo), Park Soo-jin (Eun Hye-in), Sung Dong-il (Ban Doo-hong), Yoon Yoo-sun (Cha Min-sook), Byun Hee-bong (Cha Poong), Kim Ho-chang (Kim Byung-soo), Hyomin (Ban Sun-nyeo), Hyunwoo (young Cha Dae-woong), Im Hyun-sik (Buddhist Monk), Kim Ji-young (Samshin grandmother), Uee (art student), Park Shin-hye (Go Mi-nyeo).

Director: Boo Seung-chul
Writers: Hong Jung-eun, Hong Mi-ran
16 episodes ~ 60 minutes

The Accidental Couple
Cast: Hwang Jung-min (Gu Dong-baek), Kim Ah-joong (Han Ji-soo), Joo Sang-wook (Kim Kang-mo), Lee Chung-ah (Gu Min-ji), Baek Sung-hyun (Han Sang-chul), Jeon Mi-seon (Cha Yun-kyung), Lee Soo-young (Jo Seung-eun), Yeon Mi-joo (Park Kyung-ae), Moon Jae-won (Yoon-seob), Kang Hee-soo (Tae-won), Kim Hyung-gyu (Kim Suk-hyun), Kim Kwang-kyu (Team leader Go), Yoon Joo-sang (Director Yoon), Jung Dong-hwan (Kim Jung-wook), Lee Hae-young (Reporter Baek), Park Ha-sun (Choi Soo-yeon), Jo Sang-gun (President Choi), Shin Ki-joon (young Dong-baek), Im Si-eun (young Ji-soo), Lee Jua (young Min-ji), Cha Jun-hwan (young Sang-chul).

Director: Ki Min-soo
Writers: Jung Jin-young, Kim Eui-chan
16 episodes ~ 60 minutes


Tuesday, August 5, 2025

The Time We Were Not in Love (2015)



Ladies, if a male friend confesses his feelings to you, and you to do not return them, the best thing you can do is to tell him to “F--- off!” Do not sugar coat it, be as blunt as possible. The worst thing you can do is tell him that you want to be “JUST FRIENDS!” Those are the two words most young men dread to hear (they are the ultimate kick in the nuts The only phrase that hurts more is “You’re like a brother to me.”)  This may seem harsh, but you will be doing him a favor in the long term – he can move on with his life and it will save you from being put in an awkward situation later on. Just keeping him around can give him false hope that you might change your mind.

The Time We Were Not in Love is simultaneously a fascinating and frustrating romantic comedy that highlights the problems of being “just friends” with the woman you are in love with. Ha Ji-won and Lee Jin-wook star as Oh Ha-na and Choi Won, two best friends since high school, who live next door to each other, and are both 34 years-old and single. Oh Ha-na leads the marketing team of Tandy, a shoe company.  Choi Won is an airline attendant and trains all the new hires. Oh Ha-na still lives with her parents and younger brother while Choi Won lives with his older cousin, Choi Mi-hyang, who is the head attendant at the airline.



Choi Won has been in love with Oh Ha-na for seventeen years but has never confessed his feelings, for various reasons which I will get into later. He has settled on being “just friends” with her. The problem is that his entire world revolves around Oh Ha-na – his blind devotion to her has sabotaged potential relationships with other women and career opportunities. One of those potential relationships is Lee So-eun, a young, pretty airline attendant who takes an instant liking to Choi Won. She throws out all the signals, but Choi Won just shrugs her off. Initially it seems that Choi Won might give Lee So-eun a chance – they go on a few dates together – but eventually his devotion to Oh Ha-na gets in the way.  In fact, the few times So-eun and him go out together, he spends most of the time talking about Oh Ha-na. This is a good example of “this happens because the script says so” logic – the only reason Choi Won rejects Lee So-eun is because the script needs him to be single for the story to play out. Even after Oh Ha-na gets back together with her ex-fiancé, Cha Seo-hoo, Won still ignores Lee So-eun. It is irritating!  “I must be there for Oh Ha-na just when she gets hurt.”



He is also given a golden opportunity to advance his career – he is selected to do overseas training that will likely result in a promotion. The catch – he will be gone for two years. His immediate response after hearing the news, “What about Oh Ha-na?” ARRRRRGHHHHHH!!!  Again, this is a golden opportunity to advance his career and since Oh Ha-na is getting googly eyed over her ex-fiancé there is honestly no reason for Choi Won to stay in South Korea. His cousin, Mi-hyang, even points out his moronic behavior but he won’t listen to reason and rejects the offer. This leads to conflicting emotions – he can’t leave Oh Ha-na because he loves her so much, but he also can’t be with her because…uh…..reasons. In high school, he flat out told Oh Ha-na that he would never fall in love with her, which naturally confused the teenaged Ha-na. I initially believed that there would be one of two reasons for this rejection – he was about to confess his feelings to Oh Ha-na when he overheard her talking shit about him to her female friends, or it was due to “noble stupidity.” It turned out neither was the answer – Won told Ha-na he “would never love her” as a form of punishment. In high school, one of his best friends, Dae-yeon, fancied Ha-na and asked Won to give her a letter. Won agreed to deliver the letter but his jealousy got the better of him and he kept it in his backpack. His best friend was later killed in a car accident and Won was so consumed with guilt that, as penance, he vowed never to get romantically involved with Ha-na. MORON!!!  

One, it is stupid of Won to spend nearly two decades punishing himself over an immature act he did in high school. It never occurred to him that by constantly pushing away Ha-na he was also hurting her feelings. Two, it is extremely inconsiderate and rude of Dae-yeon to use Won as his own personal delivery service. He is also taking advantage of Won's friendship with Ha-na to hook up with her. This is the logic that is at work, “If Won, Ha-na's best friend, gives her my letter, she will believe I am an alright guy.” Plus, Dae-yeon could have bypassed the middleman and just gave Ha-na the letter himself.

 Personate note: When I was in college, I was working at North Shore Cinemas, and this female customer gave me her phone number and then asked me to give to it to my handsome co-worker. In a span of a second, I went from being elated (“A GIRL GAVE ME HER NUMBER!” to being completely destroyed. After she walked away, I tossed it in the garbage. I should point out that my handsome co-worker was in a happy relationship with an attractive girlfriend, who he later married and had kids with. The female staff at North Shore also had the hots for my handsome male co-worker and, because they knew I was friends with him, they would frequently walk up to me and asks me questions about him. I would always shoot them down by saying, “He has a girlfriend!” They would then bash his girlfriend (who they didn’t know) and say things like, “He could do so much better!” So, I can actually relate to Won in this scene – it always annoyed me when people tried to use me as the middleman for their workplace romances.

This begs the question: If the goal was to punish himself, why the hell did live next door to Ha-na for the last seventeen years? There is the old saying “Out of sight, out of mind.” Won could have easily moved to another part of the country and put Ha-na out of his mind. Hell, he works at an airline, which means it would be easy for him to transfer to another airport.  Instead, he opted to live next door to the woman he has deep feelings for (but won’t confess them) and allow his jealously to get the better of him when he sees her with another man. He can’t be with her, but he can’t live without her. IDIOT!!!!  Don’t listen to movies/television, there is nothing romantic about unrequited love. It is painful!

Though, Oh Ha-na is no better! It should be obvious to her that Won has feelings for her, but she is either stupid or deliberately chooses to ignore them. What’s worse is that she is totally dependent on Won - every time she encounters any hardship, she immediately runs to him. She knows everything about Won, except the fact that he is in love with her. In the seventeen years they have been friends, it has never occurred to her set boundaries with Oh Ha-na. Like when he gets involved in her love life, maybe tell him to mind his own business. 

It is established early on that Ha-na is a poor judge of character – especially when it comes to men.  In the first episode, Ha-na finds out that her boyfriend (and co-worker), Yoo Jo-hoon, is two-timing her with another co-worker, Yoon Min-ji. He tells Ha-na that he is going to marry Min-ji, because he got her pregnant. This shatters Ha-na’s world but rather than use this as a chance of self-reflection, she almost immediately jumps into another relationship. Won and her make a bet with each other – whomever gets married before the age of 35 owes the other one five thousand dollars. The opportunity for both of them to find a significant other immediately presents itself – Won meets So-eun and Ha-na finds her attracted to an intern, Ki Sung-jae, who is nine years her junior. They even become the subject of rumors in the workplace – Ha-na’s co-workers accuse her of seducing Sung-jae. She invites Sung-jae to go on an overnight business trip and it looks like they might spend the night together until Ha-na overhears him on the phone with his mother – it turns out he was only using Ha-na to get a full-time job at the company.  Ha-na is heartbroken and then calls up Won so he can take her home.



Won accurately points out that she falls in love too easily – all it took for her to fall for Sung-jae was for him to get close to her, whisper a few empty nothings, and make the occasional chivalrous gesture (like offering her his umbrella during a heavy rainstorm).  If she hadn’t overheard the phone call, chances are she would have slept with Sung-jae that night. This leads to an interesting dichotomy between Ha-na and Won – she is too trusting, and he is too cautious, both extremes lead to misery. I also find it interesting that show abandons its initial premise – the bet between Ha-na and Won is immediately forgotten about. Again, this would be a golden opportunity for Ha-na to take a break from dating and figure out what she wants to do with her life, instead she decides to get back together with her ex-fiancé, Cha Seo-hoo, the man who abandoned her three years earlier.

The Cha Seo-hoo character is the absolute worst – he is a famous pianist, who has return to Korea for two reasons: to play a couple of show and to get back together with Ha-na. It turns out that Ha-na’s company is sponsoring the tour and, since she is team leader of the marketing department, that means the two of them will be working together. At first, Ha-na is adamant that she will not get back together with Seo-hoo, but eventually she can’t help fall for his charms, despite the best efforts from Won, and her female friends, to dissuade from going down that path. She decides to give him the benefit of the doubt and believes he is being sincere with his efforts. Cha Seo-hoo is the maestro of gaslighting – he even manages to blame Won for him abandoning Ha-na. Seo-hoo put Ha-na in an embarrassing situation – he failed to show up at their engagement party and this left Ha-na feeling dejected. Won, acting as a true friend, did his best to cheer her up. Well, it turns out that Seo-hoo did show up to party, but he was extremely late – by the time he arrived all the other guests have left, and the only two people remaining were Ha-na and Won. When Seo-hoo saw Won trying to comfort Ha-na this made him jealous, and he ran away. Yes, Seo-hoo cites Ha-na seeking comfort in Won’s arms as the reason he left. Of course, the only reason she was seeking comfort in the first place was because Seo-hoo failed to show up to their engagement party. Won did want any true friend would have done in that situation. Also, if Seo-hoo was going to be late for their engagement party, why didn’t he call Ha-na and let her know? It is implied that the reason he was late was because he was fooling around with his agent, Min Ji-soo. I say implied, because this plot thread is never truly resolved – when Seo-hoo is acting up, Ji-soo threatens to reveal the real reason he was late to his own engagement party, and that is last time we hear about it.

Given how I have spent the last few paragraphs dunking on the two leads, you would probably believe that I disliked the characters and the show but, I assure you, that is not the case. Most of my complaints are reserved for the first half of the series, because in the second half the characters, and the show, manage to redeem themselves. The event that triggers the change is when Won decides to take a month’s long vacation overseas. He finally works up the courage to tell Ha-na how he feels about her, but she basically rejects him. The timing is all wrong – at this point in the series Ha-na has a lot on her plate – Seo-hoo has come back in to her life and her work has been complete chaos; a project that she had spent years working on has been taken away from her, and she is constantly bickering with the design team, whose team leader, Hwang Bit-na, keeps spreading rumors about Ha-na. So, it is not surprising that she is overwhelmed by Won’s confession. Won, to his credit, realizes he has put her in an awkward situation and then suggests they spend a month apart from each other, so they can clear their thoughts and figure out things for themselves. When Won comes back a month later, he learns that Ha-na has gotten back together with Seo-hoo. In one of the oddest decisions made by the showrunners, Ha-na and Seo-hoo get back together offscreen. I think the writers recognized their relationship wasn’t very convincing and resorted to the good old “time jump” trope to explain Ha-na and Seo-hoo’s reconciliation. Also, it seems the real reason Ha-na got back together with Seo-hoo was that she was lonely and, on impulse, believed it was better to be with Seo-hoo than be alone.



Nostalgia also plays a role in her decision to get back together with Seo-hoo - she openly admits that when Seo-hoo came back into her life, she could only remember the good times they had together. Their relationship is doomed from the beginning – Seo-hoo believes that they could pick up from where they left off but then is shocked to learn that Ha-na is a different person. In their previous relationship, she had a slavish devotion to Seo-hoo, this time she is more assertive and calls him out on his bullshit. Seo-hoo constantly goes behind Ha-na’s back – he shows up at her house and begs her parents for their approval. He even tells him that he plans to marry Ha-na. Her parents, and her younger brother, are less than thrilled that she got back together with Seo-hoon, so imagine their shock when they learn he wants to marry their daughter (after abandoning her for three years). Despite Ha-na’s insistence to her friends that she is happy, her facial expressions and body language tell a different story. She always looks uncomfortable around Seo-hoo, but rather than admit that it was a mistake to get back together with him, she tries to force herself into loving him, which makes her even more miserable. She finally comes to her senses and breaks it off with Seo-hoo – largely because she, rightfully, resents him trying to interfere in her life. Plus, it is apparent that she truly loves Won – the look of joy on her face after he comes back from his month-long vacation says it all.   

Seo-hoo resorts to one last Hail Mary to win Ha-na back – Ha-na is given the opportunity to train in the Paris branch of Tandy for one year. This would take her one step closer to her goal of being a global marketer. This also comes after Won and her have officially become a couple, so she is hesitant to go, but Won encourages her to go – as he says, the most important thing is that they have finally revealed their feelings for each other, and they can afford to be apart for year (after waiting seventeen years to get together). Plus, they can always talk with each other online and, since Won works for the airline, he will be able to visit her frequently. It seems like Ha-na is going to leave for Paris when she learns, from Seo-hoo’s agent, that the only reason she was considered for the Paris training is because Seo-hoo recommended her to the company. When she confronts Seo-hoo about this, he admits it. Seo-hoo lives, and first met Ha-na, in Paris and hoped that by separating her from Won, he could win her back by appealing to nostalgia. Even though this is golden opportunity, Ha-na turns it down – because this is opportunity was not earned but given to her. She still has pride and doesn’t want handouts.  This is the final nail in coffin with her relationship with Seo-hoo.

Won returns from his vacation a changed man – he  gives Ha-na her space and, even though he doesn’t approve of her dating Seo-hoo, he doesn’t try to talk her out of it, either. He realizes that scolding Ha-na will not make her change her mind – it is best she figures things out for herself.  Won is a film buff and his original aspiration was to be a film director – he gave up this dream when he realized he didn’t have the talent for it (though, there is plenty of evidence that refutes his claim). Though, I did find it odd that a film buff like Won would have the poster for the 1998 remake of Psycho hanging on his wall – one of the greatest abominations in cinema history. He has other Hitchcock memorabilia hanging on his wall, so how could a film fan like him not know the difference between the poster for the original film and the 1998 remake?

Any ways, back to the review…. In high school, Won wrote a scenario for one of his classes that was heavily praised by his teacher. The scenario was based on his relationship with Ha-na – it was about the first time they kissed, albeit accidentally. The lights had gone off in the library and Won, while trying to find Ha-na, accidentally kissed her on the lips. This made her heart flutter. Won never finished the scenario – he ended it on a cliff hanger (“I will never love you.”)  He bumps into the teacher on a flight and his teacher tells Won that he still has the scenario. The teacher later dies from cancer and Won, Ha-na, and their other high school friends, show up to pay their respects. The teacher’s son is grateful for the kindness Won showed his father during the flight and he returns the scenario to Won – he also gives Ha-na and the other students pictures that his father took of them during their high school years.

Won tells Ha-na about the scenario and she asks to read it. Meanwhile, Won is inspired to finish the scenario and starts to write again. After she finishes reading Won’s script, she finally understands why Won rejected her in high school. Ha-na has always loved Won but his constant rejections left her with no choice but to seek affection elsewhere. The two of them are FINALLY on the same wavelength and confess their love for one another. This makes all the people around them happy – Ha-na’s parents spent years trying to convince her to marry Won. Ha-na was initially hesitant to get romantically involved with Won – one, she was still getting over her break up with Seo-hoo and she needed time to sort out her feelings. Two, if her relationship with Won fails, there is that risk of losing her best friend. However, after reading Won’s scenario and thinking it over, she realizes that he is the only one for her. There is even a nice pay off for Won’s scenario – Ha-na’s younger brother, Dae-bok, comes across the scenario in his older sister’s room and adapts it into a webtoon, and it becomes a huge success – to the point that is being adapted into a movie.



I mentioned before how Won believed that he didn’t have the talent to be a movie director, but the all the visual evidence proves quite the opposite. In fact, the reason why Dae-bok was inspired to adapt Won’s scenario into a webtoon was because Won encouraged him to start drawing again. Dae-bok spends most of the series living an aimless existence – he spends most of his time playing video games and lazing about the about the house. After he falls in love with Hong Eun-jung, who is Ha-na’s subordinate at Tandy, he is determined to change for the better – he initially gets a job at a convenience store, but the pay isn’t very good, and he wants to be financially secure before he marries Eun-jung. After Won’s encouragement, he drops everything and spends days working on the webtoon – he is so focused on the webtoon that he misses Eun-jung’s calls. After endless hours of hard work, he emerges from his room triumphant. The webtoon becomes a hit and he makes amends with Eun-jung, but had it not been for Won’s encouragement, he probably would have continued working at the convenience store.



Won is also well liked at the airline, especially by the trainees – he is incredibly patient with all the new hires and communicates with them in a clear, straight forward manner. Later, he takes part in a training program in Paris and shows that he is adept at communicating in different languages. He is able to diffuse tensions on the airplane – an obnoxious woman passenger keeps insisting to So-eun to let her antsy dog out of its kennel, even though it violates regulations. The woman keeps berating So-eun and even plays the “Don’t you know who I am?” card. So-eun is still wet behind the ears and doesn’t know what to do – she is about the open the kennel but Won intervenes. He is able to silence the dog by picking up the kennel and walking it around the airplane, while talking to it softly. This pleases the woman passenger and the day is saved. At another point, an obnoxious male passenger who insist So-eun pat his bald head to bring down a fever but Won intervenes and tells So-eun she is need somewhere else. He saves So-eun from an awkward situation without it devolving into a huge scene. Later, he is invited to attend Alumni Day at his old high school. He has a lively Q & A session with the students and offers advice and words of encouragement. All these examples I have listed prove that Won would have been an ideal film director – he not only knows how to give instructions, but also how to make people feel comfortable.

There are the usual “B” and “C” subplots that solely exist to pad the show’s running time. The romance between Dae-bok and Eun-jung is pleasant enough. It gives Dae-bok a nice character arc and the actress who plays Eun-jung, Bae Woo-hee, is extremely cute. It’s not groundbreaking television but it doesn’t get in the way of the proceedings, either. The “C” plot – the romance between Choi Mi-hyang and Seo-hoo’s mentor, pianist Park Jong-hoon is less successful. The problem is that Jong-hoon is introduced so late into the proceedings that he barely registers as a character – there are multiple incidents where he popped up on screen and I forgot who he was. Mi-hyang isn’t aware of his existence until she sees him in concert. The two of them later bump into the street where Mi-hyang, in a half-awake state, acts rude to him after he accidentally bumps into her. Later that afternoon, Jong-hoon is giving out autographs to fans and Mi-hyang shows up – he immediately recognizes her and ribs her about their encounter earlier. He autographs her CD and writes his number on the inside of the CD.  The relationship is defined by Jong-hoon’s devil may care attitude and Mi-hyang constantly getting annoyed with him. These scenes might have worked if more time had been spent on developing their relationship, but it feels contrived – the writers desperately needed to something to do with Mi-hyang, so they introduced Jong-hoon and got her pregnant. I like the actress who plays Mi-hyang, Jin Kyung, but she is often let down by the material given her (she was better served in The Innocent Man).


There are a few clever directorial and writing touches scattered throughout the series; there are multiple times there is a close up of Won and Ha-na's feet and they are in step with one another - the perfectly foreshadows the ending of the series when they finally confess their love for one another. They also have a habit of bumping into each other at the popular hang outs. They later make a pact with each to avoid familiar places for a week and walk in different routes; the idea is if they bump into other then it is fate at work. Won even walks in the opposite direction of Ha-na and he still manages to bump into her at a park. In East Asian culture, it is believed that two people destined to be lovers are bound together by an invisible red thread; this seems to be the case with Ha-na and Won - they always find one another regardless of the distance that separates them. They are inevitable. 

The show, thankfully, avoids the mistake of waiting until the end of the very last episode to couple up Won and Ha-na – the final two episodes are devoted entirely to Won and Ha-na being a couple, and they are easily the two best episodes in the entire show. They are so good that they nearly redeem the entire first half of the series. This is because of incredibly chemistry between Ha Ji-won and Lee Jin-wook. In fact, the ending is bittersweet to me – why did we have to endure so many awkward episodes of Lee Seo-hoo dating Ha-na, when we could have had more of Won and Ha-na?  In my alternate universe, Ha-na kicks Seo-hoo to the curb after Won confesses his feelings to her, and the second half of the series centers entirely around her relationship with Won. Along with Shin Min-ah (who I will talk about in later review) Ha Ji-won is slowly becoming one of my favorite actresses. She has the ability to adapt to different genres – she has acted in romantic comedies, historical dramas, disaster spectacles, actions movies, and suspense thrillers, and never misses a beat. She also doesn’t age; she was 37-years-old when she made this drama but convincingly plays a teenaged Ha-na in flashbacks. I will also point out that many of the projects she has starred in are often unworthy of her talents, but her presence livens up the proceedings (the Charlie’s Angels knock off, The Huntresses, is a great example of this).



This is the third time that I have written about Lee Jin-wook (he also appeared in I Need Romance 2012 and Doona). Like Ha Ji-won, he is becoming another favorite actor of mine. Though, Won is very similar to the character he played in I Need Romance 2012, Yoon Seok-hyun. Both characters live next to door to lead female; have been in love with the lead female since they were teenagers; and push away the lead female because of a stupid personal reason. The only difference is that Seok-hyun actually dated Yeol-mae while Won keeps his feelings hidden from Ha-na. A show that best showcases Lee Jin-wook’s talents is the time traveling drama, Nine. It is a terrific series but I’m hesitant to write a review because it would be the length of a novel.  I also enjoyed The Time We Were Not in Love significantly more than I Need Romance 2012; the lead characters often make questionable decisions, but they didn’t annoy me as much as the characters in I Need Romance 2012.

If you plan on watching The Time We Were Not in Love, I recommend you forward through the Ha-na/Seo-hoo scenes (except when she breaks up with him) and soak in all the Ha-na/Won scenes. Seo-hoo will annoy you (though, I’m sure there is a fringe element out there that ships Ha-na and Seo-hoo), while watching Won and Ha-na together will bring a smile to your face. The one downside to this show is that it might give a false sense of hope to a poor bastard who has been friend zoned by a female. He will watch the show and think, "Well, Won waited seventeen years for Ha-na and the two of them got eventually got married. If I just wait patiently by Vicki's side, I will eventually be given my turn." DON'T FALL FOR IT!!!! Once a woman has imprisoned you in the FRIEND ZONE, you will never escape it. It is extremely rare for a woman to change her mind. You have a better chance of winning the lottery than you have of a woman releasing you from the Friend Zone. If you look like Lee Jin-wook, then you might have a chance. 

Cast: Ha Ji-won (Oh Ha-na), Lee Jin-wook (Choi Won), Yoon Kyun-sang (Cha Seo-hoo), Choo Soo-hyun (Lee So-eun), Jin Kyung (Choi Mi-hyang), Shin Jung-geun (Oh  Jung-geun, Ha-na’s father), Seo Ju-hee (Kim Soo-mi, Ha-na’s mother), Lee Joo-seung (Oh Dae-bok, Ha-na’s younger brother), Kang Rae-yeon (Kang Na-young), Bae Woo-hee (Hong Eun-jung, Dae-bok’s girlfriend), Kim Myung-soo (Ki Sung-jae), Choi Jung-won (Joo Ho-joon, Ha-na’s two timing boyfriend), Go Won-hee (Yoon Min-ji, Ho-joon’s wife), Woo Hyun (Byun Woo-sik), Hong In-young (Hwang Bit-na), Park Doo-shik (Eun Dae-yoon), Seo Joo-hee (Kim Soo-mi), Park Tam-hee (Min Ji-soo), Lee Ah-rin (Jung Mi), Jeon Jae-hyung (Chang Soo), Park Jong-hoon (Pianist Park Jong-hoon), Choi Dae-chul (Mr. Yoon, Seo-hoo’s manager).

Director: Jo Soo-won
Writers: Jung Do-yoon, Lee Ha-na. (Based on: In Time with You by Mag Hsu)
16 episodes ~ 60 minutes

Tuesday, July 22, 2025

Doona! (2023)

 



One of the biggest inconveniences to befall humanity is the inability to control who you fall in love with. We are often haunted by the "what ifs" and lament "the one who got away."  But you can’t help who you fall in love with, even if that person might prove to be a bad match for you. In Doona, college sophomore, Lee Won-jun, would probably been better off dating Kim Jin-ju (his high school crush), because they not only have a shared history but the same values.  However, while he likes Jin-ju, she no longer makes his heart flutter and, instead, he falls hopeless in love with Lee Doo-na, a former idol who went into hiding after a disastrous performance with her girl group, Dream Sweet.

Doona often feels like the second season of a series – it begins when Doo-na has reached her lowest point. The first season would focus on her rise and fall, and the second season would focus on her redemption. We get a few flashbacks to Doo-na’s time as an idol – she was the face of the girl group, Dream Sweet, much to chagrin of the other members. She also carried the group – when the remaining members attempt a comeback without Doon-a, it ends in complete failure. The pressure of having to carry her group, and having to deal with the media, fans, and haters, eventually proved to be too much for Doo-na and she had a panic attack onstage. She lost the ability to sing. The anti-fans used her meltdown as useful ammo and successfully turned the public against her. It also didn’t help that her mother was busted defrauding fans out of millions of dollars. Her agent (and crush) Park In-wook puts her up in a share house and tells her to lay low until he can contact her.



The anti-fans are one of the fascinating (and toxic) elements of K-pop. These are people who are more dedicated to bashing a group they don’t like than supporting their favorite group. They will often troll the fan sites and leave all sorts of derogatory comments. They will often scour the internet in hopes of find some dirt on their hated group and post an out of context video that supposedly show these idols behaving badly (the most famous incident were the videos that allegedly show T-ara bullying Ryu Hwa-young). 

It just so happens that Won-jun moves into the share house – he is an engineering major, who is in his sophomore year of college, and moves to Seoul so he no longer has to commute from home. His best friend from his hometown, Song Tae-rim, runs a seafood restaurant and is a huge fan of Lee Doo-na – he has her picture hanging from the rearview mirror in his car.  When Won-jun moves into the share house, he recognizes Doo-na but can’t quite place her face. This leads to multiple occasions where Doo-na catches him looking at her and she, understandably, believes he is a stalker. Therefore, Won-jun’s first few interactions with Doo-na are not pleasant ones. When she isn’t accusing him of being a stalker, she flat out dismisses him. He finally puts two and two together and promises Doo-na that he will no longer look at her – he even puts up curtains in the window of his second-floor room to avoid the temptation of looking down at her (she lives on the first floor). 



Doo-na is a hot mess – she spends most of her time chain smoking, eating junk food, staring at her cellphone, waiting for In-wook's call, and watching television. She lacks direction in life and is on the path to self-destruction. One night, Won-jun comes home from the university and finds Doo-na sitting outside in the cold, without a jacket and in sandals with socks, staring at her phone. When he tries to get her back into the house, she passes out. It is his quick action (he calls an ambulance) that ends up saving her life. While Doo-na is in the hospital, he looks after her and even buys her a pair of socks for her to wear. After this incident, it is Doo-na who starts stalking Won-jun – she always knocks on his door and asks if he wants to get something to eat. She even shows up at his classroom, sits next to him during a lecture, and asks him if he wants to grab something to eat. Won-jun’s classmates recognize Doo-na and this leads to all sorts of gossip.



Won-jun’s feelings towards Doo-na are conflicted – it is obvious that he is interested in her (most dudes would be) but he still has feelings for Jin-ju, who has come back into his life. They attend the same university and Woo-jun runs into her at the bus station. Jin-ju was Won-jun’s high school crush. They were the two top students at their high school and were inseparable – to the point where their classmates suspected they were secretly dating. Finally, after months of speculation, Won-jun finally confessed his feelings to Jin-ju and…she rejected him (well, kind of). After he told Jin-ju he liked her, she cut off all communication with him. However, it turns out that Jin-ju didn’t reject Won-jun, she just didn’t have the courage to act on her feelings. She had a huge crush on Won-jun and when he confessed his feelings to her, she was initially elated. Her euphoric state quickly transformed into absolute dread, because she was afraid of her father’s potential reaction. What further sealed the deal for her is when she got home, she walked in on her strict father chopping off her sister’s hair, because he found out she was seeing a guy. To avoid the chopping block, Jin-ju decided to cut off all communications with Won-jun. Her father is the type of man who would scold his daughter for “fooling around with guys” and then later scold her for not giving him a grandchild. It is a “damned if you and damned if you don’t” situation. She always regretted her cowardice in the face of her douchey father.



It's only after she escapes her father’s tyrannical grasp that she can confess her feelings for Won-jun. Doo-na hits it off with Jin-ju after a night of drinking and later, when she is looking for a roommate, invites Jin-ju to move in with her.  Jin-ju accepts this offer because it kills two birds with stone – it allows her to move away from home and gives her direct access to Won-jun. However, by the time she confesses her feelings to Won-jun, it is too late – he has fallen in love with Doo-na. To Jin-ju’s credit – she handles his rejection well. She is disappointed and, understandably, tells Won-jun that she needs some time away from him to get over being rejected. She wastes no time moving out of the share house and into a one-bedroom apartment. This is the correct reaction! After a few months have passed, she is ready to be Won-jun’s friend. She also doesn’t bear an ill will towards the Doo-na (the two of them remain friends). There was that part of me that wanting to see Won-jun end up Jin-ju. She is not high maintenance like Doo-na, and she has more in common with Won-jun, but unfortunately that window of opportunity closed some time ago. For Jin-ju, Won-jun is the one who got away.

Normally, the premise of a rube falling in love with an idol would be a romantic comedy, but the relationship between Doo-na and Won-jun is played entirely straight. There are occasional humorous moments, but most of them come courtesy of the character, Choi I-ra. The structure to Doo-na is a bit awkward at times – I-ra is one of the main characters, but she doesn’t first appear until the middle of the series. Even her introduction is a bit awkward, Won-jun and Jin-ju witnesses her publicly breaking up with her Brazilian boyfriend. Won-jun recognizes her and walks away before she can see him. His housemate, Yun-taek, talks Won-jun and their housemate, Jeong-hoon, into going on blind group date with three college girls and Won-jun gets paired up with I-ra. She immediately recognizes him – though, he, at first, denies knowing her. It turns out they have a long history together – they were born in same hospital, on the same day, and their mothers decided to arrange for them to get married. They spent the majority of their childhood hanging out together – something that Won-jun dreaded. Won-jun describes her as being his “greatest enemy,” but the truth is their personalities didn’t gel – Won-jun was a timid, introverted child while I-ra was an extroverted, bossy child. She always managed to talk Won-jun into doing things he didn’t want to. She is also really loud.

At the age of eleven, she moved to Brazil with her family and Won-jun was convinced that he was rid of her. It turns out that she is a fashion major at the university that Won-jun is attending. Won-jun is apprehensive towards her at first, but he eventually warms up to her and the two of them become close friends. She also becomes romantically involved with Jeong-hoon who, like Won-jun, initially find her annoying, but eventually is charmed by her upbeat demeanor. She also befriends Jin-ju and Doo-na. In fact, she immediately forms a bond with Jin-ju, because they grew up in the same town and were both involved with Won-jun.  She also moves in with Doo-na – after she broke with her boyfriend, she needed a place to say and Won-jun told her that Doo-na was looking for a roommate. There was also the other part of me that hoped Won-jun would end up with I-ra.  Either Jin-ju and I-ra would have been better matches for Won-jun




A feeling of uncertainty hangs over the entire series. In the first half of the series, Won-jun’s relationship with Doo-na is defined by uncertainty – they both like each other but neither of them really wants to make a move. Their early interactions are awkward and often intense – one minute they will be getting along, the next minute Won-jun will say something that will cause Doo-na to snap (she cusses up quite a storm).  There also a few interesting stylistic choices by the director to emphasize the tension – in early stages of their relationship, the soundtrack is dead silent. In most K-drama, when the two romantic leads are together there will be a love ballad blaring on the soundtrack – this is used to signify their feelings the two leads have for each other.  In fact, the love ballad can be overbearing at times, to the point that it drowns out the dialogue (it also is played ad nauseum throughout the series).  There is a love ballad in Doo-na and it is played ad nauseum, but only during montages or scenes where two leads are separated. Whenever, Doo-na and Won-jun exchange dialogue, the only sound we get is diegetic – it comes from within the world of the narrative. The lack of a soundtrack helps add to the uncertainty – without the overbearing love ballad to clue us into the characters feelings for one another, we are not certain what Doo-na’s feelings are towards Won-jun, or if their relationship will work out. 



The moment that casts the biggest doubt on Doo-na relationship with Won-jun is when her agent, Park In-wook, walks into the picture. Won-jun and Doo-na have gone on a romantic getaway – they are staying at a beach house that Doo-na owns – and are walking down a road, holding hands, when Doo-na notices In-wook’s car parked in front of the house. When he gets out of the car and looks at Doo-na, she immediately let’s go of Won-jun’s hand. He begs with her not to go, but she ignores his pleas and drives off with In-wook, and leaves Won-jun all alone, in the middle of nowhere.  However, the reason she goes off with In-wook is to set the record straight and give him a good scolding. When she gets back to the house, Won-jun has left and taken a bus to his hometown to visit his friends and family. When Won-jun returns to the share house, she tells him that she didn’t know who she would miss more – In-wook or Woo-jun. It is only when she was with In-wook that she realized how much she missed Won-jun.



The question is: Does Doo-na really love Won-jun or was he just at the right place at the right time? Doo-na has been alone for months and Won-jun is the first person, in quite some time, to show genuine concern for her, so it’s not surprising she would have feelings for him. However, is that enough to sustain a relationship, especially given their different goals in life.  Won-jun wants to live an ordinary life, but Doo-na would never be content with an ordinary life – show business is in her blood.  The show never really answers the question. It ends on a rather ambiguous note – I won't completely spoil the the series, except to say that there are multiple interpretations of the ending 

I don’t know if I would recommend Doo-na, it is a fascinating but ultimately frustrating experience. The two leads, Bae Suzy and Yang Se-jong, are solid and have great chemistry, but the writing often lets them down. Bae Suzy was certainly well cast as the title character – like Doo-na, she was an idol, who debuted at young age, sixteen (in American years), and was essentially the face of the girl group, MissA – she is  regarded as being one of the most beautiful women in South Korea (if not the entire world). There are a lot of good moments scattered throughout the series (Jin-ju is given a nice character arc) but the parts are greater than the actual sum and end result is kind of a letdown. 



 

Cast: Bae Suzy (Lee Doo-na), Yang Se-jong (Lee Won-jun), Ha Young (Kim Jin-ju), Kim Do-wan (Goo Jeong-hoon), Park Se-wan (Choi I-ra), Kim Min-ho (Seo Yun-taek), Lee Jin-wook (Park In-wook), Kwon Han-sol (Song Tae-rim),  Kim Sun-young (Doo-na’s mother), Kim Yoo-mi (Agency rep), Bae Ji-hye (Eun-joo), Go Ah-sung (Im Ha-yeon), a member of Dream Sweet), Simeez and Rian of Lachica as members of Dream Sweet), Kim Hyun-mok (stalker).

Director: Lee Jeong-hyo
Writer: Jang Yoo-ha (based on The Girl Downstairs by Min Song-ah)
9 episodes (~40 – 45 minutes)

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