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Showing posts with label Kwon Yul. Show all posts
Showing posts with label Kwon Yul. Show all posts

Sunday, February 2, 2025

Let's Eat (Series 1 & 2) (2013 - 2015)





The Let’s Eat series is simultaneously charming and frustrating – a show that gets a huge boost from its likable cast, and lively direction, but often gets bogged down in subplots, and an air of familiarity (though, this mostly applies to season two).

 There are three seasons total (I have only watched the first two) and they all star Yoon Doo-joon as smooth-talking insurance consultant, Goo Dae-young, who is also a food enthusiast.  In his spare time he runs a food themed blog called “Let’s Eat,” where he goes to restaurants and, if the meal is good, he posts pictures of empty plates onto the website. If the food isn’t good, he straight out tells the owners so.  Dae-young is a very outgoing individual and is very quick to make friends – in season one, he immediately befriends his next-door neighbor, Yoon Jin-yi, and all of Soo-kyung’s co-workers at the law firm she works at.  In season two, he befriends the elderly woman Lee Jum-yi who lives in the apartment downstairs, the part-time convenience store worker Hwang Hye-rim, and even Lee Sang-woo – a public official at the Ministry of Culture, Sports, and Tourism, who is also Baek Soo-ji’s love interest.  He is also prone to give long lectures about food, usually after someone makes a dismissive comment about the dish they are eating.   In season two, Dae-young and Soo-ji often get into heated arguments over the proper way to eat a dish.



The two series not to only feature the same lead actor, but also have similar characters, themes, and plot points.  To save time, and my sanity, I thought break them down into different categories:

The Female Protagonist

The female protagonist in season one is Lee Soo-kyung, who is the assistant manager at a law firm (and is treated poorly by her boss, Kim Hak-soon). Ten years of working at this law firm and getting divorced from her husband has made her a bitter and suspicious individual.  She initially dislikes Dae-young – he doesn’t exactly ingratiate himself towards her with his slobbish behavior – when he is taking out the garbage he leaves behind a trail of garbage water in the hallway. Soo-kyung points this out to him and he promises to clean it up, but it takes him a few days to follow up on that promise. However, it feels like the two of them are beginning to warm to each other, especially when they realize they have a similar taste in food. One of Soo-kyung’s quirks is that she doesn’t like to eat alone and if someone invites her to dinner, she will always accept, no matter who it is.  She has dinner with Soo-kyung with Dae-young and Jin-yi a few times and three of them decide to form a food club. She is also a huge fan of Dae-young’s blog, Let’s Eat – though, she is not aware that he is the creator. 



However, their food club is threatened when Soo-kyung suspects that Dae-young is the stalker who assaults young women in the streets. Soo-kyung witnesses the suspect assaulting a woman and gets a brief side view of him. He wears the same get up as Dae-young – a ball cap and winter jacket – and Soo-kyung believes this is enough evidence to convict Dae-young. She informs the police about her suspicions and Dae-young is taken into custody.  This just doesn’t harm Dae-young’s reputation, but it ends up costing him 100, 000 dollars. One of his insurance customers named him the beneficiary on her life insurance and he set to inherit 100,000 dollars.  Soo-kyung suspects he manipulated the woman into naming him the main beneficiary, and the woman’s estranged brother agrees. In truth, the reason the woman named Dae-young the beneficiary was because he was only one who consistently visited her in the hospital while she was sick. The woman’s brother threatens to take Dae-young to court. Dae-young retains Soo-kyung’s boss, Kim Hak-moon, to represent him.  While Soo-kyung was witnessing the woman being assaulted, Dae-young was in another part of the city trying to work out a deal with the brother.  When Dae-young is detained, the brother will only provide Dae-young with an alibi if he agrees to waive the inheritance. Dae-young realizes he has no choice and agrees to the brother’s demands, even though Kim Hak-moon advises him not to do so.

Meanwhile, Soo-kyung is so convinced of Dae-young’s guilt that she boasts to her co-workers, Oh Do-yeon and Cho Kyu-sik (her best friend’s husband) about how she helped bring him to justice. When she finds out that Dae-young is innocent, Kyu-sik advises her not to say anything. However, the cat is let out of the bag by Do-yeon, who is horny for Dae-young. When Dae-young confronts Soo-kyung about this, she gets all defensive about it and even accuses him of bribing a witness. He is disgusted by her excuses and comments, “All you had to do was say you’re sorry.”

The more interesting aspect of Let’s Eat is how unlikable Soo-kyung is in the early going. Even after Dae-young proves to be the bigger person and forgives Soo-kyung for upending his life, she is still very dismissive towards him.  It isn’t until after she learns that he is the creator of Let’s Eat that she begins to feel differently towards him – she immediately becomes infatuated with him. We also learn that Soo-kyung has a history of falling for men she was initially a fan of:

1)     She became enamored by a singer in a church choir and nearly converted to Catholicism just so she could be with the man.

2)     In college, she was a fan of the captain of the basketball team and eventually dated him.

3)     Her ex-husband was a DJ at the college radio station and Soo-kyung was at first a fan, and then later became his lover. 

When you factor in her dating history, Soo-kyung’s romance with Dae-young feels more like a short fling. In fact, this is later proven in Let’s Eat 2, where it is revealed that they have broken up.  I also personally believe that Dae-young ends up with the wrong woman – Jin-yi is a much better match for him and is cuter and more likable (but more on that later).



The female protagonist in season two is Baek Soo-ji. This is probably an unpopular opinion but a prefer Soo-ji over Soo-kyung – this is largely due to the fact that I feel Seo Hyun-ji is slightly better actress than Lee Soo-kyung. However, season two of Let’s Eat is very reminiscent of Flower Boys Next Door.  Soo-ji often feels like a carbon copy of that show’s heroine, Go Dok-mi. They are both introverted individuals who rarely leave their apartments. They are both writers – Dok-mi edits manuscripts while Soo-ji does freelance work for the Department of Culture, Sports, and Tourism. They are both in love with a highly respected individual – Dok-mi is in love with the doctor who lives next door while Soo-ji is in love with Lee Sang-woo, a public official she works with.  Dok-mi’s love interest doesn’t even know she exists while Sang-woo constantly gets Baek Soo-ji’s surname wrong (he constantly calls her Mrs. Park). Soo-ji is the type of person who would rather be in a bad relationship than be single. Like most desperate people, she believes that getting married to a successful person will solve all of her problems – even though her problems are more psychological than financial.  



Like Dok-mi, Soo-ji had a very traumatic childhood – she used to be obese and was bullied throughout school.  She also has a history with Dae-young – they attended the same elementary school, and he befriended her. However, it turns out the main reason he befriended her was to bring business to his mother’s restaurant. There wasn’t really any ill intent on Dae-young’s part, he wanted to help out his mother and didn’t stop to think how this information might hurt Soo-ji.  She largely blames Dae-young for her traumatic childhood. Dae-young genuinely feels bad for what he did and asks Soo-ji how he can make it up to her. She tells him that the only way she will forgive him is if he helps her marry Sang-woo.   Dae-young reluctantly takes on this assignment but realizes that it is going to take a lot of work, because Soo-ji is one awkward individual.

 He initially gives her some basic advice to help her break the ice with Sang-woo (find out his interests, laugh at his jokes) but Soo-ji completely botches it – she laughs at the most inappropriate moments and just has problems maintaining a conversation with the man she is in love with. She has a lot of things she would like to say, but she doesn’t know how to say them. This is something most people in a one-sided relationship can relate to - you are often so enamored by the individual that you freeze up around them. You often second guess yourself and are worried that they might find you ridiculous. It’s very easy to sympathize with Soo-ji in these scenes even when she makes irrational decisions. 

What is even more annoying for Soo-ji is how easy to is for Dae-young to befriend Sang-woo – the two of them bond over soccer and video games. Publicly, Sang-woo puts an act of respectability, but privately he is not the prude that he appears to be – he gets drunk on weekends, goes on blind dates, and curses when he gets upset.  Dae-young talks up Soo-ji to Sang-woo, and when the two of them are supposed to go bicycling, Dae-young tells Soo-ji that she should “accidentally” bump into them at the park.   There is a slight flaw with Dae-young’s plan – Soo-ji doesn’t know how to ride a bike, so he spends most of the previous evening teaching her how to ride a bike.  The next day, when she accidentally bumps into Dae-young and Soo-ji at the park, Dae-young insists she rides along with them, much to the annoyance of Sang-woo (who just wants to hang out with his new bestie). Dae-young tells Soo-ji that he will leave first, so she can have some alone time with Sang-woo. However, Sang-woo thinks that Dae-young is challenging him to a bicycle race and he speeds after him, while Soo-ji is left in the dust. However, Soo-ji does use this to her advantage – she later breaks the ice with Sang-woo by asking his advice for which bicycle she should buy. He takes her to a bicycle shop and points out the ideal bike for her – the only catch is that is also expensive ($1000), which is well beyond her price tag. She is so determined to win over Sang-woo, she buys the bicycle and spends the next few days avoiding the apartment manager, who keeps trying to collect the rent from Soo-ji. Dae-young is able to sell the bike to his friend and co-worker, Lim Taek-soo but Soo-ji fails to learn her lesson.  I will get back to this relationship later on.

When Soo-ji is with Dae-young, she is looser and freer to be herself, because she knows that Dae-young won’t think of her any less. She is always uncomfortable around Sang-woo (even though they are dating) because she is worried that any misstep on her part will result in him judging and, potentially, leaving her.  It is not surprising that she finds herself falling for Dae-young, but a simple misunderstanding (and a failure to communicate) keeps them apart – he believes she is still in love with Sang-woo while she thinks he is madly in love with his (nonexistent) girlfriend.  Finally, Dae-young decides to take an insurance gig in Seoul and moves out of the apartment. Of course, you can’t end a K-drama on a depressing note and the two eventually end up together.  However, it is also a credit to Soo-ji’s growth that after breaking up with Sang-woo, she doesn’t immediately rush into another relationship. She uses this time alone to sort out her own affairs - she starts to write again and works on improving her relationships with her neighbors – she even becomes roommates with Hye-rim. It is only after she has sorted out her life that she is comfortable being in a relationship with Dae-young.





The “Kind of” Love Triangle

In both Let’s Eat series, Dae-young finds himself in a kind of love triangle with the lead female protagonist and her boss. I use the phrase “kind of” because in both series Dae-young does not initially seek a romance with the female protagonist – in fact, he, at first, is hoping to play the role of matchmaker with the lead female and her boss. In series one, it is even more complicated because Lee Soo-kyung never actually reciprocates the feelings of her boss, Kim Hak-moon. 



Soo-kyung has worked as the assistant manager at Kim Hak-moon’s law firm for ten years and he has done everything to make her workplace a living hell – he treats her like a secretary, has her perform menial tasks, and scolds her over minor things. While he gives his other employees a money bonus, he takes Soo-kyung out to dinner and tells her to enjoy her bonus. It is revealed that the two of them attended the same college and Hak-moon still holds a grudge against Soo-kyung for rejecting him. In college, Soo-kyung was very popular among the male students – Hak-moon was one of her many admirers but was a total nerd and had no idea on how to approach her.  One day, he went all for broke and handed her a present – a broach – and then quickly walked away. The next day, he was deflated when he saw her best friend, Kyung-mi, wearing the broach. He never forgot Soo-kyung’s rejection and when she applied for the assistant manager at his law firm, he was convinced that this was fate giving him a chance to exact his revenge. 

While Soo-kyung is, initially, an unlikable protagonist, she wasn’tin the wrong here. First, Hak-moon kind of blind-sided Soo-kyung with his “confession”, I put that word in quotation marks, because he didn’t say anything to Soo-kyung, he just handed her a present and then walked away. What did Hak-moon expect to happen?  Did he believe that she would immediately fall in love with him?  Remember, Soo-kyung was a very popular female on the college campus, she probably had many males confess their love to her and Hak-moon probably got lost in the shuffle. Plus, I think most women would be creeped out if a guy they didn’t know approached them and handed them a gift. At the very least, it would be extremely awkward for the woman. She wouldn’t know what to make of the gift or what to do with it. Does she really want to wear the broach in public and possibly send the wrong message to her creepy admirer?  

Soo-kyung tolerates Hak-moon’s abusive behavior for ten years because she desperately needs the money. However, Hak-moon eventually crosses the line by attacking Soo-kyung’s personal life – he implies the reason Soo-kyung’s husband divorced her was because she was sleeping around.  This is, understandably, a step too far for Soo-kyung and she hands in her letter of resignation. Again, as unlikable as Soo-kyung can be at times, this is one instance where I found myself cheering for her.  No one should put up with that level of abuse.  It is only after she has quit that Hak-moon realizes that he still has feelings for Soo-kyung and regrets driving her away. He is able to talk into taking her old job and promises he will treat her better from now on. This also proves to be fortuitous for Soo-kyung, because she was having difficulty finding another job. She applies to multiple jobs (including coffee barista) and is rejected mostly due to her age (33). These potential employers consider her too old to be doing these types of jobs.  She is initially hesitant to take up Hak-moon’s offer but changes her mind when he promises to give her a significant pay raise.  Hak-moon is good on his word, he gives Soo-kyung a raise and treats her significantly better than before. 



It is also at this point that Hak-moon confesses his feelings for Soo-kyung. She is, naturally, overwhelmed by his confession. She just returned to the law firm and now her boss, who had treated her like garbage for a decade, is confessing his love for her – she is confused by the whole affair and is even suspicious of his motives. Is this part of his revenge?  Despite Hak-moon’s best efforts, she just can’t see him as anything other than her boss. She also developed feelings for Dae-young, even though he is four years her junior. 

In series two, Dae-young finds himself in a love triangle with Soo-ji and public official, Sang-woo. Dae-young tries to play matchmaker for these two, but it often ends in disaster. It doesn’t help that Sang-woo constantly gets Soo-ji’s name wrong and is more interested in being besties with Dae-young. However, Dae-young lets it slip that Soo-ji like Sang-woo. At first, Sang-woo is unmoved by this info, but when he later encounters an intoxicated Soo-ji and she berates him for not being interested in her, his curiosity gets the better of him and he decides to give her a chance.



Against all odds, Soo-ji and Sang-woo become a couple. She finally gets what she always wanted and ends up being more miserable than ever.  This is not because Sang-woo is a bad guy (he is actually a decent and considerate person) but because the two of them inhabit separate worlds.  He is used to the finer things in life, which often come with an expensive price tag. Soo-ji believes the only way to maintain his interest is by living beyond her means – when he suggests they go hiking, she spends over $1000 on hiking gear. Sang-woo offers to pay for it, but she insists that she will pay for it by herself (and later regrets this decision). She is often baffled by his expensive taste – he takes her to a fancy French restaurant, and she is astounded by the bill (especially given how small the portions were).

They also rarely do anything alone – they often ask Dae-young to come along with them, so they can hide the fact they are dating.  Sang-woo is a public official and if it is revealed he is dating an employee, it could possibly create a scandal.  This means that they are constantly walking on eggshells when they are in public, and they only feel safe when Dae-young is accompanying them. When Sang-woo and Soo-ji go hiking, they invite Dae-young to come with them. He declines the offer but then changes his mind. Sang-woo is called away on business and Soo-ji ends up hanging out with Dae-young – he even rescues her from a group of rowdy male hikers.  It is at this point in the series that Dae-young begins to fall in love with Soo-ji. He really likes Soo-ji but also wants to respect her relationship with Sang-woo.  He begins to distance himself from Soo-ji and lies by telling her that he has a girlfriend. However, he also genuinely cares about Soo-ji that it becomes impossible for him to keep a distance.  When Soo-ji puts herself down, Dae-young will interrupt her and point out all of her strengths. The sad aspect of Soo-ji is she never focuses on the positives of her life - when she was younger, she got a novel published and it won an award. She was morbidly obese throughout most of her life, but thanks to dedication and hard work, she lost a lot of weight and lives a healthier lifestyle. These are both impressive feats, but Soo-ji can only focus on the fact that she is thirty and single – this is mainly because she doesn’t get out and puts little effort into meeting new people.  While Dae-young is making new friends left and right, Soo-ji spends most of her time sulking in her apartment and pining for Sang-woo.  



The Cute Girl Next Door

Both series one and two feature a young, attractive female who befriends Dae-young and the lead female protagonists.  In series one, Yoon Jin-yi, moves into the apartment next door to Soo-kyung and immediately befriends Dae-young – he helps her move into her apartment. Yoon Jin-yi is kind of a flake, but she is a good-natured flake. This is the first time that Jin-yi has lived on her own – she comes from wealth, but her father was recently jailed for fraud and his business went bankrupt, this resulted in Jin-yi’s family being split up. She is naïve to the ways of the world – she is not aware that rent and utilities are two separate bills.  She is also a bit too trusting – she gives the passcode to her apartment to a delivery boy she befriended, unaware that he has an ulterior motive for wanting to get close to her.

She also has a case of one-sided love for Dae-young, who views her as a younger sister. When she confesses her feelings to Dae-young, he lets her down gently by telling an elaborate story about still being in love with his first love (he later tells a similar story to Oh Do-yeon, Soo-kyung’s co-worker). Jin-yi is moved by his story but, because he didn’t shoot down her feelings, she is convinced that she will be given another opportunity to be with Dae-young.



 I must admit that I found myself rooting for Dae-young and Jin-yi to become a couple, because she is a much better match for him.  She is naïve, at first, but she wises up as the series progresses and it is Dae-young who really brings out her better qualities. She is also a very upbeat person – even after her father has been jailed, she is convinced that he will be exonerated, and her family will be restored. Dae-young even persuades Hak-moon to represent Jin-yi’s father. She eventually starts up her own small business – she makes sweaters for dogs, and they prove to be a hit in the neighborhood. She constantly looks after Soo-kyung’s pet dog, and it is while watching him that she comes up with the idea of making sweaters for dogs.

She has a jealous streak – when she learns that Soo-kyung’s coworker, Oh Do-yeon, also likes Dae-young, the two of the constantly take pot shots at one another and tries to sabotage each other’s chances with Dae-young. Later, when Soo-kyung and Dae-young start dating, she feels betrayed and gives Soo-kyung the cold shoulder.  This is coupled with the revelation that her dad is probably guilty of committing fraud and her entire world seems to collapse.  However, Jin-yi proves to be a resilient girl and by the series end, she not only buries the hatchet with Soo-kyung but also becomes more self-sufficient. She is not going to allow her father’s corruption to define her as a human being.



Jin-yi’s counterpart in series two is Hwang Hye-rim, a part-time worker and beauty blogger. 
Hye-rim is also a flake – she spends most of her work shift at the convenience store taking selfies of herself and uploading them to her blog.  She also uses her looks to her advantage – she has her many male admirers do all of the heavy lifting at the convenience store.  Like most young attractive females her age, there is no malice in her actions. If these guys are willing to break their backs, over a small chance she might hook up with them, then that is their fault for being complete simps. The only male who doesn’t fall for her charms is Dae-young – she bats her eyelashes at him and puts on the sad face, but he immediately shoots her down. Later, after the two of them have become better acquainted, he does help move the bottled waters, but that’s because he is helping a friend as opposed to hoping they will hook up. 



Hye-rim strikes up a potential romance with Lee Joo-seung – a mysterious lodger who (illegally) lives in a tiny shack on top of the apartment that Dae-young and Soo-ji live in. At first, their relationship is no different from all the other male suitors hoping to win Hye-rim’s hand – he does all the heavy lifting for at the convenience store. However, after falling into a few hardships of her own, Hye-rim matures significantly and decides to give Joo-seung a chance. I will get back to this character later, because his subplot is easily the weakest aspect of series two. 

Hye-rim is responsible for one of the show’s biggest misdirection – while working at the convenience store, a woman approaches Hye-rim and tells her she could make more money working at a gentlemen’s club. Hye-rim quits her job at the convenience store and disappears from sight and all the other characters begin to wonder what happened to her.  Our initially fear is that she took the job at the gentlemen’s club, but she later pops up at a restaurant, working as a waitress. It never crossed her mind to work at some sleazy gentlemen’s club.

After she has been kicked out of her apartment, she moves in with Lee Jum-yi, the resident grandma. They both hide this information from the landlady, who dislikes Hye-rim – the two of them exchanged a few choice words at the convenience store.  Hye-rim agrees to pay a portion of the rent and do household choirs in exchange for a roof over her head. She eventually grows tired of grandma’s nonstop scolding and moves in with Soo-ji, who after blowing her finances on stupid shit could use help with the rent.

The biggest difference between Jin-yi and Hye-rim (other than their backgrounds) is that Hye-rim never becomes enamored with Dae-young – she flirts with him a few times but then realizes she values him more as a friend. She also desperately wants Hye-rim and Soo-ji to become a couple.

 

The Creeper

Both series feature a subplot involving a creeper. In series one, there is a stalker who attacks random women in the streets. Soo-kyung witnesses one of these attacks and suspects that Dae-young might be the attacker. She shares her suspicions with the police, but Dae-young has an alibi and is released. This creates friction between Soo-kyung and Dae-young, but he eventually forgives her for her suspicious (and screwing him out of 100,000 dollars).

Soo-kyung, despite her flaws, also proves to be a brave soul when she helps the police catch the Creeper. She receives a message from “the brother” of the woman who was attacked, and he wishes to thank her in person.  Soo-kyung agrees to meet the brother in person. Dae-young hears about this and learns that the woman doesn’t have a brother. Fearing for Soo-kyung, he runs to her rescue and manages to injure himself in the process. When he finally arrives, he initially fears that he is too late – he sees a body on stretcher being loaded into the back of the ambulance – but it turns out that Soo-kyung is fine. In this instance, her suspicious nature paid off – she already knows the woman didn’t have a brother.  After she received the call, she notified the police and agreed to act as bait in a sting operation. The police successfully apprehend the suspect and, thanks to Soo-kyung, the woman in her neighborhood can breathe a sigh of relief.

There is also another creeper in series one, Hyun Kwang-suk, the delivery boy who Jin-yi befriends. The two of strike up what initially seems to be an innocent relationship – Jin-yi even invites him to her apartment for some ramen. She even blindly gives him the passcode to her apartment, so he can drop off her packages when she is out. This proves to be a mistake as he constantly sneaks into her apartment so he can search for an unknown object. In turns out that his father was an employee at Jin-yi’s father company and when the company declared bankruptcy, Kwang-suk’s father took his life. Kwang-suk is hoping to find evidence that will prove Jin-yi’s father is guilty of fraud. When he can’t find evidence in her apartment, he issues threats to Jin-yi and endangers her life when he takes her to the rooftop of the building built by her father.  The whole resolution to this subplot is absurd – despite making death threats to Jin-yi and endangering her life, she completely forgives him, and he joins Jin-yi, Dae-young, and Su-kyung for dinner at his mother’s restaurant. WHAT?! He apologizes for his actions, but that doesn’t excuse him making threats to an innocent woman. The only thing that prevented him from pushing Jin-yi off the rooftop was the timely intervention of a security guard. If he hadn’t showed up, would Kwang-suk been able to control his anger? Or would he be lamenting that he just killed an innocent woman?



The creeper in series two is Lee Jeung-soo, the mysterious tenant who lives in a tiny shack on the rooftop. Jeung-soo makes all sorts of claims: that he is thirty years-old (even though he looks like a teenager); that he served in the military (which is mandatory for males in South Korea), and that is studying for the public service exams. Despite his living situation, he has a shit ton of money stuffed under his mattress.  He also claims that he has killed in a person in his past. For the first few episodes, his presence is only known to grandma and the landlady – when Soo-jj complains about cigarette butts on her balcony (which could only come from the rooftop), the landlady dismisses it and tries to pin the blame on Soo-ji. “Are you sure those cigarette butts aren’t from you?” 

The audience is led to believe that Jeung-soo is a serial killer. When Hye-rim quits her part-time job at the convenience store, Jeung-soo is livid that she didn’t bother to inform him, and he believes that she has betrayed him.  He goes back to his little shed, grabs a box cutter and stuffs it in his jacket pocket, and searches the streets for Hye-rim. He finds her standing outside of her restaurant and tells her that he wants to talk to her. He takes her into an alley and reaches for the box cutter in his pocket but changes his mind when she apologizes for not telling him about quitting her job at the convenience. The problem was there was no way for her to reach Jeung-soo because he doesn’t have a cell phone. Plus, she has no idea where he lives.



We are also led to believe that Jeung-soo murders Hye-rim – he takes her up to his little shack and gives her the stink eye. In the next scene, he is wheeling a huge suitcase into the woods to bury it. Does it contain the remains of the recently departed Hye-rim? Did this creeper murder the sweet natured Hye-rim in cold blood? Nope! In the next episode, she turns up very much alive. I won’t spoil the resolution to the Jeung-soo subplot, mainly because the character just isn’t that interesting. It was clear that this subplot exists solely as filler – the writers had to figure out way to pad seventeen episodes and decided that an incel subplot was the way to go. I found myself getting progressively annoyed with it – Dae-yeon and Soo-ji have such great chemistry that found myself yelling at the television whenever this subplot interrupted their storyline. 

The Creeper subplot in series one was kind of distraction, but at least it provided Soo-kyung with a nice character moment. It also doesn’t help that the attempts to make Jeung-soo look menacing are laughable – he is total pipsqueak. I suspect that even Hye-rim could take him in a fight. Though, this is intentional – he is not the psychopath that he pretends to be.

Food Porn

The Let’s Eat series offer up some of the best food porn to ever air on television. A good chunk of screentime is devoted to the characters eating mouthwatering meals. The characters often will drop everything just so they can enjoy a meal together – it doesn’t matter how dire the situation might be in their lives. The central premise of the series is the ability of food to bring people together. In series one, Soo-kyung and Dae-young start off on the wrong foot, but it is their similar tastes in food that brings them together – the two of the form a food club with Jin-yi.
The show often feels like a travelogue for South Korea. “While visiting South Korea, be sure to check out our many first-rate restaurants.” It is incredibly effective – watching the main characters enjoy all these delicious looking dishes makes me want to visit South Korea, or at the very least taking a South Korean cooking class.  

 


Season One

Cast: Lee Soo-kyung (Lee Soo-kyung), Yoon  Doo-joon (Goo Dae-young), Shim Hyung-tak (Kim Hak-moon), Yoo So-hee (Yoon Jin-yi), Lee Do-yeon (Oh Do-yeon), Jang Won-young (Cho Kyu-sik), Jung Soo-young (Park Kyung-mi), Feeldog (Hyun Kwang-suk), Choi Dae-sung (Laundromat Boss), Jung Tae-sung (Hak-moon’s nephew), Nam Nung-mi (Soo-kyung’s mother).

Directors: Park Joon-hwa, Im Se-bin, Im Young-jin, Kim Bo-yeon (Seo Min-jung), Kim Gye-young, Park Min-hyun, Choi Min-sun, Kim Se-hee.

Writers: Im Soo-mi, Jun Ji-hyun, Jo Yoon-kyung, Kim Hyo-shin, Lee Ye-rim.

16 episodes ~ 60 minutes

Season Two

Cast: Yoon Doo-joon (Goo Dae-young), Seo Hyun-ji (Baek Soo-ji), Kwon Yul (Lee Sang-woo), Kim Hee-won (Lim Taek-soo), Hwang Seok-jeong (Kim Mi-ran, the landlady), Jo Eun-ji (Hong In-ah, Soo-ji’s co-worker), Hwang Seung-eon (Hwang Hye-rim), Kim Ji-young (Lee Jum-yi/granny), Lee Joo-seung (Lee Joo-seung/ Ah Chan-soo), Kim Dan-yool (Park Joo-win, Mi-ran’s son), Heo Ga-yoon (Hong Mi-nah), In-ah’s sister).

Director: Park Joon-hwa

Writer: Im Soo-mi

18 episodes ~ 60 minutes

Friday, May 31, 2024

Bring It On, Ghost (2016)/Cheo-Yong: The Paranormal Detective (2014)/ Oh My Ghost (2015)

 


I have recently been binge watching television shows from South Korea. In the last month, I have watched The Ex-Girlfriends Club, Bring It on, Ghost, Cheo Yong: The Paranormal Detective, The K2, and checked out a few Korean variety shows; Running Man, Knowing Brothers, and Hello, Baby. These are all fascinating shows, but for brevity’s sake, I am going to focus on Bring It On, Ghost and Cheo Yong: The Paranormal Detective. On the surface, they are very similar shows - they both feature a lead protagonist who can see ghosts, and the ghost of a teenage girl (virgin ghost), who has lost her memories.  The crucial difference between the two shows is that Cheo Yong is a police procedural drama with a supernatural slant while Bring It On, Ghost is supernatural romance with horror and comedy thrown into the mix. 



However, before I dive into the two shows, I am going to take a short detour to go over Korean Ghost Lore (this information comes courtesy of two websites, korelimited and Creatrip). In Korea, the main type of ghost is called the Gwishin. They are spirits that have not fulfilled their life’s purposes and are cursed to roam the earth as a result.  They are different types of Gwishin:

Cheonyo gwishin– the ghost of a virgin girl who could not serve her purpose in life – in early Korean times, this meant serving her father, husband, and children.  The male equivalent is called the Mongdal gwishin.

Mul gwishin – the ghost of who drowned. They live in the cold water and will often pull their victims underwater.

Dalygal gwishin – an egg-shaped ghost with no discernible ghosts

Baby ghosts – Babies who passed away before their third birthday. 
                              A boy ghost is called a taejoo.
                              A girl ghost is called a myeongdo.

Child ghosts – Children who passed away between the ages of five to fifteen.  Usually benevolent.
                               Boys are called dongja
                               Girls are called dongnyeo

Kong Kong ghost – The ghost of someone who fell off a building. It normally appears standing on its head.

House ghosts – Ghosts who inhabit certain houses and buildings. They are usually benevolent unless you try to chase them away.

Lovesick ghost: Ghosts that come back longing for the love they felt was unfulfilled while they were still alive. If they were in a relationship before they passed away, they can come back to haunt their lovers or even take them away with them.

Spirits of Good-Hearted Women – The spirits of good-hearted young women who passed on. They possess strong spiritual power and can possess shamans who acts as a medium for them.

Gwishin are specifically ghosts of people who have died. They are other spiritual entities in Korean lore, as well.  The Dokkaebi is a demonic, or goblin-like, spirit with horns and a distorted face.  They are known to be pranksters and are often of games. They are also the Robin Hood of Korean monsters – they rob from the greedy and reward those they deem worthy.  The Gumiho is a shape shifting nine tailed fox (that usually takes the form of a beautiful woman) and is known to eat the hearts, and souls, of men.

Now that I got the folklore out of the way, it is time to delve into character analysis (YAY)!

1.      Park Bong-pal (Bring It on, Ghost)/ Cheo-yong (Cheo Yong)

The main protagonist in Bring It on, Ghost is Park Bong-pal – a full-time college student (majoring in Economics) who also makes money on the side as an exorcist. Ever since he was a child, Bong-pal has been able to see ghosts. However, not only can he see ghosts, but he can also physically interact with them (an ability he inherited from his late mother). He beats up ghosts and sends them to the afterlife.  The secret to his success it that he picks the battles he knows he can win; in the first episode, he encounters a ghost twice his size and, without hesitation, runs away.

He is emotionally distant from his classmates (he prefers to work alone instead of in a group) and the closest thing he has to family is the monk, Myung-cheol. He is estranged from his father and his mother was murdered by a ghost when he was a kid. He initially harbors a crush towards his fellow student, Seo-yeon, but doesn’t know how to talk to her; even when she is the one who is breaking the ice.  He is far more comfortable interacting with ghosts than he is with the living.  Yet, he is very suspicious of most ghosts – when he first meets Kim Hyun-ji he immediately assumes the worst intentions. 



Cheo-yong, like Bong-pal, can see ghosts but he can’t physically interact with them. He does, however, possess a knife that can send them to the afterlife. Cheo-yong is a detective who prefers to work alone, much to the chagrin of his partner, Sun-woo, and the other members of his team. It is also revealed that he has a personal connection with the main antagonist of the first season. He is a man who is drowned in guilt and doesn’t want to get too close to anyone, because he doesn’t want to experience the pain of losing someone close to him.  His secret nature also proves to be detrimental at times - to the point that he, inadvertently, puts people at risk because he didn’t bother to share vital information with them.  

The emotionally distant main character, with a secret to hide, has been a recurring trope in all the Koren shows I have watched so far (which I admit aren't many). It pops up in Tell Me What You Saw, The K2, and even in The Ex-Girlfriends Club. The main characters in each show (except Tell Me What You Saw) all have the same character arc: they start off as loners but eventually loosen up and allow themselves to open up to the people around them. By the series end, they have created a surrogate family.  It is not exactly mind-blowing television, but it is effective. 



In a way, the two lead actors, Ok Taec-yeon (Bong-pal) and Oh Ji-ho (Cheo-yong) have the more thankless job in their respective series; they are both essentially the straight man. Both characters often wear a mask of indifference, but on occasions the mask will slip, and they reveal their true personalities. Taec-yeon is especially good at this – there are moments throughout the first half of Bring It On, Ghost where Hyun-ji does something silly and Bong-pal has a hard time suppressing his smile; he wants to be a stern taskmaster, but he even he struggles to resist Hyun-ji’s charms.  Oh Ji-ho, on the other hand, does a great job of portraying a man hiding a dark secret. There are moments where he it looks like he will pour his soul out to either Sun-woo or Na-young, but then stops himself. He finds being a miserable loner preferable to potentially losing someone close to him. Oh Ji-ho manages to bring humanity to what could have easily been a one-dimensional, bad ass character. 

2.        Kim Hyun-ji (Bring It On, Ghost)/Han Na-Young (Cheo Yong)

Kim Hyun-ji and Han Na-young are two virgin ghosts whom the male protagonists, in both shows, form a bond with. Initially, both male protagonists are act very suspiciously towards these two female spirits – the first time Bong-pal meets Hyun-ji, they get into a physical altercation, with him walking away the loser.  Cheo-Yong encounters Na-young at the precinct he works at; she haunts this building and cannot leave it.  When she discovers that Cheo-yong can see her, she is elated.  She desperately wants to help, but everyone has been oblivious to her existence.  The other thing that two virgin ghosts have in common, neither one of them can remember their time on earth.  For some reason, Han Na-young is drawn to Sun-woo, but she can’t figure out why that it. Hyun-ji occasionally has glimpses of her previous life, but she can’t make sense of them.

Kim Hyun-ji, initially, doesn’t have any real purpose – her main goal is trying to figure out the circumstances surrounding her untimely death. While fighting with Bong-pal, the two of them accidentally lock lips and this ends up triggering a brief memory of Hyun-ji’s past life. She begins to follow Bong -pal around because she is convinced that he can help her remember.  Throughout the series, we are slowly given information about the “accident” that ended her life – she was the victim of a hit and run accident. 



The mystery surrounding Na-young’s death is revealed midway through season one – she was Sun-woo’s best friend and was murdered while trying to protect her friend. It also turns out that Cheo-yong was the detective on that case and was literally a few feet away from potentially saving Na-young. Sun-woo and Na-young owned a set of friendship rings; Sun-woo wears both to honor her fallen friend. It is also this sentimental link that allows Na-young to possess her friend on certain occasions; normally when she has discovered important information and needs to get it to Cheo-yong. The only time Na-young can leave the police station is when she has possessed Sun-woo’s body.  Though, she does it one time to get out and have dinner and drinks with Sun-woo’s co-workers. This often results in a scolding from Cheo-yong, but even he acknowledges that her intentions (for the most part) are good. 



Hyun-ji, despite being a ghost, has still held onto her earthly vices – she likes to eat (especially meat); is still obsessed with fashion (she asks Bong-pal to buy her a dress) and even drinks alcohol.  The only time Na-Young can experience any of these worldly pleasures is, vicariously, through Sun-Woo’s body.  The main differences between the two characters are that Hyun-ji is the main character in Bring It On, Ghost while Na-young is a supporting character in Cheo Yong. Hyun-j is a proactive character throughout the series – she helps Bong-pal fight ghosts and even puts his life in danger at times. As the series progresses, Hyun-ji’s and Bong-pal’s feeling towards one another become increasingly more complex – they fall in love.  Na-young’s relationship with Cheo-yong is never that complex – they start off as business acquaintances and gradually become friends.  However, because Na-young is limited to the police station, she gets sidelines for a good chunk of the series.

It should be noted that both actresses, Kim So-hyun (Kim Hyun-ji) and Jun Hyo-seong (Han Na-young) are exceptionally good and are the heart of their series. They are both extremely funny at times and tragic, as well – both play characters who were killed in their teens and are trying to make the most of their purgatory existence. Even though they are surrounded by people, they are both still alone.  There is poignant scene in Bring It on, Ghost where the members of the ghost hunting club are playing a guessing game and Hyun-ji, at first, plays along until she realizes that no one can hear her (except Bong-Pal, who chooses to ignore her) and she walks away, depressed. 
There are similar moments like that throughout
Cheo Yong, where Na-young tries to give the investigating team crucial information, but it falls on deaf ears.

3.        Supporting characters

Bring It on, Ghost features four supporting characters: the monk, Myung-cheol, the two founding members of the ghost hunting club, Ghost Net, Choi Cheon-sang and Kim In-rang, and Bong-pal’s classmate, and initial crush, Li Seo-yeon. The major supporting characters (of season one) in Cheo-Yong are: Ha Sun-woo (Cheo-yong’s partner and Na-young’s best friend), and the other members of the investigation team; Lee Jung-hyun, Park Min-jae, and Byun Gook-jin.

In Bring It on, Ghost, after having witnessed Bong-pal’s abilities firsthand, Cheon-sang and In-rang desperately want him to join their club.  Bong-pal initially rejects their offer but changes his mind after they have successfully pressured Seo-yeon into joining their club. Bong-pal is a huge introvert and, while he harbors a crush on Seo-yeon, he doesn’t know how to break the ice with her.  He hopes that by joining Ghost Net this will give him the opportunity to get close to her, much to the annoyance of Hyun-ji. Seo-yeon is a sweet natured girl, who doesn’t have a malicious bone her in body, but she is not interested in Bong-pal, romantically.  She likes him as a friend but her heart belongs to the college professor, and veterinarian, Joo Hye-sung. If I have one gripe about Bring It on, Ghost it is how the series completely forgets about Se-yeon in the second half of the season; after she pours her heart out to the professor and he rejects her, she is thrown to the wayside.



The main function of Cheon-sang and In-rang is to provide comedy relief (especially in the second half of the season). They spend most of the series coming up with various schemes and dodging their landlord (because they are months behind on the rent).  In one of the series funniest concepts, In-rang has an accident and he, briefly, sees Hyun-ji, looking at him and asking him if he is okay. He is instantly smitten with her and believes that she is an angel.  It is also after In-rang begins to show interest in Hyun-ji that Bong-pal behaves in a jealous manner; when In-rang buys her a new pair of shoes, Bong-pal lies and says that she hates them.



There is also some good writing in this section: Bong-pal tells his Ghost Net partners that In-rang’s angel is, in fact, a ghost (Hyun-ji) and she is helping him fight ghosts. While they are now are of her existence, they still can’t see her, but that doesn’t prevent In-rang from trying to touch her. He extends his arms and begins to feel around the space next to Bong-pal, hoping that he can touch Hyun-ji.  Bong-pal objects to this and lectures In-rang about how he “shouldn’t touch a girl like that.” This is a huge turning point in the Bong-pal/Hyun-ji relationship because prior to this moment Bong-pal has been dismissive towards Hyun-ji and only thinks of her as a ghost. However, the fact that, in this scene, Bong-pal specifically refers to her as “a girl,” shows how much his attitude has changed towards Hyun-ji. She is no longer a bothersome ghost but a genuine human being in his eyes. 

Monk Myung-cheol, initially, disapproves of Bong-pal’s relationship with Hyun-ji. He pleads with both, separately, to break it off because he is convinced that it only can only lead to misery. It is to the writer’s credit that Myung-cheol is a sympathetic character, instead of a strict authoritarian trying to control Bong-pal’s life. He genuinely believes he is acting in Bong-pal’s best interest and, more importantly, doesn’t want to see his ward get hurt. He wants Bong-pal to be happy and believes the best thing for Bong-pal is to move on from Hyun-ji.



In contrast to Cheon-sang and In-rang, Cheo-yong’s co-workers are apprehensive towards him. They don’t approve of his method – he is too much of a wild card for them and he tends to disappear for long stretches at a time.  However, it is also revealed that their hostilities toward him are rooted in jealousy, especially with the character of Lee Jung-hyun, who resents how successful Cheo-yong is at solving cases. He tries to copy Cheo-yong’s methods, so that he can beat his rival and solve a few cases, and he nearly gets killed in the process. He mistakenly believes he is dealing with a common criminal, while Cheo-yong understands they are up against a more sinister force.

Sun-woo is more sympathetic to Cheo-yong, and is a potential love interest, largely because they share a history – he helped her escape the clutches of the serial killer who took Na-Young’s life.  Her main reason for joining the police force was to avenge the death of her best friend.  Like Cheo-yong, her job is her life. She is so single minded in her determination to find the killer that she has no time for a social life – when her fellow detectives invite her out for dinner and drinks, she declines their offer. Oh Ji-eun, the actress who plays Sun-woo, has the toughest acting job of the entire cast, because she, essentially must play two roles: Sun-woo in her normal form and Sun-woo when she is possessed by Na-young’s ghost.  She does an exceptional job; when the character is possessed, her entire demeanor changes – she eerily adopts the same mannerisms as Jun Hyo-seong (the actress who play Na-young) and even talks with the same inflections.



4.        Villains

Bring It on, Ghost and Cheo Yong have two different set of villains. In Cheo Yong, the series’ main villain is set up in episode one (in a precredit sequence) and doesn’t reappear until the second last episode (where his origins, and his grudge towards Cheo-yong is fully explained). The main villain is an evil spirit, who has possessed the body of Cheo-yong’s former partner. 



Otherwise, the series is more episodic in nature. In each episode there is a murder that needs to be solved, and we are shown a full police procedural – Cheo-yong and company interview witnesses and gather up evidence until they finally catch the culprit. While Cheo-yong can see ghosts, the murderer is usually a living human being (who covers up their crimes by making it look supernatural in nature). If there is a flaw to the police procedural format, it is that it often means sidelining Na-young for a good chunk of the show. This is unfortunate as Na-young is easily the most interesting character in the series.

Bring It on, Ghost has a more compelling villain in the form of Joo Hye-sung, a veterinarian who also teaches veterinarian science at the campus Bong-pal is attending. He wears the mask of benevolence – he is first seen rescuing a puppy from a storm drain. He is also extremely popular among the student body and has his share of female admirers (the female students in his class and the two nurses who work with at the clinic).  Hell, even Hyun-ji is initially attracted to him. Hyun-ji’s lovesick ghost pal, Oh Kyung-ja, also develops a crush on Hye-sung; to the point where she leaves her current crush so she can cling to, in a literal sense, Hye-sung. This, unfortunately, does not end up working to her benefit.

Joo Hye-sung’s sinister nature slowly begins to emerge as the show progresses. He murders a stray cat, which is witnessed by a female student. He accidentally leaves his pen at the scene of the killing and the female student picks it up. She then gives it to Seo-yeon, who in turn gives it back to Hye-sung. When he asks Seo-yeon how she got the pen, she tells him she got it from the female students and, inadvertently, seals the girl’s fate in the process.  It is revealed that when Hye-sung was a child, he was possessed by an evil spirit (the same spirit that murdered Bong-pal’s mother).  Hye-sung was also the driver who ran down Hyun-ji at the intersection.

Kwon Yul is perfectly cast as Joo Hye-sung; he has such a pleasant demeanor that you would never suspect that he is a psychopathic killer. 



Out of the two shows, I prefer Bring It on, Ghost.  Cheo Yong is an entertaining show with a great cast, but Bring It on, Ghost gets a huge boast from the terrific chemistry between its two appealing leads, Ok Taec-yeon and Kim So-hyun. There is a wonderful give and take between these two and its extremely easy to care about their plights. It’s also interesting to note that in the show the two of them play characters who are the same age, but in real life Ok Taec-yeon is ten years older than Kim So-hyun; you would never know.

Bring It on, Ghost is also the more unpredictable of the two shows – it takes all sorts of twists and turns; without giving away spoilers, in episode eleven, there is a revelation that completely changes the dynamic of the show.  Cheo Yong is a supernatural police procedural, but it is really hard to define what Bring It on, Ghost is. It’s often labelled as a comedy, but that is a huge oversimplification.  The first few episodes have a more comedic tone; most of Bong-pal’s and Hyun-ji’s fights with ghosts are played for laughs. However, as the show progresses it becomes more serious, and darker, in tone.  Bring It on, Ghost is simultaneously a comedy, romance, horror, and police procedural all rolled into one. The fact that it manages to hit as these beats with absolute perfection is a credit to all the artists involved with production.

Afterwords – Oh My Ghost



It was while writing this article that I watched the series Oh My Ghost, starring Park Bo-young, Jo Jung-suck, Kim Seul-gi, and Lim Ju-hwan.  This show shares a lot of similarities with Cheo Yong and Bring It On, Ghost. Just like these two shows, it features a virgin ghost, Shin Soon-ae, who can’t remember the circumstances surrounding her death.  She possesses young women and uses them to seduce men in hopes of settling her virgin grudge. There is a time element involved here: if she doesn’t settle her grudge before the third anniversary of her death, she will turn into an evil spirit. While trying to escape the shaman, Seobingo, she possesses the body of Na Bong-sun, a timid woman whose aspiration is to be a chef and is currently working for famous chef, Kang Sun-woo, as a dishwasher.

Kang Sun-woo is an arrogant, and distant, employer who has little patience for Bong-sun. The thing he dislikes about her is not that fact she is mistake prone but how much of a pushover she is – she constantly says, “I’m sorry,” even when she is not the one at fault. The other chefs often take advantage of her gullible nature by having her do their jobs for them. Though, the main reason Sun-woo resents her is that she reminds him of his younger self – he was bullied in high school. Our initial impression of Sun-woo is negative one, yet we sense that despite his disagreeable personality, he is a decent guy.  This is first hinted at by the way he looks after his sister, Eun-hee, who was crippled in a hit and run accident.  There is a telling scene where an obnoxious food critic (who writes on a blog) allows her hyper son to run around Sun-woo’s restaurant, and it nearly results in Bong-sun, spilling the woman’s food all over the place. Sun-woo gives the brat a talking to and this immediately offends the woman, who criticizes Sun-woo for trying to “discipline her son.”  Sun-woo takes her criticism in stride (it is to be expected, after all), but when the woman makes a disparaging remark about Eun-hee, this hits a nerve, and he kicks the food critic out of his restaurant. It doesn’t matter to Sun-woo that it might hurt his reputation (the woman later sues him for assault), no one insults his younger sister. 



 

Bong-sun, like Cheo-yong and Bong-pal, has been able to see ghosts ever since she was a child. This ability made her an outcast among her peers. When she gets possessed by Soon-ae, there is a huge shift in her personality, and this baffles Sun-woo and the staff at the restaurant.  Overnight, this shy, timid girl has turned into a loud, confident woman who also behaves in a sexually aggressive manner.  Sun-woo takes her to see a psychologist and he concludes that she musts be manic depressive and suggests that Sun-woo keep an eye on her. 

Oh My Ghost is a highly entertaining show that gets a huge boost from its charming lead actress, Park Bo-young. It’s interesting to note that both her and Kim So-hyun have been labelled “The Nation’s Litle Sister.” In fact, with their similar looks (moon-shaped face, wide eyes) one could easily mistake them for sisters. The success of the series really hinges on Park Bo-Young’s performance; one false note on her part and it would all fall apart.  Like Oh Ji-eun in Cheo Young, Bo-young gives two very distinct performances: when she is playing Bong-sun in her normal state she slouches, never makes eye contact, lacks confidence, has a slight stammer, and talks in a near whisper so that it is often hard to hear her.  When Bong-sun is possessed by Soon-ae’s spirit, her entire demeanor changes: she is loud, talkative, extremely confident, and always walks in an upright manner. These performances are so unique that it often feels like you are watching two different actresses.



My initial fear was that Bong-sun would spend most of the series possessed by Soon-ae that there would be little room for any character development – Soon-ae possesses Bong-sun at the end of episode one and I worried it wouldn’t be until the final episode that the two finally separate. Thankfully, this wasn’t the case and, in fact, the two of them separate midway through the series.   Bong-sun is, at first, frightened of Soon-ae, but eventually warms to her and gives Soon-ae permission to possess her body – she believes that it will, ultimately, benefit both of them – Soon-ae can settle her grudge and Bong-sun will get to be with Sun-woo.  However, the downside to all of this is that Bong-sun doesn’t remember anything that happens while possessed. Sun-woo will often bring up something Bong-sun did while she was possessed, and Bong-sun has no idea what he is talking about. This creates an existential crisis - who is Sun-woo in love with: Bong-sun or Soon-ae?  To further complicate matters, Soon-ae falls in love with Sun-woo and becomes jealous of Bong-sun.  When Sun-woo is about to kiss Bong-sun, Soon-ae is overtaken by jealousy and pushes Bong-sun out of the way.  She is appalled by her behavior and runs away, but it also apparent that she is dangerously close to turning into an evil spirit.  




With Soon-ae out of the picture and doing her own thing, it is now up to Bong-sun to discover her inner strength and begin to do things for herself. Sun-woo gives her the task of making an eggplant soup for the main dish; she is nervous at first and spends the entire night preparing the dish. It takes her multiple attempts to get it right, but finally she perseveres, and the dish is a success.  She has finally achieved a personal victory, and this gives her a much-needed boost to her confidence.  One of the show’s cleverest ideas is that Bong-sun and Sun-woo are already kindred spirits without even realizing it – Bong-sun has a blog where she, anonymously, shares recipes (one is for cabbage soup) and it turns out that Sun-woo regularly reads this blog. He even writes an encouraging comment.  Later, when Bong-sun is feeling sick, he makes her the very same cabbage soup.



Jo Jung-suk is also good as Sun-woo. His character often behaves in an arrogant and rude manner, but this is an act to cover up his own insecurities. He was bullied when he was a kid and had his heart broken when his college crush, Lee So-Hyeong, wound up dating his best friend. It also doesn’t help that he still sees her on a regular basis; she is a television producer, and she wants Sun-woo at appear on a cooking competition.  After Sun-woo’s best friend passed away, Lee So-Hyeong has been single for some time, and she realizes that she has feelings for Sun-woo. Unfortunately for her, Sun-woo has already developed feelings for Bong-sun, so this is just another wrench in the works. Soon-ae doesn’t appreciate So-Hyeong budding in and acts extremely catty around her. Bong-sun, on the other hand, is not the least bit intimidated by Seo-Hyeong and the two of them hit it off.

Sun-woo is also at odds with his superstitious mother, Jo Hye-young. She had him at a very young age (nineteen) and was rarely around (she was working towards her degree). He, essentially, raised himself and Eun-hee. Hye-young genuinely feels bad for not being around for him and tries to make it up for it by playing matchmaker to Sun-wo – she tries to hook him up with a few of her students and, then finally, So-Hyeong.  She doesn’t like Bong-sun because of a reading given to her by Seobingo.

Oh My Ghost has a similar villain as Bring It On, Ghost – a respected authority figure possessed by an evil spirit. In Oh My Ghost, it comes in the form of Choi Sung-jae, a seemingly benevolent figure who is also marred to Eun-hee. This is also another piece of inspired casting - Lim Ju-hwan (as Choi Sung-jae) has a boyish charm to him to him that it’s difficult to believe he is a psychopathic murderer.  Choi Sung-jae is an interesting villain, because it is implied there is a decent side to him. He does terrible things throughout the show, but it was his intervention that stopped Eun-hee from committing suicide. He is a torn soul – there is constantly battle between his inner demons and angels; a man who is simultaneously capable of great good and great evil.



I would also be remiss if I didn’t mention Kim Seul-gi’s performance as Shin Soon-ae. It is easy to overlook her performance because she is offscreen for a good chunk of the series, yet she manages to really hold her own in the second half of the series when she is giving more screentime. At first, her performance is, by design, a bit one note – it often feels like a throwback from an early 2000s teen sex comedy.  Soon-ae desperately wants to get laid so she can settle her virgin grudge; she is baffled when Sun-woo rejects her advances.  She initially scoffs at how old-fashioned Sun-woo is regarding sex; but it is also this very quality that she eventually learns to appreciate.  Indeed, Sun-woo could easily have anyone woman he wants, but he is not interested in a one-night stand. He wants a meaningful, long-term relationship.  Yet, the series (and Seul-gi’s performance) rapidly shift gears once Soon-ae starts to remember the circumstances surrounding her death and becomes more focused on solving that mystery. It turns out that maybe her grudge isn’t a virgin one but rather finding the culprit responsible for her death.  Kim Seul-gi does remarkably well in the second half of the series and turns in a tear-jerking performance.



 One of the show’s subplots is that Seul-gi, in her amnesiac state, stumbles upon her father, Shin Myung-ho, and her lazy younger brother, Gyeong-mo, and their failing restaurant.  Myung-ho has never gotten over his daughter’s death and has taken to drink to drown his sorrows.  Shin Soon-ae is drawn to him but, at first, doesn’t know why. In the form of Bong-sun, she does everything she can to help her father get back on his feet. She also constantly berates Gyeong-mo for being a burden on their father.  One of the more remarkable things about Oh My Ghost is how well drawn most of the characters are; hell, even Gyeong-mo, who could have easily been a throw away character, is given an arc. 

The other surprising thing about Oh My Ghost is that, given its premise, is how poignant it is. The show’s two underlying themes are love and forgiveness.  There is a rather moving scene where Sun-woo runs into a former classmate and offers to host a high school reunion at this restaurant. One of the attendees is Chul-min, the guy who bullied Sun-woo in high school.  Sun-woo initially wants to use this reunion as an opportunity to lord over and humiliate his one-time tormentor.  This is a moment he has looked forward to in a long time.  However, when Sun-woo sees the state Chul-min is in (he is an unsuccessful vacuum salesman), he feels sympathy towards Chul-min and even offers to help him out. Later, Sun-woo buys a vacuum from Chul-min for his new restaurant. 
The point is Sun-woo could have chosen to remain bitter and use the reunion to embarrass Chul-min, but he chose to be the bigger man. It would have, briefly, given him satisfaction to rub his success in the face of his one-time bully, but he would still be a bitter soul. Instead, by choosing to face and forgive his former bully, it allows him to close the door on his past and gives him a peace of mind.

I highly recommend these three shows. If you are not averse to reading subtitles and want to watch something different, then check them out, they are infinitely better than those godawful Marvel and Star Wars shows that have infected Disney+. 

Bring It On, Ghost credit
Cast: Kim So-hyun (Kim Hyun-ji), Ok Taec-yeon (Park Bong-pal), Kwon Yul (Joo Hye-sung),Kim Sang-ho (Myung-cheol), Kang Ki-Young (Choi Cheon-sang), Lee David (Kim In-rang), Baek Seo-yi (Lim Seo-yeon), Yoon Seo-hyun (Detective Yang), Jung Ji-soon (Detective Kim), Lee De-yeon (Oh Kyung-ja), Kim Min-sang (Park Ji-hoon – Bong-pal’s father), Son Eun-seo (Hong Myung-hee – Bong-pal’s mother), Lee Seung-woo (young Bong-pal), Jang Ho-joon (young Hye-sung), Nam Kyung-min (Nurse Jung), Yeon Ji-hae (Nurse Kim), Choi Ji-na (Seo Jeong-geum – Hyun-ji’s mother).
Directors: Park Joon-hwa, Myung Hyun-woo
Writers: Lee Dae-il .  Based off Let’s Fight, Ghost by Im In-seu
16 episodes (~60 minutes)

 

Cheo Yong: The Paranormal Detective (season one) credits
Cast: Oh Ji-ho (Yoon Cheo-yong), Oh Ji-eun (Ha Sun-woo), Jun Hyo-seong (Han Na-young), Yu Seung-mok  (Byun Gook-jin), Yeon Je-wook (Lee Jong-hyun), Han Sung-yun (Kim Yeon-jin), Yoo Min-kyu (Park Min-jae), Choi Deok-moon (Yang Soo-hyuk), Kim Jin-ui (Dong-mi’s friend), Baek Sung-hyun (Jang Dae-seok), Lee Sang-in (Lee Dong-mi).
Director: Kang Chul-woo
Writer: Hong Seung-hyun|
10 episodes (season one)  ~ 60 minutes

Oh My Ghost
Cast:  Park Bo-young (Na Bong-sun), Jo Jung-suk (Kang Sun-woo), Kim Seul-gi (Shin Soon-ae), Lim Ju-hwan (Choi Sung-jae), Shin Hye-sun (Kang Eun-hee), Shin Eun-kyung (Jo Hye-young), Park Jung-ah (Lee So-Hyeong), Lee Dae-yeon (Shin Myung-ho), Lee Hak-joo (Shin Gyeong-mo), Kang Ki-young (Heo Min Soo), Kwak Si-yang (Seo Joon), Seo In-guk (Edward), Lee Jung-eun (Seobingo), Oh Eui-shik (Choi Ji Woong), Choi Min-chul (Jo Dong-chul), Ryu Hyun-kyung (Officer Kang).
Director: Yoo Je-won
Writers: Yang Hee-seung, Yang Seo-yoon
|16 episodes ~ 60 minutes.


Snow White's Revenge/Scandal (2024)

  It is difficult to write about Snow White’s Revenge without bringing up the ending, so readers beware, this review will contain spoilers...