Gremlins (1984)

In 1984, Gremlins defied expectations by grossing 148 million dollars at the box office, despite going up against heavy competition like Indiana Jones and the Temple of Doom and Ghostbusters. It was a highly controversial movie in its initial release – many critics were appalled by the onscreen violence. This was also a concern for some of the movie’s supporters; Roger Ebert, in his three-star review, wrote this about the infamous microwave scene, “I had a queasy feeling that before long we’d be reading newspaper stories about kids who went home and tried the same thing with the family cat.” It was this graphic moment and the heart ripping scene in Temple of Doom that led to the creation of the PG-13 rating; many parents went into expecting to see a family movie and where absolutely shocked when it turned violent in the second half.  The marketing for Gremlins focused largely on how cute Gizmo was, thus misleading people into believing they would be watching an E.T. The Extra-Terrestrial knock off.  Joe Dante, in the Gremlins commentary, relates a story about how a mother walked out of a screening, with her daughter in tow, and complained to the theatre manager about the horrific violence. The little girl, of course, wasn’t at all fazed by the violence and wanted to watch the movie. The original script, by Chris Columbus, was a much darker movie: the mother is beheaded by Stripe; the family dog is eaten; and it is Gizmo who turns into Stripe. It was producer Steven Spielberg and Joe Dante who decided to lighten the tone of the movie; which is what makes it a truly unique experience. If Gremlins was a straight horror movie, it would have died quickly at the box office. If Joe Dante would have been merely content in aping E.T.The Extra-Terrestrial, the movie would have faded into obscurity. 

Gremlins is an interesting movie because of how it constantly shifts gears; it begins as a cute family comedy, then turns into a pure horror movie, and then finally settles into cartoonish anarchy. The Gremlins are interesting creatures – they are not so much evil as they are mischievous. They begin life as cute and furry Mogwai, and then metamorphose (which only occurs if they are fed after midnight) into green, reptilian-like creatures that have an appetite for destruction. They leader of the group, Stripe, with his white Mohawk often resembles a Muppet version of punk rock singer, Billy Idol.  They even have a similar scowl. 

At first, the Gremlins are your typical monster movie menace; the scene where the science teacher, Mr. Hanson, tries to lure a Gremlin out from underneath his desk with a candy bar is a genuinely scary scene.  This scene is extremely well done. The creature is kept off screen entire time – its presence is established through sound effects and footsteps.  While many critics complained about the violence, Mr. Hanson’s demise is left to our imaginations.  As the movie progresses, the Gremlins become less monstrous and more cartoonish parodies of mankind. They appropriate mankind’s worst qualities:  they drink; chain smoke; play cards; one of them flashes Kate in the bar; and they are willing to harm one another just for a cheap laugh.  It is also interesting that they begin to dress up like humans; one of them is wearing Mickey Mouse ears during a screening of Snow White and the Seven Dwarfs. Stripe survives the movie theatre explosion, because he his desperate need of Milk Duds takes him to the department store next door.  Even Gizmo, our furry protagonist, isn’t immune to the consumer culture; he becomes enamored with the television and drives a pink Barbie corvette at the movie’s climax. 

The other criticism of Gremlins is that Zach Galligan is a pretty bland lead. This isn’t entirely false; Galligan doesn’t exactly radiate onscreen charisma (Phoebe Cates fares much better). However, I believe this actually works in the movie’s favor, because Billy Peltzer is a completely unremarkable guy: he is a scruffy bank teller; lives in his parents’ attic; his best friend is his pet dog; and he harbors a crush on his pretty co-worker, Kate, but is too shy to make a move.  He believes Kate is out of his league; this is  understandable considering that Gerald, the bank manager, also has designs on her.  A better and more charismatic actor would not work in this role; it’s easy to believe Galligan’s Billy having confidence issues, but that would not be the case with a more established actor. Billy has an agreeable personality, but he’s not exactly the prettiest contestant in the pageant.  If you were a social misfit in high school, then it is incredibly easy to relate to Billy. While Zach Galligan isn’t a great actor (he’s no Finn Wolfhard), I do like the moment when Billy finally works up the nerve to ask Kate on a date; Galligan plays this to absolute perfection - he hesitates a bit before uttering the word, "date."

Phoebe Cates is, essentially, the Jessica Alba of the 1980s – an actress of limited range but with an agreeable screen presence. She really isn’t given much to for the first two thirds of the movie, except look absolutely adorable.  She does this to absolute perfection; it is easy to understand why Billy would have a massive crush on Kate.  Who wouldn’t?  Like Galligan, she is able to come through in the clutch when the filmmakers need her to; I am, of course, talking about the famous scene in which Kate reveals why she hates Christmas(Her dad dressed up like Santa and broke his neck while attempting to go down the chimney). This scene was greatly controversial; the studio heads wanted to cut it because they felt it was in bad taste. Joe Dante liked it because of how ambivalent the audiences’ reactions were to it. How would you respond to such a story? On one hand, it is so ridiculous to the point of being comical. On the other hand, this is clearly a painful memory for Kate and it’s easy to feel bad for her.  Cates is a limited actress, but she is spot on in this scene; there is not a hint of irony in her performance, she plays it with absolute sincerity.  I rather like the character of Kate, largely because she has a fairly cool head on her shoulders; like how she is able to buy time while serving a bar full of Gremlins.  She does an occasional scream, but she doesn’t turn into a quivering pile of Jell-O, either.  It’s also interesting to see a more traditional female role given a slightly darker edge; she hates Christmas and even snaps at Billy when he begins to question her about it.  I like Gremlins 2, but Kate often gets lost in the mix in that movie.  

While the Spielberg influence is there (he was an executive producer), Gremlins is unmistakably a Joe Dante movie: the movie is loaded with cinematic in jokes (Lew Landers, a character from Dante’s previous movie, The Howling, appears on the television at the end); Dante’s stable of actors appear in small roles (Dick Miller as Futterman, Belinda Balaski as Mrs. Harris, and Kenneth Tobey as the Gas Station Attendant); and his brand of dark humor is on full display in this “family picture” (the demise of the miserly Mrs. Deagle is one of the highlights).  There is still a debate as to who was the real director of Poltergeist: Steven Spielberg or Tobe Hooper?  This is not the case with Gremlins. 

Gremlins is also an affectionate spoof of the science fiction/horror movies of the 1950s. It has fun sending up the tropes; The Gremlins hatching from their pods is very reminiscent of the scene in Invasion of the Body Snatchers, when replicates burst out from the their  pods.  There is usually a scene in 1950s horror where the young protagonist runs to police chief and tries to warn him about the terror that his heading their way, and the police chief responds by kicking our hero out of his office.  In Gremlins, Billy tries to warn Sheriff Frank about the onslaught of monsters that are about to ravage Kingston Falls, but, naturally, the sheriff doesn’t believe him (even after having met Gizmo).  A similar scene happens in The Goonies, when Chunk calls the police and tries to get their help. It’s also interesting because that scene references Gremlins; the officer on the phone starts listing all the pranks Chunk has pulled in the past and then mentions, “Just like that last prank about all those little creatures that multiply when you throw water on them.” Both scripts were written by Chris Columbus, so it's not that surprising. 

Credits
Cast: Zach Galligan (Billy Peltzer), Phoebe Cates (Kate), Hoyt Axton (Rand Peltzer), Frances Lee McCain (Lynn Peltzter), Polly Holliday (Mrs. Deagle), Glynn Turman (Mr. Hanson), Dick Miller (Mr. Futterman), Scott Brady (Sheriff Frank), Keye Luke (Mr. Wing), Corey Feldman (Pete), Judge Reinhold (Gerald), Jackie Joseph (Mrs. Futterman), Edward Arnold (Mr. Corben),  Belinda Balaski (Mrs. Harris), Jonathan Banks (Deputy), John Louie (Chinese Boy), Harry Carey, Jr. (Mr. Anderson),  James MacKrell (Lew Landers), Chuck Jones (Mr. Jones), Don Steele (Rockin’ Ricky Rialto),  William Schallert (Father Bartlett), Kenneth Tobey (Gas Station Attendant),Howie Mandel (voice of Gizmo), Frank Welker (voice of Stripe/Mogwai/Gremlins).

Director: Joe Dante
Screenplay: Chris Columbus
Running Time: 106 min.