Jaws 2 (1978)

I have a soft spot for Jaws 2. This is mainly due to the sense of nostalgia it evokes whenever I watch it, as opposed to it being a good movie. It was one of the very first movies my dad recorded on our VCR (in 1986) and, in fact, I saw Jaws 2 before I saw the original movie (we rented Jaws a few months later).  I was seven years-old at the time, therefore, I could have cared less about character development, or plotting, the only thing that mattered to me was the shark. As unnecessary sequels go, Jaws 2 isn’t bad, especially when compared to the countless Jaws rip-offs that were being produced at the same time (Orca, Grizzly, Humanoids from the Deep, and Barracuda, to name a few).  I would even argue that it is even better than the source material, Peter Benchley’s novel Jaws, which inspired the first movie.  Benchley’s novel is a truly dreadful piece of exploitation – it is equivalent to the kind of cinematic trash that Roger Corman was producing at New World Pictures at time – heavy on sex and violence (Hooper and Ellen have an affair), but light on story and characterizations.  It is absolutely miraculous how Steven Spielberg was able to take a piss poor novel and transform it into a cinematic masterpiece.  Jeannot Szwarc, the director of Jaws 2, deserves some credit for turning in a watchable movie, even if it greatly pales in comparison to its predecessor. 

Jaws 2 biggest flaw is that is a crowded movie. It is populated with characters completely devoid of any personality - I struggle to remember the names of the teenagers, with the exception of Tina, largely because she has a knack for being at right place at the right time; it is she and her boyfriend, Eddie, who witness the motorboat explosion and, later, stumble across the corpse of the half-eaten killer whale.  This is unfortunate, because it’s hard to care about the characters later on when they are being terrorized by the shark. There is also the unfortunate subplot involving Len Peterson, Ellen greedy boss and local developer, who opposes Chief Martin Brody. This is supposed to add friction to Martin and Ellen’s marriage, but only serves as meaningless filler.  Roy Scheider does his best to bring an air of credibility of the proceedings, but there are a few moments where even he is defeated by the material; his performance in the first film was much more naturalistic, here, he tends to overact at times.  

There’s also a sense of a déjà vu in the movie’s first half - Chief Brody suspects a shark is swimming in the waters of Amity, but is greeted with initial skepticism by the town leaders; you would think that Mayor Vaughn would have learned his lesson after the events in the first movie.  This also begs the question: Why center the sequel on Chief Brody?  It would make more sense for the movie to follow the exploits of Matt Hooper – he is an oceanographer, hence it is only natural that he would inevitably encounter another great white shark.

It’s also not surprising that the sequel is much more excessive in terms of the shark. In the first film, it wasn’t until the midway point that we were given a good look at the shark and, even then, it was fleeting. The sequel blows its wad in the first twenty minutes; the shark eats a water skier and then attacks the speedboat that was towing her.  In a laughable attempt at making the shark scarier, the filmmakers give it burn scars, the result of being in the middle of a boat explosion that it accidentally caused; the woman in the boat freaks out when she sees the shark, spills gasoline all over the boat and herself, and then fires a flare gun at the shark, which results in a big explosion.

Though, rather surprisingly, the death toll is relatively small (seven total) – this is an advantage in the movie’s favor. I recently watched the Roger Corman produced Sharktopus, and the move is devoid of any suspense largely because the body count (over 30) is so high that it becomes fairly redundant - every time the movie introduces a minor character they are promptly devoured. Indeed, most of the deaths are played for laughs. At least in Jaws 2, there is some element of suspense as to whether or not a character is going to survive. I still find the death of Marge to be a fairly shocking –after pulling Sean to safety she is swallowed whole by the shark. I also liked the fact that Sean is still traumatized by her death in the next scene as to just shaking it off; which is a tendency in most modern horror movies.  The last half hour is the strongest part  of the entire movie – the shark maybe a ridiculous at times, but at least the characters behave in a realistic fashion (no one cracks a stupid joke, there are no displays of bad assery), they are genuinely frightened and just want to survive.  The scene where the blonde girl, Lucy, starts praying may come off as maudlin, but it is perfectly believable, especially after having just witnessed her friend get devoured. 

Jaws 2 differentiates from its predecessor in that the second half is a race to the rescue, as opposed to being a hunting expedition.  In the first movie, the second half follows Brody, Quint, and Hooper as they hunt down the shark. The movie focuses entirely on their efforts to track down and kill the shark, without every once cutting back to the mainland – it effectively gives the audience a sense of isolation. These men are cut off from civilization and if anything goes wrong, no one will be able to save them.  Jaws 2, on the other hand, constantly cross cuts between Brody and the teenagers, and the “suspense” is built around whether or not Brody will arrive in time to save the teenagers from being devoured. It moves at a swift pace, but by constantly cutting back and forth between the two locations, it diffuses the tension – after each shark attack, the movie will cut back to Brody on the police launch, steadily on his way.  Brody gets sidelined for most of the second half; it’s only be sheer happenstance that he learns of the teenagers whereabouts.  It certainly doesn’t help that the teenagers are cardboard cutouts and lack the screen presence of the leads in the first movie.

I would like to think the scene with the beached killer whale corpse is a shot at the Jaws rip-off Orca; that movie begins with a killer whale killing a great white shark. It was producer Dino De Laurentis’ (still bitter that his King Kong remake made less money than Jaws) way of saying that Jaws was fun and stuff, but it was no match for Orca. Jaws 2, while definitely inferior to the first movie, is leagues a head of Orca.  Though, it is depressing to see that one of Jaws 2 biggest “scare” moments – the shark attacking the helicopter – is lifted from the movie Grizzly, another Jaws rip-off. In that film, the title monster (a fifteen foot grizzly bear) attacks a helicopter, though it only manages to spin it around a few times.

Jaws 2 proved to be enough of a hit that Universal green lit two more sequels (Jaws 3-D, and Jaws The Revenge), though it only did about 40% of the original movie.  It is an acceptable waste of time, especially on dull, Sunday afternoon. So, if it happens to be playing on your local TV station (do they still show movies?),  open up a six pack of beer and give it a watch. 

Credits

Cast:  Roy Scheider (Police Chief Martin Brody), Lorraine Gary (Ellen Brody), Murray Hamilton (Mayor Vaughn), Joseph Mascolo (Len Petersen), Jeffrey Kramer (Deputy Hendricks), Ann Dusenberry (Tina), Mark Gruner (Mike Brody), Marc Gilpin (Sean Brody), Collin Wilcox (Dr. Elkins), Gary Springer (Andy), Donna Wilkes (Jackie), Keith Gordon (Doug), David Elliott (Larry Vaughn, Jr.), Barry Coe (Tom), Gary Dubin (Eddie),  John Dukakis (Paul), G. Thomas Dunlap (Timmy), Cindy Grover (Lucy), Gigi Vorgan (Brooke), Billy Van Zandt (Bob),  Ben Marley (Patrick), Martha Swatek (Marge), Susan French (Grace), Jerry M. Baxter (Helicopter Pilot).

Director: Jeannot Szwarc
Screenplay: Carl Gottlieb, Howard Sackler.
Running Time: 116 min.