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Showing posts with label Park Soo-jin. Show all posts
Showing posts with label Park Soo-jin. Show all posts

Thursday, August 21, 2025

My Girlfriend is a Gumiho (2010)/ The Accidental Couple (2009)



The idea of the unlikely romance is nothing new to storytelling, it predates the written word. They are a staple of K-drama romances, but the results can be mixed at times. The success of these types of dramas depends greatly on the chemistry between the two romantic leads – if the pairing of the actors fails to ignite sparks, then the entire series falls flat. It doesn’t matter how good the writing, direction, and supporting cast is, it is entirely up to the two romantic leads to carry the series. My Girlfriend is a Gumiho and The Accidental Couple are the unlikely romance done correctly and offer interesting variations on the formula. 

In Korean folklore, the Gumiho is a shape shifting nine tailed fox that, in order to become human, drains energy from humans. Depending on the media, the Gumiho can either be a total monster (who eats human livers) or a more benevolent that finds a willing partner to take the energy from. They drain off the energy by inserting an orb (via kiss) into their victim’s body and when it has sucked the person dry, they take it out. In My Girlfriend is a Gumiho, Mi-ho is a more benevolent creature (or least tries to be, sometimes her killer urges kick in).  She has spent 500 years trapped inside a painting and it is accidentally let out by Cha Dae-woong, a college student and aspiring action star. He is, initially, afraid of Mi-ho and tries to flee from her, but seriously injuries himself in the process. While he is unconscious, Mi-ho, to keep him alive, places her orb into him and he wakes up none the wiser. The orb also enhances his abilities, so that when he auditions for an action movie, he blows away the director, Ban Doo-hong. The two of them come to an understanding – if Dae-woong helps Mi-ho become human, she will help with his movie career. 



In order for Mi-ho to become human, Dae-woong must keep the orb inside of him for 100 days and she must drink the blood of a half human/half supernatural being, Park Dong-jo, which takes away her supernatural powers – as the series progresses, she begins to lose her tails. What Dong-jo keeps secret from Mi-ho is that once she extracts the orb from Dae-woong, he will die. It is not specified what kind of supernatural being Dong-jo, all that is shown is that he has lived for a long time. The reason he takes an interest in Mi-ho is that he reminds of her of goblin, Gil-dai, who he slayed after she begged him to do so. Dong-jo has traveled all the country and held many jobs (he is currently a veterinarian). He doesn’t allow himself to get too close to humans, because of the pain that comes when they pass away.  He has become weary at his old age, while Mi-ho, after having spent 500 years in painting, is excited by the world around her – she is a fish out of water.



The main reason that I chose to write about My Girlfriend is a Gumiho is talk about the lead actress, Shin Min-ah, who is slowly becoming one of my favorite actresses of all time. In the last couple of months, I have watched multiple dramas starring Shin Min-ah (My Girlfriend is a Gumhio, Oh My Venus, and Tale of Arang) and she always impresses me. If you want to see an example of an actor carrying a film, then check out the 2005 romantic comedy, The Beast and the Beauty, where she plays a woman who has regained her eyesight, after receiving eye surgery, and is looking for the man who was by her side when she was blind. The movie isn’t very good, and the lead male is irritating, but it’s worth watching for Shin Min-ah’s sweet natured performance. It’s also one of those romantic comedies where you feel that the heroine is given a raw deal – the movie’s secondary male lead is more likable than the male lead. Flash forward to 2024, she is cast as a cynical businesswoman, who views everything in gains and losses, in No Gain, No Love and doesn’t miss a beat.

Her performance is My Girlfriend is a Gumiho is one of her most impressive, because of the depth she brings to the role – in one scene she is flirty with the male lead, doing her best aeygo, and then in the next she is crying up a storm (literally) because she believes she has been abandoned. She can be sweet in one episode and intimidating in the next – there a couple of times throughout the series where Mi-ho reverts to a more feral state and Dae-woong can only satiate her thirst for blood by feeding her raw meat. The premise to the series is ridiculous and there are two approaches Shin Min-ah could have taken with the material:  the first approach would be to play it with her a wink – she could occasional break the fourth wall and let the audience know she is in on the joke (this is basically what acting in most Hollywood franchises has been reduced to) or she could go with the second route and play it in a sincere manner. She opts for the latter approach, and the show is all the better for it. Despite the ridiculous premise, it is easy to root for Mi-ho.




There is an innocence about Mi-ho – she has been around for centuries, but because she has spent the last five hundred years trapped in a painting, she is naïve to the ways of the world. This innocence also means that she has no filter, which means that she will openly say things that offend the cultural norms – there is one moment where she is in heat and tells Cha Dae-woong that she wants to mate with him. He can’t believe how frank she is and throws a huge hissy fit – one of the most irritating aspects of K-dramas is how puritanical the male leads can be at times. In real life, if an attractive female told a male she wanted to mate with him, he would either take her up on the offer, or he might find it odd but would still be flattered. In K-dramas, the dude freaks out and runs out of the room, or pushes the female lead out of his house and locks the door. Hell, often there is a scene where the lead female will confess her feelings to the lead male, and he acts like she is selling him life insurance. “I don’t knooooooow! I need to think about it!”  Do women find such indecisiveness sexy? I genuinely want to know – being an angry senior citizen who is suspicious of everyone, I rarely know what motivates people, especially women.

My Girlfriend is a Gumiho has one of the more entertaining B-stories – the budding romance between the extreme action director, Ban Do-hong, and Cha Min-sook (Dae-woong’s aunt). The two of them first meet on the elevator of a shopping mall – Cha Min-sook farts in the elevator but Do-hong covers for her by apologizing to the other occupants. Do-hong runs an action school and Dae-woong is one of his top students, so he constantly runs into Min-sook. Do-hong is a huge fan of Chow Yun-fat’s performance in A Better Tomorrow and dresses up like the lead character – he also emulates Yun-fat’s performance and often quotes the movie when he is trying to court Min-sook.  When he is not dressed up like Chow Yun-fat, he wears the outfit that Bruce Lee wore in Enter the Dragon. 



Ban Do-hong is played by Sung Dong-il, who played the lead female’s father in the Reply trilogy. Just like in the Reply trilogy, the daughter of his character, Ban Sun-nyeo, is played by a K-pop – Hyo-min from T-ara (who goes for the “cute nerdy girl” look by wearing glasses).  Sun-nyeo has a crush on Dae-woong, but he is, initially, too infatuated with fellow actress, Eun Hye-in, to notice. It isn’t much of a role, it just requires Hyo-min to look cute, and she manages to excel at that. 



In the first few episodes, Dae-woong is hopelessly in love with Hye-in, but she just shrugs him off. It’s only after Mi-ho has entered the picture that Hye-in starts to notice him – she can’t stand the fact he is no longer paying attention to her and let’s her jealously get the better of her. She starts to spy on Mi-ho, hoping to dig up dirt she can use to discredit Mi-ho. She simply can’t understand why Dae-woong choose Mi-ho over her and is convinced that something wicked is afoot. Both Dae-woong and Hye-in have been cast as the second leads in Do-hong’s action epic, but Hye-in is not satisfied with being the second banana and tries to persuade the Do-hong into casting her in the lead role. Do-hong is obsessed with capturing “real action” film and when she catches Mi-ho powers on full display (he sees her jumping over trees), he wants to cast her as the female lead in his movie. The problem is that he can’t find her – whenever Mi-ho sees him walking in her direction, she runs away. When Hye-in discovers Mi-ho’s secret she uses it to her advantage; she blackmails Mi-ho into being her stunt double on the movie. She gives this ultimatum to Do-hong: the only way Mi-ho will work on the movie is as a Hye-in’s stunt double and if Do-hong casts Hye-in in the lead female role. Do-hong reluctantly accepts the terms – because he knows that Hye-in isn’t leading lady material. Even though Hye-in is given the lead role, she still can’t stand to see Dae-woong lavishing Mi-ho with attention.



Hye-in isn’t the only one who is trying to separate Mi-ho and Dae-woong; Dong-jo falls in love with Mi-ho and keeps trying to convince the two of them to break up. Dong-jo initially was going to kill Mi-ho but he has become so infatuated with her that he wants her for himself. He opts for the more subtle approach; he tells Mi-ho and Dae-woong separately that they would be better off without one another. He uses the old logic, “If you truly love this person, then you will let them go.” Dong-jo’s pitch to Dae-woong is that he is the only one who can truly take care of Dong-jo and Dae-woong would just be a hindrance to her. He also tells Mi-ho that he can prevent her from dying – as Mi-ho loses her tails she becomes progressively weaker. Dong-jo promises Mi-ho that if she stays with him, she will regain her strength. Dae-woong makes the noble sacrifice, returns Mi-ho’s orb to her, and walks away. Of course, we all know this temporary. There is no way the writers would end a romantic comedy on a downbeat note. Mi-ho has quite the character arc – she makes friends, makes enemies, falls in love, gets her heart broken, falls back in love, and even works a few part-time jobs – is there anything more human than that?

My Girlfriend is a Gumiho is an entertaining show with interesting twist and turns. It is the kind of premise that should fall flat on its face, but it succeeds thanks to the imaginative direction, clever writing, and sincere performance. I should also point out that over a decade later there was a TV show called My Roommate is a Gumiho that starred Lee Hye-ri as a female college student who falls in love with a male Gumiho (played by Jang Ki-yong). It is also an entertaining TV show that has the same plot beats as My Girlfriend is a Gumiho but also manages to add its own twist and turns – like incorporating the Red Thread of Fate into the storyline. I still prefer My Girlfriend is a Gumiho, mainly because of Shin Min-ah’s performance.



The interesting thing about Accidental Couple is that it has the exact same plot as the Buster Keaton silent, Spite Marriage. In both stories, a rube is talked into entering a sham marriage with a famous actress. In Spite Marriage, Elmer (Keaton), the owner of a dry-cleaning business, marries famous stage actress, Trilby Drew, who uses him to get back at her leading man/lover, Lionel Benmore, who has become flirtatious with a female admirer. This happens on a whim – she has too much to drink and asks Elmer if he would like to marry her.  Elmer has been an admirer of hers for awhile (he has seen every performance of her current play) and naturally says yes.  The next morning, she wakes up sober and leaves it up to her manager and Lionel to clean up her mess – they persuade Elmer to go away, so Trilby can divorce of him on the grounds of abandonment. Through a series of contrivances, Elmer and Trilby end up meeting again on a yacht, and she falls in love with him after he saves her from gangsters who have commandeered the boat.



In Accidental Couple, Gu Dong-baek (Hwang Jung-min) is talked into entering a sham marriage with the famous TV/movie star, Han Ji-soo (Kim Ah-joong) to help cover up her relationship with Kim Kang-mo (Joo Sang-wook), who is the son of mayoral candidate, Kim Jung-wook.
To help cement his win in the election, Jung-wook has arranged for his son to be engaged to Choi Soo-yeon, whose father owns a prominent news organization (that Kang-mo works at).  Kang-mo assures Ji-soo that this is only temporary – once his father has won the election, he will break off his engagement and come back to Ji-soo. However, a tabloid journalist, Reporter Baek, suspects that two of them are secretly seeing each other and hopes to catch them in the act. When Kang-mo and Ji-soo get into a car accident (while fleeing from Reporter Baek) he believes he will finally snap the incriminating photo. However, Dong-baek just happens to be at the accident scene (he was walking home from an awards show) and is persuaded by the frightened couple to take Kang-mo’s place in the driver’s seat while Kang-mo slips away.  Like Elmer in
Spite Marriage, Dong-baek is so enamored with Ji-soo that he agrees to their request. Baek shows up at the scene but is disappointed to find Dong-baek in the driver seat.

They initially believe they have successfully pulled the wool over the reporter’s eyes, but while looking at a photo of the accident scene, Baek sees a figure standing in the background and, correctly, assumes that it is Kang-mo and is determined to expose the truth. Sang-mo and Ji-soo realize they are not out of the woods yet and ask Dong-baek to carry one with the deception. Dong-baek biggest strength is also his biggest weakness – he is good natured to the point of being a pushover. Despite his initial reservations, he agrees to go along with the deception. The next thing he knows, his name is trending all over social media and his face is plastered on all of the newspapers. To further complicate things, Kang-mo’s father leaks it to the press that Dong-baek and Ji-soo are going to get married. Ji-soo is so determined to go through with the deception that she agrees to a sham marriage with Dong-baek. 



The one question that never enters Ji-soo’s mind – Is Kang-mo worth it? What kind of man would not only ask the woman he loves keep their relationship a secret, but idly stand by and allow her to enter a phony marriage to appease his father? He even agrees to take their wedding pictures. Part of the reason Ji-soo agrees to tall of this is that she owes a great of her career to Kang-mo – the two of them met at college and it was Kang-mo who used his connections to help Ji-soo get acting gigs. While Kang-mo did provide her with the break she desperately needed, it was her genuine talent that catapulted her to superstardom. Her loyalty to Kang-mo is understandable, but she gets nothing out of this current arrangement – she can only watch from the sidelines while the man she loves publicly touts that he is going to marry another woman. As a result, Ji-soo is constantly depressed.



While Trilby was won over by Elmer’s heroic deed, Ji-soo is ultimately won over by Dong-baek’s good-hearted nature. The main difference between the two female protagonists is that there much more depth to Han Ji-soo while Trilby Drew is one dimensional (the heroines in Keaton’s movies were usually props to drive the story than they were actual characters).  The most surprising aspect about The Accidental Couple is the terrific chemistry between Hwang Jung-min and Kim Ah-joong. Hwang Jung-min will never make “the most handsome” list and is a decade older than Kim Ah-joong, but there is nice give and take between these two talented actors.



Their relationship goes through a believable progression from complete strangers to eventual lovers. At first, Dong-baek is in complete awe of Ji-soo and this leads to awkward exchanges, because he is near speechless in her presence. What baffles Ji-soo and Kang-mo the most is the fact that Dong-baek isn’t asking anything in return for continuing the deception; Ji-soo even admits she would feel more comfortable if Dong-baek asked for money, because she at least would understand his motivation. His “nice guy” seems to good to be true. The second stage of their relationship is Ji-soo giving Dong-baek the cold treatment – she basically views him as “a prop” and doesn’t want to get too close to him, because eventually she will return to Kang-mo and he will go back to the life of a postman. In private, she ignores Dong-baek while publicly puts on a show of affection. This also does wonders for her image; the public is transfixed by the story of a famous actress dating an ordinary man. She also snaps at Dong-baek multiple times – Reporter Baek overhears a conversation between Dong-baek and Ji-soo’s manager, Cha Yun-kyung and it seems to confirm his suspicions that their relationship is a scam. 



When Dong-baek tells Ji-soo about this, she loses her temper and hurls insults at him. It never occurs to Ji-soo how this deception is affecting Dong-baek’s life. It was during this scene where I wanted Dong-baek to grow a spine and tell Ji-soo off, especially when she demands he take part in the sham marriage. Bitch, he doesn’t owe you shit! Most men would have told Ji-soo to piss off and then spilled the beans to Reporter Baek (who was offering a decent sum of money to hear Dong-baek’s story).  Dong-baek excuses her appalling behavior and agrees to the sham marriage – Dong-baek is the type of person who always looks for the best in people (even when they don’t deserve it).

There is also another incident that threatens to derail the whole act – Ji-soo invites Dong-baek to hang out with a few of her actor friends. When she leaves the table to use restroom, one of the male actors makes lewd remarks about Ji-soo. Dong-baek is offended by the man’s crude language and confronts him in the restroom – he gives the man ten seconds to apologize and, when the guy fails to do, Dong-baek head butts him in the nose. This upsets Ji-soo, because she is worried the actor might press charges and that the story will be plastered all over the media. Ji-soo’s team does buy the man’s silence, but this incident further divides Dong-baek and Ji-soo.

It is also a matter of time that Dong-baek’s co-workers begin to notice inconsistencies in his story – he claims that Ji-soo and him had been dating for months, but it was only recently that he showed interest in his co-worker, Park Kyung-ae. In fact, he even asked her to attend the award show with him, but she declined his offer. It is also only after Dong-baek starts “dating” Ji-soo that Kyung-ae begins to show interest him. This leads to a rumor that Dong-baek was two-timing Ji-soo and the result is a huge backlash from the public. They are appalled that an average “Joe” like Dong-baek would cheat on a goddess like Ji-soo. The post office initially exploits Dong-baek’s relationship with Ji-soo by making him the face of the post office – they put up posters and cardboard standees of Dong-baek all over the building. When the scandal breaks out, they take down the posters and standees and try to distance themselves from Dong-baek.

However, it is around this time that Dong-baek and Ji-soo’s relationship takes that next step – from work acquaintance to friend.  Ji-soo can’t help but to charmed by Dong-baek’s simplicity, and the fact that he is an inviting individual. While Kang-mo is too ashamed to introduce Ji-soo to his father, Dong-baek proudly introduces Ji-soo to his younger sister, Gu Min-ji, and to all of his co-workers. When she hears about the two-timing rumors, she actually laughs – she knows that Dong-baek is not that type of guy. This is also the first time she begins to realize how this deception has derailed Dong-baek’s private life. He has two potential love interests, Kyung-ae and Min-ji’s best friend, Jo Seung-eun, but he cannot pursue either because he is committed to helping out Ji-soo.  Even before Dong-baek met Ji-soo, Seung-eun was already considering going out with him.  To be honest, Seung-eun is probably a better match for Dong-baek because of their similar backgrounds and worldviews – neither of them are looking to make a splash, they just want to live ordinary lives.  It is also not surprising that Seung-eun dislikes Ji-soo.



Dong-baek also ingratiates himself to Ji-soo by befriending her estrange younger brother, Han Sang-chul. One of the things Dong-baek has in common with Ji-soo is that they lost their parents at a young age and were forced to raise their younger siblings. Min-ji lives with Dong-baek and they have a close relationship. After Ji-soo became famous, she sends her young brother to attend college in Australia. The two of them haven’t spoken in years – Sang-chul always interpreted his sister sending him to Australia as her obeying Kang-mo’s orders. Sang-chul has a strong dislike of Kang-mo and blames him for the distant relationship he has with Ji-soo. However, despite his disagreeable demeanor, it is apparent that Sang-chul still cares about his older sister. He just really wants to see Ji-soo be happy. When he first meets Dong-baek, he is naturally skeptical.  Dong-baeks let him in on the secret that his relationship with Ji-soo is a sham.  Sang-chul is initially tempted to expose their deception to Reporter Baek but changes his mind when he notices how happy Ji-soo is whenever she is around Dong-baek. She is always miserable when she is with Kang-mo, but Dong-baek has the ability to make her smile regardless of the circumstances. Sang-chul becomes determined to turn their sham marriage into a real marriage. Dong-baek also has the ability to diffuse a potentially ugly situation; there is a scene where the Gu siblings persuade the Han siblings into going on a picnic. Ji-soo and Sang-chul get into a heated argument that is about to turn ugly when Dong-baek and Min-ji challenge the Han siblings to a game of soccer.  At first, Sang-chul rolls his eyes at the idea, but as the game progresses, he becomes more involved and even celebrates with his sister when they score a goal. 



To further keep up the ruse, Dong-baek moves into Ji-soo’s house. He sleeps in the upstairs guest room while Ji-soo sleeps in her room downstairs. This further strengthens their bond – they often pass the time by playing board games and Dong-baek even teaches Ji-soo how to cook. This is also when Kang-mo begins to feel uncomfortable about their relationship, which makes Sang-chul happy. This often results in Kang-mo pulling Dong-baek aside and issuing all sorts of threats. Ji-soo also doesn’t know how to feel; she enjoys Dong-baek’s company, and even has grown close to Min-ji, but she can’t get over her feelings for Kang-mo. To Sang-chul, and the viewers, it is a no brainer – Dong-baek is the perfect guy for her, but it is also easy to understand her feelings. She wants things to remain as they are, but she is inevitably going to have to make that tough choice. If she marries Kang-mo, there is no way he would allow her to stay in touch with Dong-baek. If she picks Dong-baek that essentially ends her relationship with Kang-mo. It is only after Dong-baek moves out of her house that she realizes how much she misses and loves him.  To quote the classic Cinderella song, “Don’t know what you got ‘til it’s gone.”



The premise of The Accidental Couple is formulaic (which is why I brought up Spite Marriage) but that is not necessarily a bad thing. In fact, the fact that it is so unapologetic about adhering to the formula is one of its charms. There is something satisfying about seeing an average Joe win the heart of a famous movie star – it is the ultimate wish fulfillment. I also must admit that it took me longer than usual to write this review, and I have watched a few K-dramas since then, so there are many details of the two shows I reviewed that I have become iffy. However, it speaks volumes about My Girlfriend is a Gumiho and The Accidental Couple that performances by the lead actors in both shows (Shin Min-ah and Hwang Jung-min) have stuck with me weeks after watching them. They are both master classes in acting.

 

Credits

My Girlfriend is a Gumiho
Cast:  Shin Min-a (Gu Mi-ho/Park Seon-ju/Gil-dai), Lee Seung-gi (Cha Dae-woong), No Min-woo (Park Dong-joo), Park Soo-jin (Eun Hye-in), Sung Dong-il (Ban Doo-hong), Yoon Yoo-sun (Cha Min-sook), Byun Hee-bong (Cha Poong), Kim Ho-chang (Kim Byung-soo), Hyomin (Ban Sun-nyeo), Hyunwoo (young Cha Dae-woong), Im Hyun-sik (Buddhist Monk), Kim Ji-young (Samshin grandmother), Uee (art student), Park Shin-hye (Go Mi-nyeo).

Director: Boo Seung-chul
Writers: Hong Jung-eun, Hong Mi-ran
16 episodes ~ 60 minutes

The Accidental Couple
Cast: Hwang Jung-min (Gu Dong-baek), Kim Ah-joong (Han Ji-soo), Joo Sang-wook (Kim Kang-mo), Lee Chung-ah (Gu Min-ji), Baek Sung-hyun (Han Sang-chul), Jeon Mi-seon (Cha Yun-kyung), Lee Soo-young (Jo Seung-eun), Yeon Mi-joo (Park Kyung-ae), Moon Jae-won (Yoon-seob), Kang Hee-soo (Tae-won), Kim Hyung-gyu (Kim Suk-hyun), Kim Kwang-kyu (Team leader Go), Yoon Joo-sang (Director Yoon), Jung Dong-hwan (Kim Jung-wook), Lee Hae-young (Reporter Baek), Park Ha-sun (Choi Soo-yeon), Jo Sang-gun (President Choi), Shin Ki-joon (young Dong-baek), Im Si-eun (young Ji-soo), Lee Jua (young Min-ji), Cha Jun-hwan (young Sang-chul).

Director: Ki Min-soo
Writers: Jung Jin-young, Kim Eui-chan
16 episodes ~ 60 minutes


Saturday, August 24, 2024

Flower Boys Next Door (2013)

 



After my review of Backstreet Rookie, I thought I would take a break from writing about K-dramas (I was initially thinking about doing a review of Psycho II). I changed my mind after watching Flower Boys Next Door. On the surface, it is your standard romantic comedy – it follows the formula to perfection: boy meets girl, boy loses girl, boy wins girl back. Yet, like most K-dramas, there are a lot of interesting things going on beneath the surface.  Flowers Boys Next Door is populated with interesting characters, all of whom are incredibly different, at least on the surface, but also very similar, especially when it comes to insecurities and ambitions.

Go Dok-mi (Park Shin-hye)



Dok-mi edits manuscripts for a living - one of the benefits of her job is that she can work from home. She rarely leaves her apartment, except when it is necessary (in one of the earlier episodes she runs out of toothpaste and toilet paper).  She also tries to avoid interacting with people – she has lived in her apartment for three years but has never said a word to any of her neighbors.  However, despite her distant nature, she does harbor a massive crush on Tae-joon, a doctor who lives in the apartment across the street, opposite of hers. She watches him from her window every morning, often using binoculars to get a close look at him. I have always said there is a thin line between horror movies and romantic comedies – in a different series this act of voyeurism could have more sinister implications and lead to truly bad things. However, in Dok-mi’ s case, due to her introverted nature, she is content with watching him from afar.  When Tae-joon’s cousin, Enrique – a popular video developer – catches her spying on them, Dok-mi’s life changes drastically. Park Shin-hye is effectively cast in the role of Dok-mi, with her expressive eyes she is often able to convey a lot by doing very little. It’s also interesting to note that, like three previous Korean actresses I have written about (Park Bo-young, Kim So-hyun, and Kim Yoo-jung), was once given the title of the “Nation’s Little Sister.”  

Enrique Geum (Yoon Shi-yoon)



Enrique is a famous video game developer, who moved to Spain, with his mother, at the age of ten. He is visiting his cousin Tae-joon with his friend, Seo-young, in tow.  His plan is to play cupid with Seo-young and Tae-joon. Seo-young was Enrique’s first love but she threw him over in favor of Tae-joon. However, rather than remain bitter about her rejection, Enrique decided he would help her out.  Though, it turns out to be more difficult than he imagined, because it turns out his cousin is kind of a dick.

Enrique is defined by his upbeat, hyperactive demeanor. He is the opposite of Dok-mi – she internalizes all her emotions while Enrique wears his emotions on his sleeve. His enthusiastic nature can be annoying at times – he is constantly laughing and bouncing around – but this is largely a mask to hide his insecurities.  He is also an empathic soul – when we are first introduced to Enrique he is on a plane and cheering up a crying child by performing a makeshift puppet show.  While Dok-mi avoids people, Enrique genuinely likes them and wants to cheer them up. 

He initially believes that Dok-mi is a pervert, but when he witnesses her current situation, he is determined to help her come out of her shell and embrace the outside world.

Oh Ji Rok (Kim Ji-hoon)



Ji Rok is a webtoon artist who lives next door to Dok-mi. He has a massive crush on Dok-mi but has never worked up the nerve to talk to her, because he was afraid that he would scare her away.  He begins to write a webtoon called “Flower Boys Next Door” based on Dok-mi and the men in her life.
 
Even before they meet, he is already connected to Enrique – he was accused of plagiarizing Enrique with his webtoon, “Zombie Soccer.”  He also has legally changed his name from Jae-weon to Ji Rok, because of the scandal associated with his former name. It is also revealed that he comes from a wealthy family, who disavowed him when he became a webtoon artist – his older brother keeps pressuring him to relinquish his inheritance.

When Enrique enters Dok-mi’ s life, this makes Ji Rok jealous – it annoys him how “easy” it was for Enrique to break the ice with her. He desperately wants to White Knight for Dok-mi, by ridding her of this nuisance, but much to his annoyance, he finds himself liking Enrique. When he confronts Enrique on apartment roof, he concludes that Enrique is a “decent guy.” He wants to hate him, but it proves to be difficult.  In fact, Enrique initially has no romantic interest in Dok-mi and even tries to play cupid for Ji Rok and Dok-mi – he gives the former tips on how to talk to her and he speaks highly of Ji Rok when he is around Dok-mi. Yet, Ji Rok still hesitates to make a move and, predictably, Dok-mi and Enrique fall for each other. 

Cha Do-hwi



Do-hwi owns a clothing store and has her sights set on Ji Rok – she knows about his true identity and desperately wants to hook up with him.  She was also Dok-mi’ s best friend growing up, but the two of them had a falling out in high school. They both had a crush on their literature teacher and when he showed interest in Dok-mi (in a pure academic sense), Do-hwi got jealous and started a salacious rumor about Dok-mi and him. The teacher threw Dok-mi under the bus and transferred to another school, while Dok-mi was shunned and bullied for the rest of her high school experience. When she learns that Dok-mi lives next door to her crush, Do-hwi tries to rekindle their friendship, but Dok-mi is suspicious about her motives. 


Oh Dong-hoon (Go Kyung-pyo)



Dong-hoon is Ji Rok’s roommate and assistant on the webtoon. He also works a part time job at night, as a designated driver, to help pay the bills.  He is often the voice of sanity – he often questions Ji-Rok’s motives and is baffled by his friend’s constant rejection of Do-hwi.  He also has a love/hate relationship with the editor of their webtoon, Seul-gi, who is simultaneously annoyed and infatuated with him.

Kim Seul-gi (webtoon editor) (Kim Seul-gi)



Seul-gi is the stressed-out editor of Ji-Rok’s and Dong-hoon’s webtoon, Flower Boys Next Door. She gets very little sleeps and always has rings under her eyes. She becomes infatuated with Dong-hoon and even co-signs a $5800 loan for him after he damages his car. 

Yoon Seo-young (Kim Yoon-hye)/ Han Tae-joon (Kim Jung San)



Seo-young is Enrique’s best friend (and first-time love) who has romantic designs on Enrique’s cousin, Tae-joon – she specifically came to South Korea with Enrique so she could be with Tae-joon.
However, it proves to be a rather toxic relationship – Seo-young pours her heart out to Tae-joon but he just shrugs her off. He also decides to leave the country to fulfill his dream of being an island doctor and, unfortunately, there is no place for Seo-young in Tae-joon’ s dream, and he leaves her flat. Seo-young’s main reason for coming to South Korea has left and she wants to go back to Spain and insists that Enrique come back with her. These are the two least interesting characters in Flower Boys Next Door and, mercifully, very little time is devoted to their drama.  Indeed, they both exit the series midway through.

Mitzuke Kouki (Watanabe Ryu)



Mitzuke is the super friendly Japanese tenant whose main reason for coming to South Korea is the cuisine. He offers cooking classes in his apartment and befriends the tenants on his floor – he forms a close bond with Enrique.  He may be the only character who doesn’t have a major hang up. 

Hong Song-chul (Lee Dae-yeon)/ Jung Im (Kim So-yi)
Song-chul is the friendly apartment security guard who is in love with Jung Im – a classy middle-aged woman, who many suspect is the landlord.  Song-chul constantly tries to court Jung Im and always falls on his ass – he has the best intentions, but he is also incredibly awkward.  Jung Im is an agreeable person, who is interested in her neighbors (especially the younger males) and even makes a few friends. 

While Flower Boys Next Door is a romantic comedy, it is often a painful show to watch. This is in large part due to the characters’ troubled histories and their inability to move on from them. Dok-mi was betrayed and bullied by her best friend in high school and, understandably, has trust issues.  The main characters, despite their different backgrounds and personalities, have a few things in common:

Loneliness
They are all lonely individuals. Dok-mi has become content with isolating herself from the rest of humanity by hiding in her apartment. When Enrique takes an interest in her, at first, she is baffled by his presence – she doesn’t know what to make of him. When she begins to like him, this causes her to panic, and she pushes him away – she doesn’t want to risk having her heart broken. Enrique begins to mistake her quiet nature for indifference and even gets mad when, after he tells her he is leaving for Spain, she can only muster up a simple “Goodbye.”

Enrique has a legion of devoted fans and is often recognized on the street but has never had any meaningful relationships – he loves Seo-young, who in turn loves his cousin.  Enrique’s spastic behavior can be off putting at times, but he genuinely means well.  He is a fish out of water – he has grown up in Spain, so South Korea is like a foreign country to him. That’s probably why his behavior – like incessantly ringing on Dok-mi’s doorbell and knocking on her door – baffles everyone else. He is not really concerned with social customs, especially when he believes a person needs help. It genuinely annoys Ji Rok that Enrique’s “annoying” behavior ends up working on Dok-mi, while his more sensitive and methodical approach has failed to make any progress. 



Ji Rok, like Dok-mi, mostly confines himself to his apartment. Though, he at least has a handful of friends and often interacts with his neighbors. He has admired Dok-mi from afar but, other than a few exchanges in the elevator, has never made any effort to talk to her.  He does leave drawings on the milk cartons that are left outside of her door, but never reveals to her that he is the artist (even though she likes the drawings).  His extremely cautious approach annoys Dong-hoon, who wishes he would just work up the courage to talk to her. It’s only when Enrique enters Dok-mi’s life that Ji Rok FINALLY breaks the ice with her.  

Do-hwi surrounds herself with hangers-on and enablers but she doesn’t have a genuine friend. She betrayed the one real friend she had in high school and all her attempts on winning back Dok-mi are massive fails. She tries to appeal to nostalgia by giving Dok-mi a box filled with pictures and other mementos from their teenaged years. She throws a party in Dok-mi’s honor but only ends up pushing Dok-mi away further when she invites their literature teacher (the man who threw Dok-mi under the bus).  I initially wondered if Do-hwi was deliberately trying to traumatize Dok-mi, but it turns out that she is a stupid woman who can’t read the room. It was also revealed the reason the teacher showed up to the party was to apologize to Dok-mi. 



Unrequited Love/Idolization
The themes of idolization and unrequited love constantly pop up in Flower Boys Next Door; every character is inflicted with one or another (or sometimes both).  Dok-mi idolizes Tae-joon – she admires him from afar because on the surface he is the ideal male: young, handsome, and successful. The idea of Tae-joon is attractive and, I suspect, the main reason she never contacted him was the reality of Tae-joon could never live up to her illusion. She put him so high on a pedestal that any interaction with him would only knock him down a few pegs. 

The same applies to Ji Rok – he is in love with the idea of Dok-mi – the quiet, helpless girl who needs his sensitive guiding hand.  The few times they do interact, he treats her with kid gloves, out of fear that any sudden move or suggestion might traumatize her for life.  He mistakes her silence for weakness. His overly cautious approach towards her ends up opening the door of opportunity for Enrique. In fact, Enrique tells Ji Rok to confess his feelings to Dok-mi, because if he waits too long someone else will come along. Enrique never believed that “someone else” would be him. 

It is also sad that Enrique can learn more about Dok-mi in a couple of days than Ji Rok has in three years.  This is largely because Enrique doesn’t idolize Dok-mi; his intentions are not initially romantic in nature – he sees a lonely woman who he wants to help.



While Enriques doesn’t idolize anyone, he is idolized by his devoted fans. This is represented in the form of Bae Bok, a passionate fan who Enrique befriends at the restaurant MItzuke works at.  However, Bae Bok’s fandom turns completely toxic when she learns about his relationship with Dok-mi.  Enrique was initially supposed to be in South Korea for a month, then he was supposed to return to Spain to begin work on an animated film based off one of his video games. He prolongs this trip after Dok-mi and him begin to date. This enrages Bae Bok, who first sprays paints “DIE” on Dok-mi’s apartment door and then post pictures of Dok-mi on the fan forums to rile up the fanbase.  They are so angered over an animated movie that they are willing to ruin the life of woman who has done nothing wrong. It’s only a matter of time that the salacious rumors that haunted Dok-mi throughout high school make their way to the internet. They can’t believe their idol would date a woman “like that.”  Enrique calls a meeting of the local fans (including Bae Bok) and sets them straight on a few things. Basically, he tells them to “grow up” and assures them that he will return to Spain to being work on his animation project, but they need to stop attacking Dok-mi.  He also brings Dok-mi with him to put a human face to the woman they irrationally despise – it is easy to attack someone online but it is very difficult when they are in the same room as you. This subplot also gives Do-hwi her character arc, when the vicious rumors make their way to the internet, Doh-wi goes online to defend Dok-mi.

Enrique’s affection for Seo-young falls under unrequited love because he has poured his heart and soul out to her, but she only sees him as a friend and has feelings for his cousin.  Seo-young and Tae-joon are also a more clear-cut case of unrequited love – she is constantly by his side, pleading her case, and he just gives her the cold shoulder. Every time the two of them are seen together, Tae-joon looks annoyed and just views Seo-young as an inconvenience.

Do-hwi constantly throws herself at Ji Rok, but he spurns her advances. Once he learns that Do-hwi is responsible for Dok-mi’s introverted lifestyle, he tries to avoid her like the plague.  Do-hwi also mistakenly believes that Ji Rok is wealthy, unaware that his family has disavowed him. 

To a lesser degree, we see this theme of unrequited love play out between Sung-chul and Jung Im; he is constantly looking for reason to talk to her, but she remains oblivious towards his feelings. 

However, as painful as Flower Boys Next Door can be, it is also extremely uplifting at times. It’s hard not to cheer for Dok-mi as she slowly begins to embrace the outside world and make new friends. She is a character who has been through so much that when something finally goes her way, you can’t help to smile. There is also a nuance to Park Shin-hye’s performance – there is a scene, early on, where Enrique convinces her to go on a road trip and he takes her to the beach, and you can briefly see a smile flash across her face. Yet, despite this heart-warming moment, Dok-mi’s cynicism takes over and she asks Enrique if they can pretend that they never met. What I like about this series is that Dok-mi transition from being a cynical hermit to open minded individual is a gradual process; there is no scene where she gets invited to a party, gets shit faced, and, in her drunken state, becomes the life of the party.  She does get drunk in one scene, but she is more of a quiet drunk, and never becomes the focal point. 

The American equivalent to Flower Boys Next Door would be She’s All That, where the extremely dorky Laney Boggs is given a radical makeover by popular jock, Zack, and overnight becomes the most talked about woman on campus. Despite her introverted nature, she is magically able to make friends with a few of the popular girls and is nominated for Prom Queen. There is no scene in Flower Boys Next Door where Dok-mi is given a radical makeover. There is a scene later in the series where Enrique and she go clothing shopping, but that is about it. She is already a pretty woman and doesn’t need a makeover to emphasize that point. Her shopping for clothes is more about diversifying her wardrobe rather than compromising her personality.  She doesn’t magically morph into a social butterfly by the series end; she is still a bit awkward but is happy with Enrique and her handful of friends.  This leads me to two other themes that are prominent throughout the series:

Real Love
To quote Haddaway, “What is love?”  This is a question that constantly gets tossed around throughout the series.  The characters often express their love for individuals, because often they mistake attraction for love.  Dok-mi is attracted to Tae-joon and likes the idea of him, but chances are if she got to know the guy, she would gradually despise him.  It is easy to claim you love someone when times are good, or when you know very little about them, but the true test is when the shit hits the fan. 

Real love is often forged in fire – Dok-mi and Enrique get into multiple fights and witness each other’s worst qualities, but at the end of the day are still there for each other. In one of the show’s more realistic moments, after they have agreed to start dating, both are initially at a loss over what to do. This is a new experience for them.  Enrique doesn’t just magically transform into a passionate lover; he plays his romance with Dok-mi by ear.  The most interesting thing about their relationship is that they can communicate without words: Enrique often knows what Dok-mi is thinking just by the look in her eyes and body language; later, Dok-mi also learns this same skill with Enrique. 

There is an interesting role reversal in the second half of the series – in the first half, it is Enrique who pesters Dok-mi and gradually melts her icy heart.  In second half, after Enrique gets attacked by an outraged mother, he begins to have a crisis of faith and believes that he has a negative influence on the youth; when he shows this darker side to Dok-mi, she pleads for the old Enrique to come back and then is determined to cheer him up.  

Their relationship is, to a lesser extent, mirrored with Dong-hoon and Seul-gi – they initially start off as being combative towards one another. Seul-gi constantly screams up a storm over how unsatisfied she is with Ji Rok’s and Dong-hoon’s webtoon. However, as the show progresses, the two of them become fond of one another (Seul-gi co-signs a long for Dong-hoon and he gives her polite tips on how to improve her image) and it eventually turns into love. It’s a relationship that was formed in the trenches and can survive because both have already witnessed each other’s worst traits. More importantly, Dong-hoon falls in love with Seul-gi when she still looks like shit – he even comments that the permanent rings under her eyes are “kind of cute.”




Community
This theme is prominent in most K-dramas – the protagonist begins the series as a loner and by the end has built a small community around him/her.  In some instances, like the entertaining Birdie Buddy, they already belong to a strong community, and this is what props them up in their toughest moments.  Flower Boys Next Door begins with Dok-mi alone in her apartment and ends with her outdoors, walking on the sidewalk with Enrique and a handful of friends (including Ji Rok).  This a literal representation of the phrase “strength in numbers.”  Dok-mi begins the series believing that she can do everything on her own, but once she gets to know Enrique, and the joy he usually brings to the proceedings, she realizes this is a fallacy – especially after Enrique pronounces his love for to his less than receptive fanbase. He is willing to alienate his fans and potentially derail his career, because his love for Dok-mi is more important.  When she sees what he is willing to sacrifice, she can’t help but be moved. Early in the show, she states that her high school experience would have been bearable if only ONE person had stood by her side. Just one person she could lean on and pour out all her troubles to. It turns out that Enrique is that one person and she is perfectly okay with it. However, it certainly helps to have some back up and her fellow tenants at the apartment perfectly fill those roles. 

This theme of community extends to Mitzuke – he is a foreigner in another country, but rather than alienate himself from everyone, the first thing he does is make friends. He introduces himself to his neighbors and invites him to his apartment for cooking lesson. In fact, it is these weekly gatherings at his apartment that help cement the bonds the characters form. In one scene, Jung Im is bummed that Enrique is not there, because he is the one who makes the gatherings fun. This is not to say communities are inherently good – after all, the fanbase are a community and they behave in a toxic manner towards Dok-mi – but it certainly helps surrounding yourself with a handful people who understand and support you.



Flower Boys Next Door is not a perfect show. It often suffers from two tropes that annoy me: an overreliance on flashbacks to drive home a point – it often flashbacks to a scene that happened seconds ago. It also is heavily reliant on creating drama by people either missing a phone call or ignoring it. However, despite these flaws, it is still a pleasant diversion, and it does fly at a fast pace. Like most K-dramas, it is addictive – it is difficult to watch just one episode. 


Cast: Park Shin-hye (Go Dok-mi), Yoon Shi-yoon (Enrique Geum), Kim Ji-hoon (Oh Jin Rok), Park Soo-jin (Cha Do-hwi), Go Kyung-pyo(Oh Dong-hoon), Koki Mizuta (Watanabe Ryu), Kim Seul-gi (webtoon editor), Lee Dae-yeon (Hong Soon-chul), Kim So-yi (Jung Im), Kim Yoon-hye (Yoon Seo-young), Kim Jung San (Han Tae-joon), Kim Da-ye (Bae Bok).

Director: Jung Jung-hwa
Writer: Kim Eun-jung
16 episodes ~ 60 minutes

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