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Showing posts with label Buster Keaton. Show all posts
Showing posts with label Buster Keaton. Show all posts

Thursday, August 21, 2025

My Girlfriend is a Gumiho (2010)/ The Accidental Couple (2009)



The idea of the unlikely romance is nothing new to storytelling, it predates the written word. They are a staple of K-drama romances, but the results can be mixed at times. The success of these types of dramas depends greatly on the chemistry between the two romantic leads – if the pairing of the actors fails to ignite sparks, then the entire series falls flat. It doesn’t matter how good the writing, direction, and supporting cast is, it is entirely up to the two romantic leads to carry the series. My Girlfriend is a Gumiho and The Accidental Couple are the unlikely romance done correctly and offer interesting variations on the formula. 

In Korean folklore, the Gumiho is a shape shifting nine tailed fox that, in order to become human, drains energy from humans. Depending on the media, the Gumiho can either be a total monster (who eats human livers) or a more benevolent that finds a willing partner to take the energy from. They drain off the energy by inserting an orb (via kiss) into their victim’s body and when it has sucked the person dry, they take it out. In My Girlfriend is a Gumiho, Mi-ho is a more benevolent creature (or least tries to be, sometimes her killer urges kick in).  She has spent 500 years trapped inside a painting and it is accidentally let out by Cha Dae-woong, a college student and aspiring action star. He is, initially, afraid of Mi-ho and tries to flee from her, but seriously injuries himself in the process. While he is unconscious, Mi-ho, to keep him alive, places her orb into him and he wakes up none the wiser. The orb also enhances his abilities, so that when he auditions for an action movie, he blows away the director, Ban Doo-hong. The two of them come to an understanding – if Dae-woong helps Mi-ho become human, she will help with his movie career. 



In order for Mi-ho to become human, Dae-woong must keep the orb inside of him for 100 days and she must drink the blood of a half human/half supernatural being, Park Dong-jo, which takes away her supernatural powers – as the series progresses, she begins to lose her tails. What Dong-jo keeps secret from Mi-ho is that once she extracts the orb from Dae-woong, he will die. It is not specified what kind of supernatural being Dong-jo, all that is shown is that he has lived for a long time. The reason he takes an interest in Mi-ho is that he reminds of her of goblin, Gil-dai, who he slayed after she begged him to do so. Dong-jo has traveled all the country and held many jobs (he is currently a veterinarian). He doesn’t allow himself to get too close to humans, because of the pain that comes when they pass away.  He has become weary at his old age, while Mi-ho, after having spent 500 years in painting, is excited by the world around her – she is a fish out of water.



The main reason that I chose to write about My Girlfriend is a Gumiho is talk about the lead actress, Shin Min-ah, who is slowly becoming one of my favorite actresses of all time. In the last couple of months, I have watched multiple dramas starring Shin Min-ah (My Girlfriend is a Gumhio, Oh My Venus, and Tale of Arang) and she always impresses me. If you want to see an example of an actor carrying a film, then check out the 2005 romantic comedy, The Beast and the Beauty, where she plays a woman who has regained her eyesight, after receiving eye surgery, and is looking for the man who was by her side when she was blind. The movie isn’t very good, and the lead male is irritating, but it’s worth watching for Shin Min-ah’s sweet natured performance. It’s also one of those romantic comedies where you feel that the heroine is given a raw deal – the movie’s secondary male lead is more likable than the male lead. Flash forward to 2024, she is cast as a cynical businesswoman, who views everything in gains and losses, in No Gain, No Love and doesn’t miss a beat.

Her performance is My Girlfriend is a Gumiho is one of her most impressive, because of the depth she brings to the role – in one scene she is flirty with the male lead, doing her best aeygo, and then in the next she is crying up a storm (literally) because she believes she has been abandoned. She can be sweet in one episode and intimidating in the next – there a couple of times throughout the series where Mi-ho reverts to a more feral state and Dae-woong can only satiate her thirst for blood by feeding her raw meat. The premise to the series is ridiculous and there are two approaches Shin Min-ah could have taken with the material:  the first approach would be to play it with her a wink – she could occasional break the fourth wall and let the audience know she is in on the joke (this is basically what acting in most Hollywood franchises has been reduced to) or she could go with the second route and play it in a sincere manner. She opts for the latter approach, and the show is all the better for it. Despite the ridiculous premise, it is easy to root for Mi-ho.




There is an innocence about Mi-ho – she has been around for centuries, but because she has spent the last five hundred years trapped in a painting, she is naïve to the ways of the world. This innocence also means that she has no filter, which means that she will openly say things that offend the cultural norms – there is one moment where she is in heat and tells Cha Dae-woong that she wants to mate with him. He can’t believe how frank she is and throws a huge hissy fit – one of the most irritating aspects of K-dramas is how puritanical the male leads can be at times. In real life, if an attractive female told a male she wanted to mate with him, he would either take her up on the offer, or he might find it odd but would still be flattered. In K-dramas, the dude freaks out and runs out of the room, or pushes the female lead out of his house and locks the door. Hell, often there is a scene where the lead female will confess her feelings to the lead male, and he acts like she is selling him life insurance. “I don’t knooooooow! I need to think about it!”  Do women find such indecisiveness sexy? I genuinely want to know – being an angry senior citizen who is suspicious of everyone, I rarely know what motivates people, especially women.

My Girlfriend is a Gumiho has one of the more entertaining B-stories – the budding romance between the extreme action director, Ban Do-hong, and Cha Min-sook (Dae-woong’s aunt). The two of them first meet on the elevator of a shopping mall – Cha Min-sook farts in the elevator but Do-hong covers for her by apologizing to the other occupants. Do-hong runs an action school and Dae-woong is one of his top students, so he constantly runs into Min-sook. Do-hong is a huge fan of Chow Yun-fat’s performance in A Better Tomorrow and dresses up like the lead character – he also emulates Yun-fat’s performance and often quotes the movie when he is trying to court Min-sook.  When he is not dressed up like Chow Yun-fat, he wears the outfit that Bruce Lee wore in Enter the Dragon. 



Ban Do-hong is played by Sung Dong-il, who played the lead female’s father in the Reply trilogy. Just like in the Reply trilogy, the daughter of his character, Ban Sun-nyeo, is played by a K-pop – Hyo-min from T-ara (who goes for the “cute nerdy girl” look by wearing glasses).  Sun-nyeo has a crush on Dae-woong, but he is, initially, too infatuated with fellow actress, Eun Hye-in, to notice. It isn’t much of a role, it just requires Hyo-min to look cute, and she manages to excel at that. 



In the first few episodes, Dae-woong is hopelessly in love with Hye-in, but she just shrugs him off. It’s only after Mi-ho has entered the picture that Hye-in starts to notice him – she can’t stand the fact he is no longer paying attention to her and let’s her jealously get the better of her. She starts to spy on Mi-ho, hoping to dig up dirt she can use to discredit Mi-ho. She simply can’t understand why Dae-woong choose Mi-ho over her and is convinced that something wicked is afoot. Both Dae-woong and Hye-in have been cast as the second leads in Do-hong’s action epic, but Hye-in is not satisfied with being the second banana and tries to persuade the Do-hong into casting her in the lead role. Do-hong is obsessed with capturing “real action” film and when she catches Mi-ho powers on full display (he sees her jumping over trees), he wants to cast her as the female lead in his movie. The problem is that he can’t find her – whenever Mi-ho sees him walking in her direction, she runs away. When Hye-in discovers Mi-ho’s secret she uses it to her advantage; she blackmails Mi-ho into being her stunt double on the movie. She gives this ultimatum to Do-hong: the only way Mi-ho will work on the movie is as a Hye-in’s stunt double and if Do-hong casts Hye-in in the lead female role. Do-hong reluctantly accepts the terms – because he knows that Hye-in isn’t leading lady material. Even though Hye-in is given the lead role, she still can’t stand to see Dae-woong lavishing Mi-ho with attention.



Hye-in isn’t the only one who is trying to separate Mi-ho and Dae-woong; Dong-jo falls in love with Mi-ho and keeps trying to convince the two of them to break up. Dong-jo initially was going to kill Mi-ho but he has become so infatuated with her that he wants her for himself. He opts for the more subtle approach; he tells Mi-ho and Dae-woong separately that they would be better off without one another. He uses the old logic, “If you truly love this person, then you will let them go.” Dong-jo’s pitch to Dae-woong is that he is the only one who can truly take care of Dong-jo and Dae-woong would just be a hindrance to her. He also tells Mi-ho that he can prevent her from dying – as Mi-ho loses her tails she becomes progressively weaker. Dong-jo promises Mi-ho that if she stays with him, she will regain her strength. Dae-woong makes the noble sacrifice, returns Mi-ho’s orb to her, and walks away. Of course, we all know this temporary. There is no way the writers would end a romantic comedy on a downbeat note. Mi-ho has quite the character arc – she makes friends, makes enemies, falls in love, gets her heart broken, falls back in love, and even works a few part-time jobs – is there anything more human than that?

My Girlfriend is a Gumiho is an entertaining show with interesting twist and turns. It is the kind of premise that should fall flat on its face, but it succeeds thanks to the imaginative direction, clever writing, and sincere performance. I should also point out that over a decade later there was a TV show called My Roommate is a Gumiho that starred Lee Hye-ri as a female college student who falls in love with a male Gumiho (played by Jang Ki-yong). It is also an entertaining TV show that has the same plot beats as My Girlfriend is a Gumiho but also manages to add its own twist and turns – like incorporating the Red Thread of Fate into the storyline. I still prefer My Girlfriend is a Gumiho, mainly because of Shin Min-ah’s performance.



The interesting thing about Accidental Couple is that it has the exact same plot as the Buster Keaton silent, Spite Marriage. In both stories, a rube is talked into entering a sham marriage with a famous actress. In Spite Marriage, Elmer (Keaton), the owner of a dry-cleaning business, marries famous stage actress, Trilby Drew, who uses him to get back at her leading man/lover, Lionel Benmore, who has become flirtatious with a female admirer. This happens on a whim – she has too much to drink and asks Elmer if he would like to marry her.  Elmer has been an admirer of hers for awhile (he has seen every performance of her current play) and naturally says yes.  The next morning, she wakes up sober and leaves it up to her manager and Lionel to clean up her mess – they persuade Elmer to go away, so Trilby can divorce of him on the grounds of abandonment. Through a series of contrivances, Elmer and Trilby end up meeting again on a yacht, and she falls in love with him after he saves her from gangsters who have commandeered the boat.



In Accidental Couple, Gu Dong-baek (Hwang Jung-min) is talked into entering a sham marriage with the famous TV/movie star, Han Ji-soo (Kim Ah-joong) to help cover up her relationship with Kim Kang-mo (Joo Sang-wook), who is the son of mayoral candidate, Kim Jung-wook.
To help cement his win in the election, Jung-wook has arranged for his son to be engaged to Choi Soo-yeon, whose father owns a prominent news organization (that Kang-mo works at).  Kang-mo assures Ji-soo that this is only temporary – once his father has won the election, he will break off his engagement and come back to Ji-soo. However, a tabloid journalist, Reporter Baek, suspects that two of them are secretly seeing each other and hopes to catch them in the act. When Kang-mo and Ji-soo get into a car accident (while fleeing from Reporter Baek) he believes he will finally snap the incriminating photo. However, Dong-baek just happens to be at the accident scene (he was walking home from an awards show) and is persuaded by the frightened couple to take Kang-mo’s place in the driver’s seat while Kang-mo slips away.  Like Elmer in
Spite Marriage, Dong-baek is so enamored with Ji-soo that he agrees to their request. Baek shows up at the scene but is disappointed to find Dong-baek in the driver seat.

They initially believe they have successfully pulled the wool over the reporter’s eyes, but while looking at a photo of the accident scene, Baek sees a figure standing in the background and, correctly, assumes that it is Kang-mo and is determined to expose the truth. Sang-mo and Ji-soo realize they are not out of the woods yet and ask Dong-baek to carry one with the deception. Dong-baek biggest strength is also his biggest weakness – he is good natured to the point of being a pushover. Despite his initial reservations, he agrees to go along with the deception. The next thing he knows, his name is trending all over social media and his face is plastered on all of the newspapers. To further complicate things, Kang-mo’s father leaks it to the press that Dong-baek and Ji-soo are going to get married. Ji-soo is so determined to go through with the deception that she agrees to a sham marriage with Dong-baek. 



The one question that never enters Ji-soo’s mind – Is Kang-mo worth it? What kind of man would not only ask the woman he loves keep their relationship a secret, but idly stand by and allow her to enter a phony marriage to appease his father? He even agrees to take their wedding pictures. Part of the reason Ji-soo agrees to tall of this is that she owes a great of her career to Kang-mo – the two of them met at college and it was Kang-mo who used his connections to help Ji-soo get acting gigs. While Kang-mo did provide her with the break she desperately needed, it was her genuine talent that catapulted her to superstardom. Her loyalty to Kang-mo is understandable, but she gets nothing out of this current arrangement – she can only watch from the sidelines while the man she loves publicly touts that he is going to marry another woman. As a result, Ji-soo is constantly depressed.



While Trilby was won over by Elmer’s heroic deed, Ji-soo is ultimately won over by Dong-baek’s good-hearted nature. The main difference between the two female protagonists is that there much more depth to Han Ji-soo while Trilby Drew is one dimensional (the heroines in Keaton’s movies were usually props to drive the story than they were actual characters).  The most surprising aspect about The Accidental Couple is the terrific chemistry between Hwang Jung-min and Kim Ah-joong. Hwang Jung-min will never make “the most handsome” list and is a decade older than Kim Ah-joong, but there is nice give and take between these two talented actors.



Their relationship goes through a believable progression from complete strangers to eventual lovers. At first, Dong-baek is in complete awe of Ji-soo and this leads to awkward exchanges, because he is near speechless in her presence. What baffles Ji-soo and Kang-mo the most is the fact that Dong-baek isn’t asking anything in return for continuing the deception; Ji-soo even admits she would feel more comfortable if Dong-baek asked for money, because she at least would understand his motivation. His “nice guy” seems to good to be true. The second stage of their relationship is Ji-soo giving Dong-baek the cold treatment – she basically views him as “a prop” and doesn’t want to get too close to him, because eventually she will return to Kang-mo and he will go back to the life of a postman. In private, she ignores Dong-baek while publicly puts on a show of affection. This also does wonders for her image; the public is transfixed by the story of a famous actress dating an ordinary man. She also snaps at Dong-baek multiple times – Reporter Baek overhears a conversation between Dong-baek and Ji-soo’s manager, Cha Yun-kyung and it seems to confirm his suspicions that their relationship is a scam. 



When Dong-baek tells Ji-soo about this, she loses her temper and hurls insults at him. It never occurs to Ji-soo how this deception is affecting Dong-baek’s life. It was during this scene where I wanted Dong-baek to grow a spine and tell Ji-soo off, especially when she demands he take part in the sham marriage. Bitch, he doesn’t owe you shit! Most men would have told Ji-soo to piss off and then spilled the beans to Reporter Baek (who was offering a decent sum of money to hear Dong-baek’s story).  Dong-baek excuses her appalling behavior and agrees to the sham marriage – Dong-baek is the type of person who always looks for the best in people (even when they don’t deserve it).

There is also another incident that threatens to derail the whole act – Ji-soo invites Dong-baek to hang out with a few of her actor friends. When she leaves the table to use restroom, one of the male actors makes lewd remarks about Ji-soo. Dong-baek is offended by the man’s crude language and confronts him in the restroom – he gives the man ten seconds to apologize and, when the guy fails to do, Dong-baek head butts him in the nose. This upsets Ji-soo, because she is worried the actor might press charges and that the story will be plastered all over the media. Ji-soo’s team does buy the man’s silence, but this incident further divides Dong-baek and Ji-soo.

It is also a matter of time that Dong-baek’s co-workers begin to notice inconsistencies in his story – he claims that Ji-soo and him had been dating for months, but it was only recently that he showed interest in his co-worker, Park Kyung-ae. In fact, he even asked her to attend the award show with him, but she declined his offer. It is also only after Dong-baek starts “dating” Ji-soo that Kyung-ae begins to show interest him. This leads to a rumor that Dong-baek was two-timing Ji-soo and the result is a huge backlash from the public. They are appalled that an average “Joe” like Dong-baek would cheat on a goddess like Ji-soo. The post office initially exploits Dong-baek’s relationship with Ji-soo by making him the face of the post office – they put up posters and cardboard standees of Dong-baek all over the building. When the scandal breaks out, they take down the posters and standees and try to distance themselves from Dong-baek.

However, it is around this time that Dong-baek and Ji-soo’s relationship takes that next step – from work acquaintance to friend.  Ji-soo can’t help but to charmed by Dong-baek’s simplicity, and the fact that he is an inviting individual. While Kang-mo is too ashamed to introduce Ji-soo to his father, Dong-baek proudly introduces Ji-soo to his younger sister, Gu Min-ji, and to all of his co-workers. When she hears about the two-timing rumors, she actually laughs – she knows that Dong-baek is not that type of guy. This is also the first time she begins to realize how this deception has derailed Dong-baek’s private life. He has two potential love interests, Kyung-ae and Min-ji’s best friend, Jo Seung-eun, but he cannot pursue either because he is committed to helping out Ji-soo.  Even before Dong-baek met Ji-soo, Seung-eun was already considering going out with him.  To be honest, Seung-eun is probably a better match for Dong-baek because of their similar backgrounds and worldviews – neither of them are looking to make a splash, they just want to live ordinary lives.  It is also not surprising that Seung-eun dislikes Ji-soo.



Dong-baek also ingratiates himself to Ji-soo by befriending her estrange younger brother, Han Sang-chul. One of the things Dong-baek has in common with Ji-soo is that they lost their parents at a young age and were forced to raise their younger siblings. Min-ji lives with Dong-baek and they have a close relationship. After Ji-soo became famous, she sends her young brother to attend college in Australia. The two of them haven’t spoken in years – Sang-chul always interpreted his sister sending him to Australia as her obeying Kang-mo’s orders. Sang-chul has a strong dislike of Kang-mo and blames him for the distant relationship he has with Ji-soo. However, despite his disagreeable demeanor, it is apparent that Sang-chul still cares about his older sister. He just really wants to see Ji-soo be happy. When he first meets Dong-baek, he is naturally skeptical.  Dong-baeks let him in on the secret that his relationship with Ji-soo is a sham.  Sang-chul is initially tempted to expose their deception to Reporter Baek but changes his mind when he notices how happy Ji-soo is whenever she is around Dong-baek. She is always miserable when she is with Kang-mo, but Dong-baek has the ability to make her smile regardless of the circumstances. Sang-chul becomes determined to turn their sham marriage into a real marriage. Dong-baek also has the ability to diffuse a potentially ugly situation; there is a scene where the Gu siblings persuade the Han siblings into going on a picnic. Ji-soo and Sang-chul get into a heated argument that is about to turn ugly when Dong-baek and Min-ji challenge the Han siblings to a game of soccer.  At first, Sang-chul rolls his eyes at the idea, but as the game progresses, he becomes more involved and even celebrates with his sister when they score a goal. 



To further keep up the ruse, Dong-baek moves into Ji-soo’s house. He sleeps in the upstairs guest room while Ji-soo sleeps in her room downstairs. This further strengthens their bond – they often pass the time by playing board games and Dong-baek even teaches Ji-soo how to cook. This is also when Kang-mo begins to feel uncomfortable about their relationship, which makes Sang-chul happy. This often results in Kang-mo pulling Dong-baek aside and issuing all sorts of threats. Ji-soo also doesn’t know how to feel; she enjoys Dong-baek’s company, and even has grown close to Min-ji, but she can’t get over her feelings for Kang-mo. To Sang-chul, and the viewers, it is a no brainer – Dong-baek is the perfect guy for her, but it is also easy to understand her feelings. She wants things to remain as they are, but she is inevitably going to have to make that tough choice. If she marries Kang-mo, there is no way he would allow her to stay in touch with Dong-baek. If she picks Dong-baek that essentially ends her relationship with Kang-mo. It is only after Dong-baek moves out of her house that she realizes how much she misses and loves him.  To quote the classic Cinderella song, “Don’t know what you got ‘til it’s gone.”



The premise of The Accidental Couple is formulaic (which is why I brought up Spite Marriage) but that is not necessarily a bad thing. In fact, the fact that it is so unapologetic about adhering to the formula is one of its charms. There is something satisfying about seeing an average Joe win the heart of a famous movie star – it is the ultimate wish fulfillment. I also must admit that it took me longer than usual to write this review, and I have watched a few K-dramas since then, so there are many details of the two shows I reviewed that I have become iffy. However, it speaks volumes about My Girlfriend is a Gumiho and The Accidental Couple that performances by the lead actors in both shows (Shin Min-ah and Hwang Jung-min) have stuck with me weeks after watching them. They are both master classes in acting.

 

Credits

My Girlfriend is a Gumiho
Cast:  Shin Min-a (Gu Mi-ho/Park Seon-ju/Gil-dai), Lee Seung-gi (Cha Dae-woong), No Min-woo (Park Dong-joo), Park Soo-jin (Eun Hye-in), Sung Dong-il (Ban Doo-hong), Yoon Yoo-sun (Cha Min-sook), Byun Hee-bong (Cha Poong), Kim Ho-chang (Kim Byung-soo), Hyomin (Ban Sun-nyeo), Hyunwoo (young Cha Dae-woong), Im Hyun-sik (Buddhist Monk), Kim Ji-young (Samshin grandmother), Uee (art student), Park Shin-hye (Go Mi-nyeo).

Director: Boo Seung-chul
Writers: Hong Jung-eun, Hong Mi-ran
16 episodes ~ 60 minutes

The Accidental Couple
Cast: Hwang Jung-min (Gu Dong-baek), Kim Ah-joong (Han Ji-soo), Joo Sang-wook (Kim Kang-mo), Lee Chung-ah (Gu Min-ji), Baek Sung-hyun (Han Sang-chul), Jeon Mi-seon (Cha Yun-kyung), Lee Soo-young (Jo Seung-eun), Yeon Mi-joo (Park Kyung-ae), Moon Jae-won (Yoon-seob), Kang Hee-soo (Tae-won), Kim Hyung-gyu (Kim Suk-hyun), Kim Kwang-kyu (Team leader Go), Yoon Joo-sang (Director Yoon), Jung Dong-hwan (Kim Jung-wook), Lee Hae-young (Reporter Baek), Park Ha-sun (Choi Soo-yeon), Jo Sang-gun (President Choi), Shin Ki-joon (young Dong-baek), Im Si-eun (young Ji-soo), Lee Jua (young Min-ji), Cha Jun-hwan (young Sang-chul).

Director: Ki Min-soo
Writers: Jung Jin-young, Kim Eui-chan
16 episodes ~ 60 minutes


Tuesday, May 1, 2018

The Freshman (1925)




My first exposure to the comedy of Harold Lloyd was in the early 2000s when Turner Classic Movies ran a marathon of his movies.   I had already been familiar with the movies of Charlie Chaplin and Buster Keaton; The Gold Rush and The General were staples on PBS.  Yet, Harold Lloyd’s movies were largely unavailable for some time, so when TCM ran this marathon I was compelled to watch.  I was instantly hooked. A few years later, when New Line released a box set of his movies, I immediately bought it (twenty seven movies for sixty dollars! WHAT A DEAL!!!).  I’ve also had the privilege of seeing three of his movies on the big screen: Why Worry?, The Freshman, and Safety Last.  This is the ideal way to watch a Harold Lloy movie; it comes to life in a packed house. 

The Freshman is considered by many to be Lloyd’s best movie, which actually surprises to me. The Freshman is an entertaining, often hilarious movie, yet it’s greatly flawed in the story aspect. The problem I have with it is that Harold’s motivation is fairly self serving one– he wants to be the most popular student on the college campus.  His sole reason for going to college is not to better himself academically, but socially.  It is interesting that in a movie with a college setting there is not a single scene set in the classroom. We see Harold try out for the football team, romance Peggy, and go through a whole series of humiliations, but never once does he crack open a book.  In one of the movie’s more clever ideas, Harold is inspired to go to college after seeing a movie called “The College Hero.” It’s not college that interests him, but the idea, or rather the movie’s idea of college that gets him all fired up. He is obsessed with the movie to the point where he imitates the main character’s, Speedy, silly hand shake (he does a silly jig and then extends out his right hand). This, justifiably, makes him a laughing stock of the college campus.  

Harold realizes that the only way for him to be the “college hero” is by joining the football team and winning a few games. Harold tries out for the team and the coach is less than impressed, but after the tackling dummy has been wrecked, he decides that Harold will be a perfect substitute; he replaces an inanimate dummy with a human dummy.  While the coach doesn’t have any use for Harold as a player, he is impressed with the young man’s spirit, and keeps him on the squad; albeit as the water boy.  The Freshman was made an era when college football was significantly more popular than pro football; the idea being that playing football was all well and good while in college, but once the men graduated it was time to start their real careers.  When The Freshman was made many pro football players adopted colorful nick names; this was done, in part, to give them larger than life personas, but mostly to spare their family any sort of embarrassment. It really wasn’t until the advent of television that pro football caught on with the masses. 



The Freshman also has the most offbeat football game ever shown on the big screen. Did Harold Lloyd even understand the rules? For instance, Harold’s team picks up a first down (due to a twenty yard catch accidentally hauled in by Harold), but a few plays later Harold is waiting to field the other team’s punt.  We don’t see any change of possession, so why is Harold fielding a punt? Is this supposed to take place later in the quarter? Are there a few shots missing? If that isn’t enough, we are then shown the worst bit of (fictional) coaching in cinema history.  After recovering Harold’s “fumble,” the other team, with mere seconds left on the clock, opts to punt the ball instead of just running out the clock. This allows for Harold to return the punt for a touchdown and win the game.  Hopefully, the opposing coach was fired after the game, because this is the most baffling play calling I have ever witnessed; and I say that as Packers fan who watched my team squander a twelve point lead (against Seattle) with five minutes left on the clock, thus losing out on a chance to go to the Super Bowl.  AAAAHHHH!!!!  The football scene is fun too watch, but it’s devoid of any real sense of urgency; Harold fighting against the clock to win the respect of his peers doesn’t really carry much dramatic weight.  It is also a bit troubling to see Harold, sitting on the bench,  hoping one of his teammates gets injured so he can be allowed to play. It’s funny, but it goes to show just how shallow his character really is. 



The problem I have with The Freshman is that the football game is fairly anti-climatic; the real ending of the movie is when Harold punches out the College Cad for making an inappropriate pass on Peggy. The Harold/Peggy romance is the real heart of the story and it’s responsible for some of the movie’s more memorable moments:  Harold and Peggy meet in the dining compartment on a train. Peggy is working on a crossword puzzle and Harold sits down next to her. Harold becomes transfixed by the puzzle and thinks he figured out the word for: a name for the one you love.  He shares his answer ("Sweetheart") with Peggy and then she comes back with another alternative ("Darling"), then they go back and forth with different words.  The old lady seated behind them overhears the conversation and mistakenly believes they are showing their affection for each other. She finally chimes in, “Isn’t it wonderful to be in love?” Harold hears this, freaks out, and runs out of the room.






 Later on when Harold is at a dance at the hotel, he notices that Peggy is alone, working at the counter and slowly realizes that his place is with her.  These are wonderful scenes played to absolute perfection by Lloyd and his regular leading lady, Jobyna Ralston. It is hard not to feel for these two people.  It is also interesting to note the one trope that is missing in The Freshman – the popular girl who Harold obsesses over. Though, it might not have been invented yet.  Most teen comedies feature a subplot where the main character obsesses over the popular girl, while being oblivious to the fact that his female friend, who is usually a tomboy, is in love with him.  The Freshman doesn’t bother with a pointless love triangle, because it’s hard to imagine Harold falling for anyone other then Peggy. Harold Lloyd understands this and allows the romance to speak for itself.

In the entertaining commentary, Rich Correll and Leonard Maltin, point out that, like Harold, Peggy is one of the “have nots.”  She doesn’t attend college, but works multiple jobs - as a counter girl at a hotel and helping her mother run the boarding house that Harold is living in. She immediately relates to Harold because they come from similar backgrounds. He doesn’t put on an act when he is around her and is free to be himself.  The question is - especially after having found his soul mate in Peggy – WHY DOES HAROLD CARE ABOUT BEING POPULAR?! His classmates treat him 
terribly, yet Harold is still determined to win them over. WHY? It practically undermines the wonderful moment where Harold and Peggy finally reveal their true love for one another.  Harold, you found a girl that likes for you who you are, to hell with your douchebag classmates.  It’s also interesting to note that Sylvester Stallone’s Rocky follows the same structure as The Freshman; except Stallone wisely places the emphasis on the Rocky/Adrian relationship, while the fight between Rocky and Apollo is a plot device that sets the story in motion.  Even though Rocky loses the match, the movie has a happy ending because he has found his soul mate in Adrian.  



The Freshman is not Lloyd’s funniest movie, but it does make for an invaluable time capsule of the 1920s – all the trends of the time are on full display.  In one funny bit, Harold, while dancing with a college girl, checks the back pockets of his classmates to see if they are carrying a flask.  The Freshman was made during Prohibition, so the possession of alcohol had to be hidden from plain sight.  Harold’s father is described as a “radio liar,” a term that would have no meaning to modern day audiences. Essentially, Harold’s father likes to futz around on the radio and claims that he is able to tune in far away countries.  Radio was the 1920s equivalent to social media; it was a way for people to reach out to other countries. In the football game, there is no designated passer; the quarterback position was virtually nonexistent at this time and wouldn’t really be perfected until the 1940s with the arrival of such athletes like Sid Luckman (of the Chicago Bears) and Sammy Baugh (of the Washington Redskins). 

It wasn’t until recently that many critics began to hold Harold Lloyd in the same regard as Charlie Chaplin and Buster Keaton, largely because Lloyd didn’t have the same amount of control as the other two.  Lloyd was the driving force behind his movies but usually relinquished directing duties (Sam Taylor and Fred C. Newmeyer are the credited directors of The Freshman).   While Lloyd may not have been as artistically driven as the Chaplin and Keaton, he was easily the best actor out of the three.  Lloyd could have easily been a leading man in any genre, because there was a great range in his acting abilities. His love scenes with Jobyna Ralston are easily on par (if not better) than most romance movies that Hollywood was turning out at the time.  His movies are easily on par with anything that Chaplin and Keaton put out during this era.  Most filmmakers would agree with me; Cary Grant’s look in Bringing Up Baby was inspired by Harold Lloyd. Hell, Lloyd was even the model for Clark Kent.  Lloyd was even a huge influence on the 1960s counterculture;  the ending of The Graduate was  greatly inspired by the ending of Girl Shy.  The Graduate is often described as “the movie that defined a generation.”  How ironic that it was taking its notes from a comedian of an earlier generation.

Credits
Cast: Harold Lloyd (Harold Lamb), Jobyna Ralston (Peggy), Brooks Benedict (The College Cad), Pat Harmon (The Football Coach), James H. Anderson (The College Hero), Hazel Keener (The College Belle), Joseph Harrington (The College Tailor), May Wallace (Harold’s Mother),Charles Stevenson (Assistant Coach).
Directors: Fred C. Newmeyer, Sam Taylor.
Screenplay: Sam Taylor, Ted Wilde, John Grey, Tim Whelan, Thomas J.Grey (titles), Harold Lloyd.
Running Time: 76 min.

Friday, May 22, 2015

Beach Blanket Bingo (1965)


April 14, 1965 – Richard Hickok and Perry Smith (the subjects of Truman Capote’s novel In Cold Blood) are hanged; The Supremes are number one on the music charts with “Stop! In the Name of Love’; and moviegoers have the option of either seeing Girl Happy, or Beach Blanket Bingo.  Since, I’ve already discussed Girl Happy in a previous post that leaves me no choice but to review Beach Blanket Bingo. I’m not going to lie, I absolutely adore this movie. I will concede that most of the criticisms against this movie are valid (the most obvious being, “It’s corny”), but I would argue that the filmmakers (director William Asher and co-writer Leo Townsend) are well aware of these shortcomings and deliberating set out to subvert the Beach Movie tropes.

The movie juggles three story lines: Frankie and Dee Dee (Annette Funicello) decide to take up sky diving; Bonehead (Jody McCrea) falls in love with a mermaid (Marta Kristen), Lorelei; and Eric Von Zipper (Harvey Lembeck), the dopey leader of a motorcycle gang, becomes absolutely smitten with pop singer, Sugar Kane (Linda Evans).  While American International  would go on to produce two more beach movies (How to Stuff a Wild Bikini and The Ghost in the Invisible Bikini), this would be final of the Frankie/Annette beach movies; Frankie is relegated to a cameo in How To Stuff a Wild Bikini, while The Ghost in the Invisible Bikini has a, mostly, different cast.  Therefore, it is surprising how the Frankie/Dee Dee story line feels like an afterthought; the only real tension is whether or not Frankie will allow Dee Dee to go through with her jump.  In the previous movies (Beach Party, Muscle Beach Party, Bikini Beach) the writers usually contrived a way to split them up only so they could be happily reunited at the end. The typical plot would be:  Frank just wants to have fun, while Dee Dee wants to settle down.  This would lead to a bitter argument and they two would, in a ruse to get the other one jealous, find comfort in the arms of a stranger, only to, inevitably, realize that they truly belong together. Beach Blanket Bingo discards this story line entirely; Frankie may flirt with the instructor Bonnie, but she is more of an annoyance than an actual threat.

In fact, the Bonnie subplot is resolved in a rather half ass manner.   After Dee Dee has made her free fall, Bonnie puts the plane on automatic pilot and puts the moves on Frankie, but he rebukes her. His rejection enrages her and she tears her shirt to make it seem like Frankie has assaulted her. When they land, she runs into the arms of Steve, a fellow sky diving instructor and would be lover, but he doesn’t believe her; neither does Dee Dee or any one else, for that matter.  Frankie points out to the Steve that Bonnie wouldn’t be looking around if he “got off the jealous kick.”  This makes Steve furious and he vows that Frankie is “going to be sorry.” Later on, both Frankie and Dee Dee are set to do another free fall and Bonnie tells them that she is worried about their safety, because Steve is still angry.  However, after setting up Steve’s wrath, the movie promptly diffuses the tension; Frankie asks Steve if there is any reason for him and Dee Dee to be worried and Steve says, “No.”  Steve even pulls Dee Dee to safety after her and Frankie dive into the ocean.  Why the change of heart? Steve does finally admit his feelings for Bonnie and two are last seen kissing on the beach.  This isn’t necessarily a bad thing; the common mistake that the three previous movies made was separating Frankie and Annette for a good chunk of the story. Frankie Avalon and Annette Funicello, while not great actors, were a great double act. They had genuine onscreen chemistry and one could easily believe that they were a couple in real life.  Funicello was a Walt Disney star and the most famous Mousekeeter of the 50s (and, arguably, of all time), while Avalon was a teen crooner who’s most famous hit was “Venus.” His biggest break, however, was landing  a supporting role in John Wayne’s The Alamo.  It was casting a coup when producers Samuel Z. Arkoff and James H. Nicholson were able to get Funicello to appear in Beach Party, much to the chagrin of Walt Disney. I'm willing to bet the movie's success was largely due to teenage boys hoping to catch a glimpse of their childhood crush in a bikini. They must have been disappointed when Annette trotted out onto the beach in a fairly modest swim suit.



Pajama Party and How to Stuff a Wild Bikini, while fun movies are also easily the weakest in the series; Frankie is relegated to a cameo in both, while Annette is paired with a different leading man (Tommy Kirk in Pajama Party, Dwayne Hickman in How to Stuff a Wild Bikini). Annette co-starred with Kirk in a few Disney movies (most notably, The Shaggy Dog), but they never made for a convincing couple. Dwayne Hickman is a fun enough actor, but most of How to Stuff a Wild Bikini is Annette prattling on about how much she misses Frankie.  Frankie and Annette play off each other wonderfully, they are even given a nice bit of business in the beginning – Frankie, while tuning the radio, sees a bikini clad beauty walk by and does a double take, Annette notices this and chides him for his wandering eye. He does an embarrassed laugh and goes back to tuning the radio. It’s a pure visual moment and does a nice job of establishing these two characters (without relying on a single line of dialogue).  It’s also nice that Dee Dee isn’t as big of prude as she is in the previous movies and, for once, is allowed take part in the action. Before her making her jump, Frankie tells her that she doesn’t have to prove anything to him, she interrupts him and says that’s she got to do it for herself. He understands and allows her to go through with it.

It’s pretty apparent that writer/director William Asher is much more interested in Sugar Kane’s story, than he is with Frankie and Dee Dee’s sky diving antics, and with good reason, it is easily the best part of the movie.   It could have easily been a movie onto itself, because there are a lot of things going on; the best part being Paul Lynde as Sugar’s opportunistic manager, Bullets.  To promote Sugar’s new record, “Come Fall With Me,” Bullets has Bonnie, doubling for Sugar, sky dive into the ocean. Bonnie is picked up by a boat, carrying Sugar, and then Sugar takes her place in the ocean. Frankie and the gang witness all this and pull Sugar in.  Bullets arrives on the scene, with a photographer and columnist in tow, and comes up with headline “SINGER SAVED BY SURFER.” 



There is a clever bit of misdirection by Asher in this scene as the audience is set up to believe that Sugar will be a romantic interest for Frankie.  However, Frankie, at least in this movie, is too in love with Dee Dee to really consider a fling with Sugar. We are also treated to a genuinely funny exchange between Frankie and Bullets in this scene:

Bullets: I didn’t catch the name, boy.
Frankie: I didn’t throw it.
Bullets: That’s pretty tacky, boy.
Frankie: I didn’t want us to have a language barrier.
Bullets: Oh, a smart neck!

Linda Evan’s injects a child like innocence into the character of Sugar Kane; she’s extremely sweet, but rather naïve to the ways of the world.  When Von Zipper breaks into her room and tells her that he is kidnapping her, she naturally assumes that it is a publicity stunt arranged by Bullets.  In fact, she genuinely enjoys the time she spends with Von Zipper (he teaches her the game of pool) because, while he may have the body of grown man, he has the intellect of a five year old.  He doesn’t kidnap her for personal gain; he genuinely believes that he is saving her from the “bad” influence of the surfers.  He tells her time and time again that he “adores” her and that she is his “idol.” To Sugar Kane, it’s all one big adventure and, for a brief moment, she is given a chance to enjoy life, instead of being under Bullets' slightly tyrannical rule.  Indeed, a more appropriate ending for Beach Blanket Bingo would be for Bullets to be pushed into the ocean while Von Zipper and Sugar Kane elope. However, that would probably too creepy for most audiences, so, instead, she is paired up with the aptly named Bonehead.





The Bonehead/Lorelei story line is a bit jarring, because it is played in a completely straightforward manner.  Lorelei is a 300 year-old mermaid and on one day of the year she can walk on land; the catch being that she has to return to ocean by midnight. What we have here is essentially a Cinderella-like fairy tale trapped in the middle of a goofy Beach Movie, albeit this romance ends on an unhappy note;  after having spending the day with Bonehead, Lorelei tells him that they can never be together and returns to the ocean. Bonehead eventually, finds comfort in the arms of Sugar Kane; not a bad trade off, but given how indifferent he acted towards Sugar earlier in the movie, it comes off as a rather desperate move on his part.  Though, their “happy” union is responsible for one of the movie’s funniest lines:

Bonehead: (to Sugar) It was like we were brought together by the mystery of the sea.
Bullets: I knew he was stupid, but sickening, too.

If you made it this far, you are probably asking, “How could you love a movie like this?” Yes, I agree, it is one big mess of a movie; it is simultaneously - a beach movie, a rock n’ roll musical, a supernatural romance, a slap stick comedy, and a sky diving thriller. The storylines are practically disconnected from one another; though, it is Lorelei that informs Bonehead about Sugar’s abduction (she writes the words Von Zipper in the sand).  How Lorelei is privy to this information is never explained.  She must be a psychic mermaid.  Yet, it is arguably the most “filmic” of all the beach movies; William Asher is clearly having fun with the medium. The previous movies that he directed (Beach Party, Muscle Beach Party, Bikini Beach) more or less resemble television sitcoms; this isn’t too surprising as Asher directed well over 100 episodes of I Love Lucy and Bewitched.  In Beach Blanket Bingo, it is clear that Asher wants to broaden his scope; hence there are more sight gags than in the previous movies.  

There are two scenes that stand out:  

1) Donna Loren, the first and only Dr. Pepper Girl, sings her obligatory song, “It Only Hurts When I Cry.” While Miss Loren belts out this tune, the movie keeps cutting to a teary eyed Bonehead. We, naturally, assume that he is reacting to the song, but then camera tilts down to reveal that he is slicing an onion.  It’s a nonsensical throw away gag (why would he be slicing an onion in the living room?), but it’s far more interesting than the usual staging of these scenes (a person sings, while everyone shakes their booties).  It should be noted that Donna Loren, despite her two minutes of total screen time, is given a rather high billing in the credits (7th overall). In her contract with Dr. Pepper, it was stated that she couldn’t wear anything that would compromise her “squeaky clean” image, meaning she couldn't show her navel onscreen. She would show up long enough to do a musical number and then promptly disappear(though, she has a few lines of dialogue in Pajama Party).



2) When Dee Dee does her first free fall, she begins to feel woozy and her face, literally, turns green.  This is achieved through lighting filters and it looks absolutely remarkable.  Beach Blanket Bingo, despite its low budget, looks terrific (certainly up to par with the musical Elvis was making at MGM around the same time) and this largely due to ace cinematographer, Floyd Crosby.  He was the director of photography on High Noon and also shot a few on the Vincent Price/Roger Corman/Edgar Allan Poe movies that American International was producing at the time.

Beach Blanket Bingo is a fairly self reflexive movie and Asher will often have characters commenting on the action; when it is revealed that the lecherous pool shark, South Dakota Slim has Sugar tied up in a saw mill, Bullets remarks that it’s straight out of the Perils of Pauline (a silent serial starring Pearl White).  When Frankie sings “These Are the Good Times,” the movie cuts to Bullets looking on with utter contempt. After the columnist, Earl Wilson, tells Bullets that he’s going to give Frankie a favorable write up, Bullets sneers, “Sugar taught him everything he knows.” There’s even a scene that consists of Don Rickles insulting everyone (in a loving manner); my favorite is when he turns to Frankie and shouts, “YOU’RE  43, FRANKIE! What are you doing here?”  Both Frankie and Von Zipper often break the fourth wall to point out the absurdity of the situation; Von Zipper is hanging from a helicopter and asks, “Why me? Why me all the time?”  Later, Frankie punches out South Dakota Slim while Bonehead unties Sugar in the background.  Sugar embraces Bonehead and exclaims, “My hero!” Frankie, astonished by all of this turns to the camera and says, “I do all the work and he gets all the credit! Well, that’s life for you.”  It is very self reflexive, which isn’t something you would normally associate with a silly beach movie.  





It is also interesting see a beach musical adopt a silent comedy aesthetic in it’s final ten minutes,; Beach Blanket Bingo ends a “race against time” chase to save Sugar from the clutches of South Dakota Slim, who has her strapped to a log on a buzz saw. It goes into pure silent move mode – complete with fast motion and silly sight gags. It even takes time to recreate a Charley Chase gag; Von Zippers pants are saturated with water, after having fallen into the ocean, so he walks into a stall, unzips his pants, and a deluge of water comes streaming from underneath the doors, the camera then pans up to reveal a look of relief on Von Zipper’s face.  The silent great Buster Keaton has an extended cameo as Don Rickle’s assistant; the movie will sporadically cut to him doing bits of physical comedy, like chasing after a curvy blonde, or while fishing, accidentally hooking a woman’s bikini top and pulling it off.  While Beach Blanket Bingo is not up to par with The General, or even Keaton’s lesser movies, he’s still a lot of fun to watch. 

The cast is likable, with the exception of John Ashley. I personally believe that Ashley was initially  American International’s answer to Elvis Presley; he was going to be the studio’s “bad boy.” In the movie How to Make a Monster he sings an Elvis-like song and does a dance number that is reminiscent of one Elvis did in Jailhouse Rock. The problem was the Ashley possessed neither Elvis’ charisma nor talent, he is just bland. Also, by 1965, Elvis had shed his bad boy image and was busy making light hearted fluff like Girl Happy, hence Ashley really had no function within the studio; it’s not surprising that he would eventually go onto to make grade Z horror movies in the Philippines.  Steve should be a threatening character, but with Ashley in the role, the audience shrugs him off. 

Finally, it should be noted that in the scene where Von Zipper “kidnaps” Sugar, the movie that is playing on the television is Invasion of the Saucer Men, produced by American International in 1957. This was common for the beach movies to reference other American International movies; in Beach Party, Muscle Beach, and Bikini Beach, Vincent Price, Peter Lorre, and Boris Karloff pop up in cameos. Karloff would later appear in The Ghost in the Invisible Bikini, which reused footage (and sets) from the Vincent Price movie, The Haunted Palace. In Dr. Goldfoot and the Bikini Machine, Vincent Price’s Dr. Goldfoot matches wits with Avalon’s Craig Gamble, while both Annette Funicello and Harvey Lembeck (Von Zipper) appear in cameos. That movie reuses The Pit and the Pendulum set, while Price wears the same garb he wore in that film. What I am trying to say is that silly American International Beach Movie takes in place in the same cinematic universe as the American International Edgar Allan Poe movies.  MIND BLOWN! Of course, if you haven’t seen any of these movies, this revelation will have you yawning with complete indifference. 




Cast: Frankie Avalon (Frankie), Annette Funicello (Dee Dee), Harvey Lembeck (Eric Von Zipper), Linda Evans (Sugar Kane), Paul Lynde (Bullets), Jody McCrea (Bonehead), Marta Kristen (Lorelei), Deborah Walley (Bonnie), John Ashley (Steve),  Donna Loren (Donna), Don Rickles (Big Drop), Michael Nader (Butch), Donna Michelle (Animal), Buster Keaton (Buster), Bobbi Shaw (Bobbi), Timothy Carey (South Dakota Slim), Earl Wilson (Himself), Andy Romano (J.D.),  Patti Chandler (Patti), Alberta Nelson (Puss),  Myrna Ross (Boots), The Hondells (themselves).

Director: William Asher
Screenplay: William Asher, Leo Townsend.
Running Time: 98 min. 

Snow White's Revenge/Scandal (2024)

  It is difficult to write about Snow White’s Revenge without bringing up the ending, so readers beware, this review will contain spoilers...